Department of
ENGLISH AND CULTURAL STUDIES






Syllabus for
Bachelor of Arts (English Honours)
Academic Year  (2023)

 
3 Semester - 2022 - Batch
Paper Code
Paper
Hours Per
Week
Credits
Marks
BENG331 CANON AND ITS CONTESTATIONS 5 5 100
BENG332 LITERARY CRITICISM AND THEORY 4 4 100
BENG333 LANGUAGE, MIND AND MACHINE 4 4 100
BENG334 INTRODUCTION TO LINGUISTICS 4 4 100
BENG341A AMERICAN LITERATURE-I 4 4 100
BENG341B SOCIOLINGUISTICS 4 4 100
BENG341C VISUAL CULTURE: AN INTRODUCTION 4 4 100
BENG361 BASIC PSYCHOLOGICAL PROCESSES 4 4 100
BENG381 INTERNSHIP 0 2 100
SDEN311 SKILL DEVELOPMENT 2 0 50
4 Semester - 2022 - Batch
Paper Code
Paper
Hours Per
Week
Credits
Marks
BENG431 THE CONSTRUCTION OF MEANINGS: PRAGMATICS, SEMANTICS AND SEMIOTICS 5 5 100
BENG432 RESEARCH WRITING 5 5 100
BENG433 LITERARY AND CULTURAL THEORY 5 5 100
BENG441A AMERICAN LITERATURE-II 4 4 100
BENG441B FOLKLORE: TRADITION AND RECONFIGURATION 4 4 100
BENG441C INTRODUCTION TO DISCOURSE ANALYSIS 4 4 100
BENG461 CULTURAL PSYCHOLOGY 4 4 100
SDEN411 SKILL DEVELOPMENT 2 0 50
5 Semester - 2021 - Batch
Paper Code
Paper
Hours Per
Week
Credits
Marks
BENG531 POSTCOLONIAL LITERATURES 15 5 100
BENG532 LANGUAGE, CLASSROOM, AND PEDAGOGY 15 5 100
BENG533 DISCOURSES IN ENVIRONMENTAL HUMANITIES 15 5 100
BENG541A INDIAN LITERATURES: PROBLEMS AND PERSPECTIVES 15 4 100
BENG542A TRANSLATION: THEORY AND PRACTICE 15 4 100
BENG542B CULTURAL LINGUISTICS 15 4 100
BENG543A READING GRAPHIC NARRATIVES 15 4 100
BENG543B INTRODUCTION TO CULTURAL STUDIES 15 4 100
BENG581 INTERNSHIP 0 2 100
SDEN511 SKILL DEVELOPMENT 2 0 50
6 Semester - 2021 - Batch
Paper Code
Paper
Hours Per
Week
Credits
Marks
BENG631 UNDERSTANDING GENDER 5 5 100
BENG632 CASTE AND MARGINALITY 5 5 100
BENG633 SEMINAR IN MULTILINGUALISM 5 5 100
BENG641A NARRATIVE APPROACHES TO TRAUMA 4 4 100
BENG641B LITERARY DISABILITY STUDIES 4 4 100
BENG642A POPULAR CULTURE: THE POLITICS OF THE EVERYDAY 4 4 100
BENG642B ENGAGING WITH CINEMA 4 4 100
BENG642C HORROR NARRATIVES 4 4 100
BENG681 DISSERTATION 2 2 100
SDEN611 SKILL DEVELOPMENT 2 0 50

BENG331 - CANON AND ITS CONTESTATIONS (2022 Batch)

Total Teaching Hours for Semester:75
No of Lecture Hours/Week:5
Max Marks:100
Credits:5

Course Objectives/Course Description

 

This course has been conceptualized to break the age-old notions of the classics as the best. It attempts to familiarize students with the debates of high culture and low culture; problematize their understanding of literature itself which had begun in the previous semester. It will enable students to understand and contest the hierarchies established within literary and academic circles; relook at their own assumptions in judging literature as good and bad. It will enable them to engage with literature as a text, in context.

This course aims to enable the student to:

• Understand the concept of canon

• Interrogate notions of the canon

• Debate on notions of high and low culture

• Critically engage with literature

• Questions the notions of ‘authority’ and

• Understand that all classifications are arbitrary constructions.

Learning Outcome

CO1: Distinguish between a canonical and non-canonical work through reading classical and non-classical texts and writing assignments.

CO2: Critically evaluate and debate the politics behind the construction of canons through assignments and written examinations.

CO3: Demonstrate an informed understanding of high and low culture through varied classroom engagements and presentations.

CO4: Compile knowledge around questions of value judgement in literature through assignments and written examinations.

Unit-1
Teaching Hours:15
Introduction to the Canon
 

 

Unit details: Description: This section will deal with discussion on student’s understanding of literature and its functions. The prescribed sections will merge with the initial discussions and introduce the students to the idea of a hierarchy/canon which has been unwittingly following faithfully all these years. The critical reading of the texts included in this unit is intended to sensitise students about the local, regional and national preferences existed in the construction of canon. It will make the students realise how far the notions of gender, race and nationality played a role in traditional contexts in promoting literary works.

14. Canon of Literature.” A Glossary of Literary Terms, by M. H. Abrams, Cengage Learning, 2015.

15. Leavis, F. R. “Introduction.” The Great Tradition, Penguin, 1972.

16. Arnold, Matthew. “The Study of Poetry by Matthew Arnold.” Poetry Foundation, Poetry Foundation, www.poetryfoundation.org/articles/69374/the-study-of-poetry.

17. Johnson, Samuel. Preface to Shakespeare. Blurb, 2021.

Unit-2
Teaching Hours:15
Contestations to the Canon
 

 This section will problematize students’ knowledge of the classics and their judgments of literature as good and bad. It will enable them to understand how their notions of literature have been conditioned by certain operational power structures in regional and global contexts. The notions about the significance of cultural tradition discussed in the texts in the unit will make students realise the systems of value formation in different historical and cultural contexts.

16. Sacks, Sam. “Canon Fodder: Denouncing the Classics.” The New Yorker, 23 May 2013, www.newyorker.com/books/page-turner/canon-fodder-denouncing-the-classics.

17. Nelson, Camilla. “Friday Essay: The Literary Canon Is Exhilarating and Disturbing and We Need to Read It.” The Conversation, 7 Dec. 2021, theconversation.com/friday-essay-the-literary-canon-is-exhilarating-and-disturbing-and-we-need-to-read-it-56610.

18. Howe, Irving. “Why You Absolutely Should Read the Canon in College.” The New Republic, 1 Mar. 2022, newrepublic.com/article/119442/irving-howe-value-canon-essay-literature-and-education.

19. Waugh, Patricia. “Value: criticism, canons, and evaluation.” Literary Theory and Criticism, Oxford University Press, 2006.

Unit-3
Teaching Hours:15
Reading the Canon and its ?Other?
 

This unit will introduce students to literature that is considered canonical and some of its contestations. This will enable students to question the givens and make better-equipped critiques. The students will also be introduced to the idea of the writing back. The unit will make students aware of the notions on language and culture formed in different historical contexts in global and regional contexts.

5. “Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century.” Learning to Curse: Essays in Early Modern Culture, by Stephen Greenblatt, Routledge, 2016.

(Choose any TWO pairs from the given three pairs.)

6. Pair I:

Shakespeare, William. The Tempest. The Arden Shakespeare, 2022.

Cesaire, Aime. A Tempest. 1st ed., Theatre Communications Group Inc.,U.S., 2002.

7. Pair II:

Austen, Jane. Emma. Fingerprint! Publishing, 2014.

Ohja, Rajashree, director. Aisha. PVR Pictures, 2010.

8. Pair III:

Bronte, Charlotte. Jane Eyre. Amazing Reads, 2017.

Rhys, Jean. Wide Sargasso Sea. Penguin Books, 2019.

Unit-4
Teaching Hours:15
The ?Not So Popular?
 

This section will introduce students to writer’s and texts that are marginalised to understand the complexities of constructions of good and bad literature and the politics of representation. The section will also conclude the basic arguments made in the course and enable students to voice their opinions.

18. Forman, Simon, and J. O. Halliwell-Phillipps. The Autobiography and Personal Diary of Dr. Simon Forman: The Celebrated Astrologer, from A.D. 1552, to A.D. 1602, from the Unpublished Manuscripts in the Ashmolean Museum, Oxford. For Private Circulation Only, Richards, Printer, 1849.

19. Maria Edgeworth: Excerpts from her Letter

20. Edgeworth, Maria. The Life and Letters of Maria Edgeworth. Kessinger Pub.

21. Bama. Karukku. Oxford University Press, 2014.

22. Marlene Nourbese Phillips: “Brown Sugar”

Unit-5
Teaching Hours:15
The Concept of Canon in the Contemporary Literary Context
 

The unit aims to make students understand the changing concepts of canon in the context of new literary theories and new approaches towards popular literature

6. Conflicts between New Literary Theories and the Concept of Canon: Deconstruction, Cultural Materialism, etc: Derrida: A Very Short Introduction, Culture and Materialism by Raymond Willaims

7. New Approaches in the Reading and Evaluation of Popular Literature: The Uses of Literacy by Richard Hoggart.

 

Text Books And Reference Books:

All the prescribed texts in the syllabus.

Essential Reading / Recommended Reading

Abrams, M H and Geoffrey Gart Harpham. A Glossary of Literary Terms. 11the Edn. Cengage Learning, 2015.

Day, Gary. The British Critical Tradition: A Re-evaluation. Palgrave, 1992.

Bourdieu, Pierre. The Field of Cultural Production: Essays on Art and Literature. Polity Press, 1993.

Waxler, Robert P. The Risk of Reading: How Literature Helps us to Understand Ourselves and the World. Bloomsbury Publishing, 2010

Eagleton, Terry. The Idea of Culture. Wiley, Free, Margaret and Harriette Taylor Treadwell. Reading Literature. Bibliobaazar, 2010.

Waxler, Robert P. The Risk of Reading: How Literature Helps us to Understand Ourselves and the World. Bloomsbury Publishing, 2010.

Mukerji, Chandra and Michael Schudson. Rethinking Popular Culture: Contempory Perspectives in Cultural Studies. University of California Press, 1991.

Evaluation Pattern

CIA 1- 20 Marks

MSE - 50 Marks

CIA3 - 20 Marks

ESE- 50 Marks

BENG332 - LITERARY CRITICISM AND THEORY (2022 Batch)

Total Teaching Hours for Semester:60
No of Lecture Hours/Week:4
Max Marks:100
Credits:4

Course Objectives/Course Description

 

The course will serve as a detailed introduction to the major approaches in western Literary theory and Criticism. It will familiarise the students with different modes of analysis too. The course will help them to have a thorough understanding of the various dimensions of literary works

Learning Outcome

CO1: Demonstrate knowledge of key concepts, theoretical frameworks, and discourses in literary criticism and theory through classroom discussions

CO2: Explain the development of theoretical ideas across ages through class discussions, written assignments

CO3: Interpret literary texts by employing relevant theoretical frameworks in their written assignments and assessments.

CO4: Analyze the narratives in the folk, regional, national and transnational contexts and provide meaningful interpretations through close reading and research.

Unit-1
Teaching Hours:15
Ancient Greek Criticism and Neoclassical Criticism
 

This unit will closely look into some of the earliest debates pertaining to art and society, through the works of Plato and Aristotle, as well its continuities that can be traced through the works of Sir Philip Sidney, John Dryden and Samuel Johnson.

18. Plato

19. Aristotle

20. Sir Philip Sidney

21. John Dryden

22. Samuel Johnson

Unit-2
Teaching Hours:15
The Enlightenment and Romanticism
 

This unit closely studies some of the prominent ideas put forth by crucial Enlightenment era thinkers and their impact on literary criticism on a global scale. Subsequently, this unit will also investigate its continuities as well as crucial instances of ideological departure with the literary movement of Romanticism, the values of which are often considered to be antithetical to that of Enlightenment.

1. Jean-Jacques Rousseau

2. Immanuel Kant

3. William Wordsworth

4. Samuel Taylor Coleridge

5. Ralph Waldo Emerson

Unit-3
Teaching Hours:15
New Criticism and Modernism
 

This unit will focus on the roots of New Criticism as well as Modernism. The unit will begin by tracing the early conceptualisation of some of the foundational theories of new criticism through the 1919 essay “Tradition and Individual Talent” written by the Modernist poet and critic, T.S. Eliot.

23. T. S. Eliot

24. W.K. Wimsatt and I.A. Richards

Unit-4
Teaching Hours:15
Psychoanalysis
 

This unit will closely study psychoanalysis; its origins, key thinkers, their impact on a global scale, and the influence of their work on literary criticism and theory.

8. Sigmund Freud

9. C.G. Jung

Unit-5
Teaching Hours:15
Feminism and Marxism
 

This unit will explore feminist literary criticism and Marxist literary criticism. Beginning with Mary Wollstonecraft, this unit shall also closely study the possibilities of intersectionalities between gender and class within the global context.

1. Mary Wollstonecraft

2. Virginia Woolf

3. Elaine Showalter

4. Karl Marx and Friedrich Engels

5. Antonio Gramsci

Text Books And Reference Books:

As mentioned in the unit details.

Essential Reading / Recommended Reading

Abrams, M.H. A Glossary of Literary Terms. 8th ed. Wardworth, 2005.

Ahmand, Aijaz. In Theory: Classes, Nations, Literatures. Oxford University Press, 2006.

Culler, Jonathan. The Pursuit of Signs: Semiotics, Literature, Deconstruction. Routledge, 2001.

Devy, G.N. Indian Literary Criticism: Theory and Interpretation. Orient Longman, 2007.

Eagleton, Terry. Literary Theory: An Introduction. 2nd ed. Blackwell, 2008.

---. The Function of Criticism. Verso, 2005.

Gurrin, Wilfred L, et al. A Handbook of Critical Approaches to Literature. 5th ed. Oxford University Press, 2005.

Habib, M.A.R. A History of Literary Criticism and Theory: From Plato to the Present. Blackwell, 2008.

John, Eileen, and Dominic McIver Lopes, editors. Philosophy of Literature: Contemporary and Classic Readings. Blackwell, 2004.

Kapoor, Kapil. Literary Theory: Indian Conceptual Framework. Affiliated East-West Press, 1998.

Klages, Mary. Literary Theory: A Guide for the Perplexed. Continuum, 2006.

Leitch, Vincent B., ed. The Norton Anthology of Theory and Criticism. W W Norton, 2001.

Rice, Philip, and Patricia Waugh. Modern Literary Theory. 4th ed. Hodder Arnold, 2001.

Rivkin, Julie and Michael Ryan, editors. Literary Theory: An Introduction. Blackwell, 2003.

Rooney, Ellen. Feminist Literary Theory. Cambridge University Press, 2006.

Waugh, Patricia. Literary Theory and Criticism: An Oxford Guide. Oxford University Press, 2006

Evaluation Pattern

CIA 1=20

MSE-50

CIA3= 20

ESE-50

BENG333 - LANGUAGE, MIND AND MACHINE (2022 Batch)

Total Teaching Hours for Semester:60
No of Lecture Hours/Week:4
Max Marks:100
Credits:4

Course Objectives/Course Description

 

This course has been conceptualized in order to expose students to research enterprises that seek to discover the underlying structure of language and cognition. The traditional approach towards the rules of language is both problematic and, on many fronts, inadequate when it comes to the application of the explanatory adequacy approach towards the language. Linguistics is the study of human language, its nature, structure, origin and its uses. Linguists (those who study language) have devised various methodologies which can be used to study language, not as a set of rules of the system but as the rules which unravel human cognition. In this course, the approach towards the linguistic system would be to ask the question of why the language is the way it is rather than just describing the phenomenon. This course will give students an overview of the field of modern linguistics and will enable them with the basic tools, methodologies, rules, etc. The course develops an understanding of the various subsystems of languages including Phonology, Morphology, Syntax, and Semantics as generative systems. It also directs towards the objectivity of languages in order to think of language as an independent system. The course aims to provide enough basics/working knowledge of the discipline that can be further enhanced in order to develop skills like data analysis, data mining, text mining, POS tagging, corpus understanding, etc., for the students wishing to have a career in language data analysis in Google, Amazon, Meta, and other AI startups. Its objective is to see language as a generative mechanism from the cognitive and computational perspectives. Further, how can this knowledge be translated to understand the relationship between language, mind and machine?

Learning Outcome

CO1: Demonstrate knowledge of key concepts, rules and frameworks, and systems in the field of Linguistics through classroom discussions, presentations and workshops.

CO2: Develop linguistics skills like transcribing, POS tagging, text mining, phonological-morphological analysis, disambiguation, intent analysis, linguistics mapping and normalization through lectures, workshops and seminars.

CO3: Apply critical thinking in order to find the abstracted form of language to build an association between natural language and machine through data analysis and practice in the class and workshops.

CO4: Employ analytical skills, various linguistics rules, techniques and notions to understand the system or grammar of a particular language as well as universal.

Unit-1
Teaching Hours:15
Phonetics and Phonology
 

Phonology is the scientific study of the sound system in a language. Phonetics is the study of the physical properties of sound. This unit tries to provide basic working knowledge in the field. Students would be familiarized with IPA (International Phonetic Association) symbols. A detailed discussion with practice would be provided on the organs of speech (speech production, transmission and reception). The section tries to uphold the point that languages have a systematic rule pattern which allows the (im)/possibility of certain sound combinations in a language from optimality theory. The unit provides skills like the working knowledge of sound analyzing software in order to do intent, accent and prosodic analysis which are employable skills.

The unit imparts linguistics skills like accent analysis, software uses to capture and analyse sounds that will lead towards employability

Teaching learning strategies: Lecture, discussion, presentation, workshop, training, group work

1. Phonetics: Accents, Syllables, non-segmental phonology and identity analysis

2. PRAAT, Phon, Audacity

3. Phonological rules and system

4. Grammar and phonology

Unit-2
Teaching Hours:15
Morphology: Grammar of words
 

Morphology is the study of the internal structure of the word. As the term suggests, the section is devoted to studying the forms and functions of words. The goal would be to identify the underlying system of a certain pattern through the surface realization of the forms. The study of morphology was central in the reconstruction of Indo-European (language family), particularly when structuralism was in its prime between 1940 and 1960. Though there are many theories and models to be explored in morphology, our focus would be to see the generative account of morphology. The unit imparts skills so that students would be able to do morphological analysis, can understand software like morphological analyzer, can do POS tagging, parsing, lemmatization, text generation, word retrieval, and understand the various kinds of normalization processing in linguistics. The unit will equip students to understand the system of generating words in a language, this is done by skilling them with theoretical and practical (machine/software) knowledge available in the field. These skills would further help them to seek careers in NLP, AI and other such platforms.

Unit details: Description (Include LRNG, Employability, and Cross-cutting issues)

20. Lexemes and Lego – Key words/ search word / word search

21. Inflectional and derivational morphology

22. Morphological typology

23. Word formation process and the parts of speech (morpho-syntactic properties)

24. POS tagging and morphological analyser

Unit-3
Teaching Hours:15
Syntax: Grammar of Sentence
 

Syntax is the study of the structure of a sentence. In this unit, we will try to explore the various concerns in the domain of syntax like constituent, phrase, and constituent tests, valency, arguments, PRO, passivisation, text normalization, etc. In modern linguistics, the syntax has occupied the central position in the study of language. Moreover, its direct application in understanding human cognition and machines made it both popular and appealing. In this unit, it has been tried to make students understand how phrases are put together and make meaning. The unit attempts to impart skills like POS tagging, parsing, making rules of grammar, predicting wrong utterances, etc., which will enable students to get employment in the field of AI and NLP.

Unit details: Description (Include LRNG, Employability, and Cross-cutting issues)

9. Reintroducing parts of speech and reconsidering POS tagging

10. Understanding constituents and learning the tests

Unit-4
Teaching Hours:15
Semantics: Grammar of Meaning
 

Semantics is the study of meaning. In this section, we have tried to introduce a few concepts which are fundamental to studying the meaning of words and sentences. The study of semantics concerns the relation of linguistic forms to non-linguistic concepts and mental representations of things in order to explain the possibility of successful communication. The unit talks about the various models of meaning-making, it also touches upon the computational models of concept.

Unit Topics:

25. Lexical semantics

26. Language and thought

27. Theories and models of meaning making

28. Models of concepts (computational)

Text Books And Reference Books:

As per the unit details

Essential Reading / Recommended Reading

Fromkin, Victoria, Robert Rodman, and Nina Hyams. An Introduction to Language (w/MLA9E Updates). Cengage Learning, 2018.

Balasubramanian, T. A textbook of English phonetics for Indian students. Macmillan, 1981.

Collins, Beverley, and Inger M. Mees. Practical phonetics and phonology: A resource book for students. Routledge, 2013.

Hayes, Bruce. Introductory phonology. Vol. 7. John Wiley & Sons, 2008.

Evaluation Pattern

CIA 1=20

MSE=50

CIA3= 20

ESE = 50

BENG334 - INTRODUCTION TO LINGUISTICS (2022 Batch)

Total Teaching Hours for Semester:60
No of Lecture Hours/Week:4
Max Marks:100
Credits:4

Course Objectives/Course Description

 

This course provides an introduction to the discipline of Linguistics. Students will learn the basic concepts and methods used by linguists in the scientific study of human language. The course will examine the material, accessible properties of language (the sounds, the words, the phrases...) to get an understanding of its non-material, abstract ones. Given that language is intimately connected to our cognitive and social experience, an understanding of linguistic structure can help illuminate aspects of these domains as well. While many key aspects will be illustrated using evidence derived primarily from English and Indian languages. The course will discuss evidence from a variety of languages in order to better demonstrate the richness of linguistic diversity. 

Learning Outcome

CO1: Analyse and articulate general themes about the nature of human language, and how languages work.

CO2: Discuss fundamental processes common to all languages related to the domains of morphology, phonetics, phonology, writing systems, and language in society.

CO3: Apply findings from linguistic research to address real world issues, and be able to discuss language issues in an informed way both to linguists and non-linguists.

CO4: Analyse how language varies across speakers, over time, and across dialectal regions.

Unit-1
Teaching Hours:15
Language and Evolution
 

The unit will familiarise the students with the term language and its evolution. The unit also introduce to the human language vs animal communication. Citing examples from both global and national contexts, the unit will briefly look into language family trees and on the studies related to it. The unit deals with human values and sustainability.

Unit-2
Teaching Hours:15
The sounds and gesture of Language
 

 This unit provides a basic introduction to the phonetics and phonology of human languages. Phonetics is the study of how the sounds of the world’s languages are produced and perceived. In this unit, we will begin with an introduction of how to describe and identify different speech sounds by their acoustic and articulatory properties. Through the unit, the students will identify/ work with a diverse sample of the world’s languages. The unit deals with professional ethics and sustainability.

Unit-3
Teaching Hours:15
Introduction to Morphology
 

 What is a word? Do the things we put spaces around when we write correspond to anything in our mental grammars? How are new words formed in a language and what are their structures. This unit aims to answer these questions by examining morphological phenomena from across the world’s languages, including English as well as Indian languages. The unit deals with professional ethics.

Unit-4
Teaching Hours:15
Language acquisition and use
 

Variation and change are basic properties of language: All languages show variation in form across geographic space and between social groups, and languages are always changing. The unit will introduce the students to some of the basic concepts and cases on language variation and change among groups and sub-groups both in global and national context. Further the unit will also look into the human language acquisition and the theories related to it. The unit will focus on the human values and professional ethics.

Text Books And Reference Books:

Yule, George. The study of language. George Yule. Ed. 7 New York: Cambridge University Press,2020. 

Essential Reading / Recommended Reading

Fromkin, Victoria, et al. An Introduction to Language. Centage Learning, 2018. 

Evaluation Pattern

CIA 1= 20

CIA 2= 50

CIA 3 = 20

ESE =50

BENG341A - AMERICAN LITERATURE-I (2022 Batch)

Total Teaching Hours for Semester:60
No of Lecture Hours/Week:4
Max Marks:100
Credits:4

Course Objectives/Course Description

 

each era will be analysed in detail to give the student first-hand experience of the texts. To familiarize students with some of the range and diversity of early American literature; to introduce students to major movements in the history of American literature; to deepen students’ interpretative and critical skills, both by discussing literary critical practice and by engaging in it; to improve students’ verbal skills of argumentation and articulation of ideas through large and small group discussion; to improve students’ skills of written argumentation through writing and revising essays

The course aims to

• To familiarise the beginnings of American literary and cultural context

• To be aware of the political history and its influence on literature of America.

• To familiarize students with some of the most important thinkers of the period

Learning Outcome

CO1: Demonstrate knowledge of key concepts, theoretical frameworks, and discourses in the field of American Literature through written exams, class discussions and argumentative essays.

CO2: Formulate critical and analytical arguments about the various socio-political contexts through written assignments.

CO3: Develop interpretive claims about a variety of texts through class room discussions and group projects.

CO4: Explore critically the literary and cultural history of America through group assignments, class discussions and critical writing.

Unit-1
Teaching Hours:15
Literature of the New World: 1492-1620
 

This chapter explores the early American literature from the period of exploration and settlement. These two texts will reflect and reveal evolving American experience and character.

Key topics: New world, Columbian exchange, colonialism, Indigenous Americans, transatlantic maritime expedition, conquests of America,

Excerpts from

23. Columbus, Christopher. The Four Voyages of Christopher Columbus. Penguin UK, 2004.

24. Smith, John. “The New Land.” Capt. John Smith: Of Willoughby by Alford, Lincolnshire; President of Virginia, and Admiral of New England. Works. L608-1631. 1895

Unit-2
Teaching Hours:15
Literature of Colonial America: 1620-1776
 

This unit covers colonial exploration, resistance, conquest, all taking place in the realm of the “new” land. Texts selected for this unit aim at orienting the students to reflect the cultures of America at various points in its history prior to 18th Century.

Key topics: America History, Colonialism, Independence, Resistance, American identity, American Revolution, nationalism

25. Franklin, Benjamin. Rules by Which a Great Empire May Be Reduced to a Small One. (1773) CreateSpace, 2014.

26. Jefferson, Thomas. Declaration of Independence Thomas Jefferson. (1776) Independent Publishing Platform, 2017.

27. Wheatley, Phillis. “To S. M. A Young African Painter, On Seeing His Works.” Poetry Foundation, https://www.poetryfoundation.org/poems/52519/to-s-m-a-young-african-painter-on-seeing-his-works.

Unit-3
Teaching Hours:15
Literature of the New Republic:1777-1836
 

This unit explores the early literary works which contributed to the development of American literature, culture, and ideals after the colonial period to the era of American Romanticism.

Topic: American Romanticism, abolitionism, slavery, frontier literature, race, Civil War, revolutionary age

15. Twain, Mark. Adventures of Huckleberry Finn. (1884) Courier Corporation, 1994.

16. Paine, Thomas. The American Crisis. Sherwin, 1817.

17. Cooper, James Fenimore. The Last of the Mohicans. Penguin Classics, 1986.

18. Morton, Sarah Wentworth. “Stanzas to a Husband Recently United.” The Norton Anthology of American Literature: Eighth Edition, W. W. Norton & Company, 2011, p. 717.

Unit-4
Teaching Hours:15
Literature of the American Renaissance: 1836-1865
 

This unit engages with American Literary Renaissance and how it occurred at a time in which the United States was experiencing not only extraordinary growth but also redefining itself as a nation, both in theory and in practice.

Topic: American Renaissance, American Literary Renaissance, Self-Reliance, Dark Romanticism, Race, American identity, spirituality

34. Emerson, Ralph Waldo. “Self-Reliance.” American Transcendentalism Web, 1841, https://archive.vcu.edu/english/engweb/transcendentalism/authors/emerson/essays/selfreliance.html.

35. Longfellow, Henry Wadsworth. “Longfellow: A Gleam of Sunshine, The Belfry of Bruges and Other Poems.” Maine Historical Society, https://www.hwlongfellow.org/poems_poem.php?pid=82.

36. Thoreau, Henry. Where I Lived, and What I Lived For. (1924) Penguin UK, 2005.

37. Poe, Edgar Allan. “The Raven.” Poetry Foundation, https://www.poetryfoundation.org/poems/48860/the-raven.

38. Excerpts from Uncle Tom's Cabin, Chapters I, III, VII

39. Stowe, Harriet Beecher. Uncle Tom’s Cabin. (1852) Cosimo, Inc., 2009.

40. Douglass, Frederick. “What to the Slave Is the Fourth of July? Extract from an Oration, at Rochester, July 5, 1852.” Lit2Go ETC, https://etc.usf.edu/lit2go/45/my-bondage-and-my-freedom/1517/what-to-the-slave-is-the-fourth-of-july-extract-from-an-oration-at-rochester-july-5-1852/.

41. Lincoln, Abraham. The Gettysburg Address. 19 Nov. 1863, Soldiers’ National Cemetery in Gettysburg. Speech.

Text Books And Reference Books:

As mentioned in unit details.

Essential Reading / Recommended Reading

Baym, Nina. The Norton Anthology of American Literature: Eighth Edition, W. W. Norton & Company, 2011.

Abel, Darrel. American Literature: Vol. 2 Literature of the Atlantic Culture. Barron’s Educational Series Inc, 1963.

Spiller, Robert Ernest, et al. Literary History of the United States. Macmillan, 1974.

Graham, Maryemma, and Jerry W. Ward Jr. The Cambridge History of African American Literature. Cambridge University Press, 2011.

McQuade, Donald. The Harper Single Volume American Literature. Longman Publishing Group, 1999.

 

 

Evaluation Pattern

CIA 1= 20

MSE= 50

CIA 3-20

ESE =50

BENG341B - SOCIOLINGUISTICS (2022 Batch)

Total Teaching Hours for Semester:60
No of Lecture Hours/Week:4
Max Marks:100
Credits:4

Course Objectives/Course Description

 

The course investigates the interactions between language and society. This course brings the sociolinguistic issues, including the relationship between linguistic variation and social factors like identity, class and power, the development of pidgins and creoles, code choices in bi-dialectal and bilingual communities, and language change. Students will also draw connections with research methods and approaches to data analysis used in other areas of linguistics, and examine attitudes toward language and culture and their social and political consequences. The course emphasizes the insights into the use of language in society provided by a generative linguistics approach to natural language. The course will enable the understanding of intersection of language and gender, language and social class, language and social change. The learning of course can help the students to acquire the skills to analyse the language change alongwith the social factors and can enable them to get employed in language planning and policy making.

Learning Outcome

CO1: Demonstrate knowledge of language and its practice within social structures by delving into factors like identity, class and power through class discussion and assignments.

CO2: Explain language workings in society and the development of linguistic communities through term paper writing.

CO3: Demonstrate correlation between linguistic and social structure through mapping of correspondence in CIAs, class work and class discussion.

CO4: Understand linguistic and communicative competences and use this for pragmatic of communication through presentation and practical sessions (viva/in-class dialogue session).

Unit-1
Teaching Hours:15
Introduction to Sociolinguistics
 

The unit explores the introductory aspect of sociolinguistics – interaction between language and society.

Nikolas Coupland and Adam Jaworski - “Introduction: What is Sociolinguistics?” from Sociolinguistics: A Reader and Coursebook

Ronald Wardhaugh and Janet M. Fuller - “Introduction.” An Introduction to Sociolinguistics

Ronald Wardhaugh and Janet M. Fuller - “Languages in Contact: Multilingual Societies and Multilingual Discourse.”

Roland Wardhaugh and Janet M. Fuller - “Contact Languages: Structural Consequences of Social Factors; Pidgin and Creole”

Unit-2
Teaching Hours:15
Methods in Sociolinguistics
 

This unit explores the relevant methodologies in the discipline. It engages with basics of sociolinguistics- how to look for linguistics and social variable.

N. Coupland et. Al. - “Methods in Sociolinguistics”

Field methods in the Study of Social Dialects

Dialect/Regional identity: What is it?

John J Gumperz - "Dialect differences and social stratification in a North Indian Village 1."

William Laboy - The Social Stratification of English in New York City.

Unit-3
Teaching Hours:15
Socioeconomic class
 

The unit engages with the interaction between language and class/ caste. Language is shaped by the socio-economics markers. Language as symbolic capital.

Peter Trudgill - "Sex, covert prestige and linguistic change in the urban British English of Norwich."

Kalyanamalini Sahoo - "Linguistic and socio-cultural implications of gendered structures in Oriya."

 

Unit-4
Teaching Hours:15
Language and Social Change
 

The unit explores how change in language reflects social attitude of a particular community. Students engage with case studies and practical issues to understand the relation between the language and social attitude.

Ronald Wardhaugh and Janet M. Fuller. "Language, Gender and Sexuality.”

Penelope Eckert - "The whole woman: Sex and gender differences in variation."

Deborah Cameron - "Performing gender identity: young men’s talk and the construction of heterosexual masculinity (1997)."

Rita Kothari - "Caste in a Casteless Language? English as a Language of 'Dalit' Expression."

Text Books And Reference Books:

As mentioned in the unit details.

Essential Reading / Recommended Reading

Wardhaugh, Ronald, and Janet M. Fuller. An Introduction to Sociolinguistics. John Wiley & Sons, 2021.

Tagliamonte, Sali A. Analysing Sociolinguistic Variation. Cambridge University Press, 2006.

Eckert, Penelope, and John R. Rickford. Style and Sociolinguistic Variation. Cambridge University Press, 2001.

Eckert, Penelope. “Gender and Sociolinguistic Variation.” Language and Gender: A Reader, Wiley-Blackwell, 1998, pp. 64–75.

Evaluation Pattern

CIA1= 20

MSE=50

CIA 3 =20

ESE =50

BENG341C - VISUAL CULTURE: AN INTRODUCTION (2022 Batch)

Total Teaching Hours for Semester:60
No of Lecture Hours/Week:4
Max Marks:100
Credits:4

Course Objectives/Course Description

 

the questions of construction, mainly, how we see, what we see and don't see will be addressed through critical analysis and interpretation of various images, how they function in terms of identity and help us to identify and categorize cultural ideas. Exploring identity, power, representation and intentionality, the course will help students to critically approach the questions of gender, values, ethics, race, and other identities. The course discusses texts and contexts which are relevant in the regionally, nationally and globally. The course will enable students to develop critical skills, and analytical skills.

The course aims to help students

• to Identify and assess through different theoretical lenses relevant visual elements from one’s surroundings and the way these elements are influencing the experience of life.

• To Investigate the ways that forms of visual culture function in society and how these are linked to race, class, and gender as well as politics and economics

• To Critically evaluate the domain of visual culture in terms of both production and consumption, and recognize its influence on making and maintaining certain positions, experiences, practices, privileges, assumptions, aesthetics, and power relations in one’s local, national and global contexts.

• To Develop lateral thinking, critical reading skills, and analytical and interpretative skills of the medium.

Learning Outcome

CO1: Develop a broad understanding of the power of visual images through semiotic interpretation carried out by students in their written assignments.

CO2: Examine one?s surroundings and the many different ways we are affected by images and visuality through written projects, group presentations and workshops.

CO3: Utilize and critically evaluate visual culture in daily lives by using semiotic analysis as a strategy in their written projects and workshop assignment.

CO4: Recognise the dynamics of reality constructed through visual semiotics in their written projects and group presentations.

Unit-1
Teaching Hours:15
Semiotics of Visual Art: An Introduction
 

Introducing visual art as texts to explore the meaning within it using semiotic tools available. The texts selected focus mainly on the method of reading visuals. The unit also entails methodological analysis of visual texts like films, You Tube videos, video blogs etc from across the world. The unit will enable students to develop their interpretive and critical skills and will enable them to understand the role and significance of visual culture in conversing and contesting the existing power structures in the society.

Teaching learning strategies: Lectures, classroom discussions, group discussions, presentations, film screenings, and analysis of visual texts

1. Introducing Visual Culture

2. The politics of Visuals

3. Visuals as Language

Unit-2
Teaching Hours:15
Exploring Representation
 

This unit deliberates over the representative aspects and the problem spaces in from across the world. Apart from the texts mentioned, the unit provides space for semiotic analysis of visual constructs available in contemporary space like news videos, advertisements and propaganda videos. The problem space found in the representative spheres such as gender, caste, race etc in regional, national and global contexts are further subjected to deliberation based on the peripheral voices which the texts try to present or hide. Besides the theoretical deliberations available in the texts recommended, the unit also involves critical analysis of cultural constructs which employ different strategies of ‘othering’ as it is seen in visual representations of the marginalized.

1. Visuals and Caste

2. Visuals and Gender

3. Visuals and Race

Unit-3
Teaching Hours:15
Visuality & Power
 

This unit intends to look deeply in to the politics of visual texts and the sense of agency working within. It also looks at visuality in the context of culture, history, power and knowledge. This unit will help students to understand the role visual plays disseminating and contesting agency in global as well as national contexts. The unit also addresses issues related to human values, gender, ecology and visuality. These discussions will enable them to develop their critical reading skills and interpretative skills.

1. Visual Culture and Power

2. Visual Culture and Memory

3. Visual Culture and Trauma

 

Unit-4
Teaching Hours:15
Popular Visual Culture
 

The unit looks at various trends in contrast with the problems of representation as discussed in the previous two sections. The unit expands to different variants of visual representations existing in popular culture like music videos, amateur videos available through online applications. This unit is enabling students to have a distinct idea of presence and absence in popular visual culture in regional, national and global contexts. The unit is partly practical in approach, since it urges the students to ideate their notions on human values, gender, identity politics, and ecology in texts available in popular culture.

• Wall art, Street art, Graffiti,

• Popular Games and Music Videos

• Cartoons, Memes, and Popular Visual Culture

Text Books And Reference Books:

As per the unit details.

Essential Reading / Recommended Reading

Boylan, Alexis L.. Visual Culture. United States, MIT Press, 2020.

Dikovitskaya, Margarita. Visual culture : the study of the visual after the cultural turn. Cambridge, Mass., 2005.

Evans, Hall. Visual Culture: The Reader. India, SAGE Publications, 1999.

Negreiros, Joaquim, and Howells, Richard. Visual Culture. United Kingdom, Wiley, 2012.

Smith, Marquard, and Joanne Morra. Visual Culture: Experiences in visual culture. United Kingdom, Routledge, 2006.

Smith, Marquard, Visual Culture: What is visual culture studies?. Norway, Routledge, 2006.

Berger, Martin A. “The Lost Images of Civil Rights.”. Seeing through Race: A Reinterpretation of Civil Rights Photography. University of California Press, 2011.

Carroll, Noël. “The Image of Women in Film: A Defense of a Paradigm.” The Journal of Aesthetics and Art Criticism, vol. 48, no. 4, 1990, pp. 349–60. JSTOR, https://doi.org/10.2307/431572. Accessed 5 Mar. 2023.

Doyle, Jennifer, and Amelia Jones. “Introduction: New Feminist Theories of Visual Culture.” Signs, vol. 31, no. 3, 2006, pp. 607–15. JSTOR, https://doi.org/10.1086/499288. Accessed 5 Mar. 2023.

Guidetti, Fabio, and Katherina Meinecke. A Globalised Visual Culture? Towards a Geography of Late Antique Art. United Kingdom, Oxbow Books, 2020.

Jenks, Chris. Visual Culture. United Kingdom, Taylor & Francis, 2002.

Mirzoeff, Nicholas. An Introduction to Visual Culture. United Kingdom, Routledge, 1999.

Walker, Michael. “EXHIBITIONISM / VOYEURISM / THE LOOK.” Hitchcock’s Motifs, Amsterdam University Press, 2005, pp. 164–78. JSTOR, http://www.jstor.org/stable/j.ctt46mtpf.22. Accessed 5 Mar. 2023.

Chute, Hillary. Maus Now: Selected Writing. United Kingdom, Knopf Doubleday Publishing Group, 2022.

Essig, Simon. The Animal Metaphor in Art Spiegelman's "Maus". Germany, GRIN Verlag, 2014.

Magilow, Daniel H., and Silverman, Lisa. Holocaust Representations in History: An Introduction. United Kingdom, Bloomsbury Publishing, 2015.

Mirbakhtyar, Shahla. Iranian Cinema and the Islamic Revolution. United States, McFarland, Incorporated, Publishers, 2015.

Mirzoeff, Nicholas. The Right to Look: A Counterhistory of Visuality. United Kingdom, Duke University Press, 2011.

Mitchell, W. J. T. “Seeing ‘Do the Right Thing.’” Critical Inquiry, vol. 17, no. 3, 1991, pp. 596–608. JSTOR, http://www.jstor.org/stable/1343801. Accessed 5 Mar. 2023.

Rahbaran, Shiva. Iranian Cinema Uncensored: Contemporary Film-makers Since the Islamic Revolution. United Kingdom, Bloomsbury Publishing, 2015.

Sinha, Gayatri. Art and Visual Culture in India, 1857-2007. India, Marg Publications, 2009.

Spiegelman, Art. MetaMaus: A Look Inside a Modern Classic, Maus. United Kingdom, Knopf Doubleday Publishing Group, 2011.

Zelizer, Barbie. Remembering to Forget: Holocaust Memory Through the Camera's Eye. United States, University of Chicago Press, 2000.

 

Evaluation Pattern

CIA 1= 20

MSE = 50

CIA 3 = 20

ESE=50

BENG361 - BASIC PSYCHOLOGICAL PROCESSES (2022 Batch)

Total Teaching Hours for Semester:60
No of Lecture Hours/Week:4
Max Marks:100
Credits:4

Course Objectives/Course Description

 

Basic psychological processes offer an introduction and overview of the field of psychology. The course encompasses the subject matter of general psychology. This course is designed to familiarize the student with the basic concepts of Psychology. 

 

 

Course Objectives: This course aims to

      Understand issues and debates in contemporary psychology.

      Understand and apply the principles of psychology in day-to-day life for a better understanding of themselves and others.

      Understand and apply the principles of psychology in various areas like human development, personality, learning, language, memory and so on.

  • Familiarize with the symptoms of major psychological disorders

Learning Outcome

CO1: To explain various perspectives in psychology and take positions based on their understanding

CO2: To demonstrate fundamental processes underlying human behavior through experiments, role play, etc.

CO3: To apply their understanding in coming up with new ideas, concepts, etc.

Unit-1
Teaching Hours:12
Introduction to the psychological science
 

                                                                               

Definitionandgoalsofpsychology.Historyandschoolsofpsychology:structuralism;functionalism; psychodynamic; behavioral; cognitive; humanistic Movement, Trends in the 21stcentury,Psychologyandthescientificmethod,Methods,Major  philosophical  issues  inpsychology:freewillanddeterminism;brainandmind; natureand nurture;empiricismandrationality.

EssentialReadings:

Feldman,R.S.(2011).UnderstandingPsychology,10thedition, Delhi:Tata-McGrawHill.

Morgan,C.T,King,R.A.,Weisz,J.R.,andSchopler,J.(2004).IntroductiontoPsychology,7thEdition,24threprint.NewDelhi:TataMcGraw-Hill

 

 

Unit-2
Teaching Hours:12
Learning, Memory and Language
 

Classicalconditioning;Operantconditioning;Cognitivelearning:latentlearning;observationallearning;insightlearning.Memory;Informationprocessingmodel;OrganizationandMnemonictechniquestoimprovememory;Forgetting:decay;interferenceandretrievalfailure.Humanlanguage:Languageacquisitionanddevelopment;criticalperiodhypothesis.Theoriesoflanguagedevelopment– SkinnerandChomsky. Psycholinguistics

EssentialReadings:

Feldman,R.S.(2011 ).UnderstandingPsychology,10thedition,Delhi:Tata-McGrawHill.

Morgan,C.T,King,R.A.,Weisz,J.R.,andSchopler,J.(2004).IntroductiontoPsychology,7thEdition,24threprint.NewDelhi:TataMcGraw-Hill

Unit-3
Teaching Hours:12
Consciousness and Individual differences
 

Levelsofconsciousness;dream,sleep,alteredstatesofconsciousness.Personality;definition;approaches:Freud’sPsychoanalytic;Roger’sApproach;TraitTheories–TheBigFivePersonalityFactors;also:Gordon Allport,RaymondCattell, &16PF;Bandura’sSocialCognitiveTheorySelf-Efficacy.Cognitiveintelligence;EmotionalIntelligence;Socialintelligence;MeasurementofIntelligence

EssentialReadings:

Feldman,R.S.(2011 ).UnderstandingPsychology,10thedition,Delhi:Tata-McGraw Hill.Morgan,C.T,King,R.A.,Weisz,J.R.,andSchopler,J.(2004).IntroductiontoPsychology,7thEdition,24threprint.NewDelhi:TataMcGraw-Hill

Unit-4
Teaching Hours:12
Human development and social processes
 

Growthanddevelopment:aspects,principles,andperiods;Psychosocialdevelopment:ErikErikson’sPsychosocialStagesofDevelopment;Cognitivedevelopment:JeanPiaget’stheoryofcognitivedevelopment;Moraldevelopment:Kohlberg’stheoryofmoraldevelopment;Socioculturaldevelopment:LevVygotsky’stheoryofsocioculturaldevelopment;Self;Communication:Processandtypes;Effectivecommunicationtraining;Socialinfluence;Prosocialbehavior;Interpersonalrelationship

EssentialReadings:

Feldman,R.S.(2011 ).UnderstandingPsychology,10thedition,Delhi:Tata-McGrawHill.Morgan,C.T,King,R.A.,Weisz,J.R.,andSchopler,J.(2004).IntroductiontoPsychology,7thEdition,24threprint.NewDelhi:TataMcGraw-Hill

 

Unit-5
Teaching Hours:12
Psychological disorders
 

 

AbnormalBehavior;AnxietyandSomaticsymptomDisorders;Bipolarandrelateddisorders;DepressivedisordersandSchizophrenia; PersonalityDisorders.

 EssentialReadings:

 

Feldman,R.S.(2011 ).UnderstandingPsychology,10thedition,Delhi:Tata-McGrawHill.Morgan,C.T,King,R.A.,Weisz,J.R.,andSchopler,J.(2004).IntroductiontoPsychology,7thEdition,24threprint.NewDelhi:TataMcGraw-Hill

Text Books And Reference Books:
  1. Feldman, R.S. (2011 ). Understanding Psychology, 10thedition.Delhi : Tata- McGraw Hill.
  2. Morgan,C.T, King,R.A., Weisz,J.R., and Schopler,J. (2004). Introduction to Psychology, 7th Edition, 24threprint. NewDelhi: TataMcGraw-Hill
Essential Reading / Recommended Reading
  1. Baron,R.A..(1995). Psychology 3rd edition. Delhi:Prentice Hall.
  2. Munn,N.L.,Fernald,L.D., & Fernald,P.S.( 1997 ) Introduction to Psychology. Delhi: Houghton Mifflin.
  3. Smith,E.E., Hoeksman,S,N.,Fredrickson,B.,andLoftus,G.R.(2003) .Atkinson’s & Hilgard’s Introduction to Psychology.FirstReprint.Delhi Thomson Wadsworth.
Evaluation Pattern

Evaluation pattern:

 

CIA 1

CIA 2

CIA 3

Attd

ESE

20

25

20

05

30

 

 

CIA 1: Individual Assignments (Psychologicaal movie review)

 

 

CIA 2: Mid-Semester Examination(Written Examination)

Pattern:  Section A    3 x 10 = 30 marks (out of 4)

               Section B     1 x 20 = 20 marks (Compulsory)

An open book exam with four essay type questions. Question number 2 & 3 shall have internal choice.

 

CIA 3: Group Assignments (Social experiment)

 

 

ESE: End Semester Examination (Written Examination)

Pattern:  Section A    5 x 02 = 10 marks (out of 6)

                Section B    4 x 05 = 20 marks (out of 5)

                Section C   1 x 10 = 10 marks (out of 2)

                Section D   1 x 10 = 10 marks (Compulsory)

BENG381 - INTERNSHIP (2022 Batch)

Total Teaching Hours for Semester:0
No of Lecture Hours/Week:0
Max Marks:100
Credits:2

Course Objectives/Course Description

 

English Honours students have to undertake an internship of not less than 30 working days at a social service organization of their choice in any area where the student will work in the field of these organizations. The aim of the internship is to expose students to the industry climate and familiarise them with the kind of skills that they require. It also is an attempt to build professional skills in our students. 

 

Learning Outcome

CO1: Demonstrate the implication of social and experiential learning with classroom practices in their internship reports.

CO2: Decide a suitable career based on the experience of internship based on their own reflections and feedback duly mentioned in the reports.

CO3: Examine collaborations made and learning acquired with communities outside university space.

CO4: Utilize the skills acquired during the internship for providing feedback on the curriculum to strengthen it based.

Unit-1
Teaching Hours:0
Internship
 

Internship for 30 days 

Text Books And Reference Books:

NONE

Essential Reading / Recommended Reading

NONE

Evaluation Pattern

Faculty members who are offering courses to BA and MA English and Cultural Studies Programs may choose their assessments from the following list: 

Internship/apprenticeship: Service learning, community engagement, and discipline-based professional development. 

Skills to be tested: leadership, professional ethics, academic integrity, cultural and social sensitivity, teamwork, and networking skills. 

 

Weekly report 

Draft submission 

VIVA 

SDEN311 - SKILL DEVELOPMENT (2022 Batch)

Total Teaching Hours for Semester:30
No of Lecture Hours/Week:2
Max Marks:50
Credits:0

Course Objectives/Course Description

 

This course has been designed to enable the students to acquire skills that would help them in the process of knowledge acquisition. Through this engagement, it will revisit and question different notions of knowledge and how it is constructed, created, disseminated, and acquired. The course would also enable the students to understand various research practices that are the focal point of the discipline. Also central to the course is an inquiry on the process and role of critical thinking in the discipline and in the larger context of society and nation.

Course Objectives

The course is designed to:

  • enhance skills required for knowledge acquisition
  • develop a comprehensive knowledge of the variety of research practices in the discipline
  • hone and nurture their critical thinking abilities

Learning Outcome

CO1: Demonstrate critical reading abilities in multiple contexts

CO2: Recognize the politics of knowledge production and dissemination

CO3: Apply various research methods introduced in the course in their areas of interest

Unit-1
Teaching Hours:4
Data Interpretation "Show Me the Data"- Quantitative
 

This unit is primarily invested in the study of quantitative data. The unit will focus on the various ways in which data is elicited and analyzed. It will also give a brief idea about how quantitative data, which is highly monotonous in nature can be presented in an interesting way. Taking examples from the field of English, History, and Political Science, this unit will identify the sub-fields related to these disciplines which deal with large data sets.

Unit-2
Teaching Hours:4
Data Interpretation "Show Me the Data"-Qualitative
 

Data Interpretation Module will cover Qualitative Research Methods in Language Studies. This module will give students the opportunity to explore the different types of qualitative research methodologies used within applied linguistics, linguistics and language and culture research. This will be focused on to an examination of what counts as evidence within a qualitative research framework and how qualitative research evidence can be evaluated. Students will examine a range of qualitative research methodologies, such as case study, ethnography, participant observation, interviews, questionnaires, discourse analysis. Students will apply this knowledge to a personal research interest.

Unit-3
Teaching Hours:4
Critical Thinking: "To Think or Not to?"- Multiple Intelligences
 

The unit would primarily engage with the question of what it means to think and revisit some of the notions that are related to the act of thinking and the notion of intelligence. Focussing on the concept of multiple intelligence put forward by Gardener, the unit aims to provide a platform for the students to discuss and deliberate on intelligence and the possibility of exploring multiple intelligence.

Unit-4
Teaching Hours:4
Critical Thinking: "To Think or Not to" - Deferential thinking
 

Drawing from an informed understanding of the concept of multiple intelligence, this unit will explore the need to look at thinking as a multi-layered process. The aim here is to make students aware of the need to think differently than attempting to fit into what is normative.

Unit-5
Teaching Hours:4
Continuous Learning - The Holy Cycle: Unlearn, Learn and Relearn?
 

Continuing with the questions of thinking and intelligence, this unit focuses on the process of learning and assessing what it means to be a learner in the contemporary era. This unit aims to impart the skills which will make learners value and practice dynamicity and acknowledge the need for appreciating multiple perspectives.

Unit-6
Teaching Hours:4
Social Awareness: "Know Thy Neighbour"- Know Your Regime
 

Social awareness provides an individual the ability to understand and respond to the needs of others. This course focuses on social awareness - the ability to understand and respond to the needs of others. This is the third of the domains of emotional intelligence proposed by Daniel Goleman. Research indicates that emotional intelligence can be learned and be measurable differences directly associated with professional and personal success. Furthermore, it may be responsible for up to 80% of the success we experience in life. The course focuses on the basic areas of emotional intelligence namely self-awareness, self-management; empathy/social awareness and relationship management. Students will be able to comprehend how self-awareness reflects understanding, personal acceptance & an overall understanding of personal psychology.

Unit-7
Teaching Hours:6
Social Awareness "Know Thy Neighbour": " In Short - Of Reading"
 

This module will help students learn and understand the fundamental motivations for reading. The module will introduce students to the various aspects of reading and writing and will help focus on the need to read with a sense of social awareness, responsibility and ethical action towards reading. This module aims to help students acquire the cognitive domain-related skills in helping them to appraise, develop, value, critique and defend their acts of reading. The module will include introduction to thinkers like Borges, Scholes, Booth, Fish and others who have written about reading and its responsibilities.

Text Books And Reference Books:

_

Essential Reading / Recommended Reading

_

Evaluation Pattern

General Evaluation Pattern: Unit-Wise Continuous Evaluation

 The evaluation will be based on the assessments formulated by the PTC student-instructors who facilitate each unit in the class. A continuous evaluation pattern will be followed whereby after the completion of each unit, an assignment will follow. The assessment will be done based on predefined rubrics and the score sheet needs to be tabulated. The cumulative score sheet is to be prepared at the end of the semester and the final Skill Development Score is to be computed.

BENG431 - THE CONSTRUCTION OF MEANINGS: PRAGMATICS, SEMANTICS AND SEMIOTICS (2022 Batch)

Total Teaching Hours for Semester:75
No of Lecture Hours/Week:5
Max Marks:100
Credits:5

Course Objectives/Course Description

 

Meaning making is a complex process and has been a point of global interest or investigation for a range of academic disciplines the most prominent among which are Philosophy, Psychology, Neurology, and Linguistics. While a linguist is always interested to find out the logic behind the construction of meanings to the factors that obstruct the same, a psychologist tries to understand, position and negotiate the idea of self in relation to others in the process of construction of meanings. While a philosopher is busy deciphering why something means what it means, a neurologist’s chief focus is on the function of neurons in the construction of meanings. The very act of meaning-making is therefore highly interDisciplinaryglobal learning; and, even when considered from a chiefly linguistic perspective (which is the focus of this course), the process of meaning-making can’t be positioned in the domain of either Semantics or Pragmatics or Semiotics; it is rather a by-product of all the fields. While Semantics is the systematic study of meanings which to a great extent is scientific, Pragmatics and Semiotics are concerned with the ways in which context contributes to meaning. Just like a work of art can’t be studied out of the context (sorry! New Criticism), an utterance produced at any point in time can’t be analysed out of the sociocultural context of its origin. The chief entailment arising from the proposition therefore is - this course aims to provide learners with an understanding of the basic principles in Linguistics mostly in the domain of Semantics, Pragmatics, and Semiotics which are directly involved with the process of meaning-making. That in turn helps in the development of critical and analytical skills, as learners will be required to analyse and understand the complex process of meaning-making. Through the course, learners will also develop global learning skills in interpreting and contextualizing the meaning of language, which can be useful in various day-to-day environments and fields such as communication, marketing, and language translation, and will also enhance the employability of the participants. Additionally, the interDisciplinaryapproach of the course can help in the development of interDisciplinaryskills and the ability to think outside of Disciplinaryboundaries and will give participants a global perspective and a new understanding of human values.

Learning Outcome

CO1: Acquire the technical vocabulary and theoretical tools of the field, necessary to read, publish, and engage in higher education through class lecture, discussion and note-taking.

CO2: Demonstrate the skill of collecting, organizing and analysing linguistic data from diverse languages through workshops, fieldwork, and class engagements.

CO3: Apply the basic concepts from the domain of Semantics, Pragmatics, and Semiotics to a range of contexts to engage with the process of meaning-making through introspection, observation and data elicitation.

CO4: Demonstrate the complexity of language as a tool of communication through discourse analysis, cross-cultural linguistic artefacts analysis, presentation and discussion.

Unit-1
Teaching Hours:15
Unit I: Introduction to Meaning-Making: Exploring Semantics, Pragmatics, and Semiotics in Everyday Life 
 

Description: The introductory unit will focus on the process of meaning-making by exposing learners to a range of texts both linguistic and non-linguistic in nature and will provide a global learning perspective of basic principles of meaning-making. The learners would be expected to provide their interpretation of the objects of study which can be a movie clip, a news broadcast, a painting, a photograph, or even a meme! This will enhance learners' critical and analytical skills as they analyse the object of study, and make them think at a global level, outside of their cultural and social strataPost the interpretation session, the learners will be introduced to the basic concepts of meaning-making:  Pragmatics, Semantics, and Semiotics. Students will acquaint themselves with the practical applicability of each of the fields to real-world environments and situations such as public speeches, hashtags, photography, advertisements, etc., and understand the object of study under the light of human values, culture, gender, etc. The modes of application indicated here are highly indicative as the modes in which these fields find application are diverse and hence, the instructor is free to choose any mode/s of their choice. 

  1. Multiple approaches to the study of meanings i.e., Philosophy, Psychology, Neurology, Semiotics, Linguistics.  

  1. The linguistic study of meaning in languages. 

  1. Linguistic, paralinguistic, and non-linguistic communication and the process of meaning-making. 

  1. Literal meaning, irony, implicature, and difficult sentences (the multi-linguistic repertoire available in the classroom to be exhaustively used in this context). 

  1. Pragmatics, history of pragmatics, schools of thoughts in Pragmatics. (Application and practice: multiple forms of public speech i.e., political speeches, slogans, etc. taken out of contexts/doctored to incite a form of narrative to be used to understand the importance of Pragmatics). 

  1. Semantics, history of semantics, schools of thoughts in Semantics. (Application and practice: Semantic study of photography and hashtags). 

  1. Semiotics, history of semiotics, schools of thoughts in Semiotics. (Application and practice: multiple advertisements to be analysed to understand the correlation between the sign, signifier and signified).  

Unit-2
Teaching Hours:15
Unit II: Key Issues in Semantics
 

Description: A theoretically motivated unit, it introduces learners to the basic concepts which seek familiarization in the field of Semantics. Mostly concerned with words and meaning and the ways in which words acquire meanings, this unit introduces learners to Lexical Semantics and Logical Relations in the domain of languages. This unit helps learners to build analytical skills related to semantics. Learners also get exposure to global learning, a different perspective of words under different linguistic environments, and different human values as they try to dive deep into semantics. 

  1.  Sense Relations; synonymy, antonymy, meronymy, homonymy, polysemy. 

  1. Reference, non-referring expression 

  1. Denotational theory of meaning; connotation. 

  1. Arguments and predicates. 

  1. Sentence, statement, utterance and proposition. 

  1. Logical relations between sentences: entailment, equivalence, contrariety, contradiction, interdependence. 

Unit-3
Teaching Hours:15
Unit III: Key Issues in Pragmatics
 

Unit details: A theoretically motivated unit, it introduces learners to the basic concepts which seek familiarization in the field of Pragmatics. It introduces the learners to the dominant theories in the field of Pragmatics and provides a chance to review the analysis of practical situations they conducted earlier in the course. By studying the use of language in different social and cultural contexts, learners can develop a deeper understanding of the nuances of language use. This can help learners to better communicate with people from diverse backgrounds and to appreciate different cultural perspectives. And can help a lot in the workspace making them more employable and prepared for global needs. By analysing language use in various contexts, learners can also develop critical thinking and analytical skills. Additionally, learners can become more aware of the impact of language use on human values such as respect, inclusivity, and social justice. 

  1. Speech Acts 

  1. Deixis 

  1. Relevance Theory 

  1. Politeness Theory

Unit-4
Teaching Hours:15
Unit IV: Key Issues in Semiotics 
 

Unit details 

Description: This is a theoretically motivated unit which introduces learners to the basic concepts and dominant theories which seek familiarization in the field of Semiotics and are of global relevance. Understanding of these theories will help students to explore how knowledge of semiotics can help them enhance their analytical skills by providing them a basis to analyse multiple themes that concerns one in everyday life in the following unit. 

  1. Basic Sign Theory. 

  1. Iconicity, Indexicality, Symbolism, Semiosphere. 

  1. Non-verbal Semiotics, Signals, Facial expressions, Eye-contact, Body-language, Touch, Gesture, Dancing 

  1. Visual Signs, Colour, Visual Representations, Maps, Visual Arts, Cinema etc. 

Text Books And Reference Books:

Pinker, Steven. The Language Instinct: How the Mind Creates Language. Harper Perennial Modern Classics, 2000.

Vendler, Zeno. Linguistics in Philosophy. Cornell University Press, 1967.

Mead, George Herbert. Mind, Self, and Society: From the Standpoint of a Social Behaviorist. University of Chicago Press, 1934.

Saussure, Ferdinand de. Course in General Linguistics. McGraw-Hill, 1916.

Zimmermann, Thomas Ede, and Wolfgang Sternefeld. Introduction to Semantics an Essential Guide to the Composition of

Meaning. De Gruyter Mouton, 2013.

Mey, Jacob L. Pragmatics: An Introduction. 2nd ed., Blackwell, 2001.

Levinson, Stephen C. "Deixis." International Encyclopedia of Linguistics, edited by William Frawley, vol. 2, Oxford University

Press, 2003, pp. 198-200.

Sperber, Dan, and Wilson, Deirdre. Relevance: Communication and Cognition. 2nd ed., Blackwell Publishers, 1995.

Brown, Penelope, and Levinson, Stephen C. Politeness: Some Universals in Language Usage. Cambridge University Press, 1987.

Danesi, Marcel. Messages, Signs, and Meanings: A Basic Textbook in Semiotics and Communication. Canadian Scholars' Press.

2006.

Forceville, C. Visual and Multimodal Metaphor in Advertising: Cultural Perspectives. Routledge. 2017.

Kress, G., & Van Leeuwen, T. Reading Images: The Grammar of Visual Design. Routledge. 2006.

Berger, John. Ways of Seeing. Penguin, 1972.

Csikszentmihalyi, Mihaly, and Eugene Rochberg-Halton. The Meaning of Things: Domestic Symbols and the Self. Cambridge

University Press, 1981.

 

Essential Reading / Recommended Reading

Zimmermann, Thomas Ede, and Wolfgang Sternefeld. Introduction to Semantics an Essential Guide to the Composition of

Meaning. De Gruyter Mouton, 2013.

Johansen, Jrgen Dines, and Svend Erik Larsen. Signs in Use an Introduction to Semiotics. Taylor & Francis e-Library, 2005

Huang, Yan, ed. The Oxford handbook of pragmatics. Oxford University Press, 2017

Bach, Kent. "The Top 10 Things You Don't Know About Meaning." Topoi, vol. 28, no. 1, 2009, pp. 3-8.

Empson, William. Seven Types of Ambiguity. Read Books Ltd., 2016.

Grice, H. Paul. "Logic and Conversation." Syntax and Semantics, vol. 3, Speech Acts, edited by Peter Cole and Jerry Morgan,

Academic Press, 1975, pp. 41-58.

Cobley, Paul. The Routledge Companion to Semiotics and Linguistics. Routledge, 2001.

Giora, Rachel. "Understanding Figurative and Literal Language: The Graded Salience Hypothesis." Cognitive Linguistics, vol. 8,

no. 3, 1997, pp. 183-206.

Barthes, Roland. Mythologies. Hill and Wang, 1972.

Kaiser, Susan B. The Social Psychology of Clothing and Personal Adornment. Macmillan, 1979.

Korsmeyer, Carolyn. Making Sense of Taste: Food and Philosophy. Cornell University Press, 1999.

Knobel, Michele, and Colin Lankshear. "Online Memes, Affinities, and Cultural Production." New Literacies: Everyday Practices

and Social Learning, vol. 2, no. 1, 2000, pp. 45-60.

Rapoport, Amos. House Form and Culture. Prentice-Hall, 1969.

Chandler, D. (2017). Semiotics: The Basics. Routledge

Peirce, Charles Sanders. "Logic as Semiotic: The Theory of Signs." Philosophical Writings of Peirce, edited by Justus Buchler,

Dover, 1955, pp. 98-119.

Sebeok, T. A. (1976). Contributions to the Doctrine of Signs. Indiana University Press.

Bach, Kent. "Speech Acts and Pragmatics." Philosophy of Science, vol. 39, no. 2, 1972, pp. 147-169.

Haugh, Michael. IM/Politeness Implicatures. De Gruyter Mouton, 2015.

Evaluation Pattern

CIA 1: 20 marks 

The students can be tested through the writing of argumentative essays, critical analysis of essays, class presentations, group discussions, creative writing, creative visualizations either as individual or group work.  

CIA 2: MSE – 50 Marks  

Pattern  

 

Section A: 2x10=20  

Section B: 1x15=15 

Section C: 1x15=15 

 

Students will be tested on their conceptual clarity, theoretical engagements, application and analysis of given texts and contexts 

 
 

CIA 3: 20 marks 

The students can be evaluated through exhibitions, visual essays or visual stories, mini-documentaries, performances, creating social media content and promotions, cumulative portfolios, docudramas and other modes of creative evaluation suitable for the course.  

 
 

ESE: 50 marks  

Pattern  

Section A: 2x10=20  

Section B: 1x15=15 

Section C: 1x15=15 

 

Students will be tested on their conceptual clarity, theoretical engagements, application and analysis of given texts and contexts. 

BENG432 - RESEARCH WRITING (2022 Batch)

Total Teaching Hours for Semester:75
No of Lecture Hours/Week:5
Max Marks:100
Credits:5

Course Objectives/Course Description

 

This course, in accordance with global standards and ethical considerations, aims to equip undergraduate students in the humanities and social sciences with the necessary skills to conduct research, produce academic papers, and effectively communicate their ideas. The course covers the fundamentals of academic research, including formulating research questions, creating research methodologies, and locating and evaluating sources. Additionally, students will learn how to integrate data from multiple sources to support their arguments and critically analyse scholarly literature. Throughout the semester, ethical academic writing practices, such as proper citation styles, the responsible use of sources, decorum while doing primary research, etc., will be emphasised through ongoing discussions. 

 

Course Objectives: 

By the end of the course, student will: 

  • Develop research skills that adhere to global standards and enable students to critically assess and analyse academic materials, using evidence to support claims. 

  • Cultivate research skills that align with global standards and enable students to find, evaluate, and synthesise sources while utilisingappropriate citation styles. 

  • Enhance employability through the development of research skills aligned with global standards, enabling students to create well-organized and scholarly academic papers. 

  • Foster ethical research practices by emphasising the importance of proper citation and referencing to avoid plagiarism and demonstrate academic integrity. 

  • Develop effective communication and collaboration skills through peer review sessions and group presentations, aligned with global standards for academic and professional settings. 

Learning Outcome

CO1: Illustrate the principles of academic research by identifying and explaining key concepts and terminologies in their written assignments, class discussion, debates, and presentations.

CO2: Analyse and evaluate scholarly texts by comparing, contrasting, and synthesising information from multiple sources to develop a deeper understanding of the subject matter pertaining to various socio-cultural discourses through written assignments, MCQs, and class discussions.

CO3: Apply research skills by devising a research design for a chosen topic and evaluating the suitability of the chosen design through peer reviews, presentations, and written assignments.

CO4: Create original and well-crafted academic papers by applying research and writing skills to develop a cohesive argument, organise ideas effectively, and use appropriate citation styles.

Unit-1
Teaching Hours:15
Unit I: Introduction to Academic Research
 

Unit details: The unit provides an overview of the essential concepts and principles of academic research.Ethical practices that is on par with global standards, including avoiding plagiarism and properly citing sources, are emphasised in this unit to ensure the integrity of the research process.  

  1.  What is research? Importance of research 

  1.  Types of Research: Primary Vs Secondary; Descriptive (Ex post facto research) Vs Analytical; Applied Vs Fundamental; Conceptual vs Empirical. 

  1.  Plagiarism and other questions on ethics. 

  1. Engaging with MLA and APA stylesheets: Annotated Bibliography, Summarizing & Paraphrasing, Citations. 

Unit-2
Teaching Hours:15
Unit II: Choosing and Developing a Research Topic
 

Unit details: This unit teaches how to identify a good research topic, refine ideas, and express it as clear research questions, aims, and objectives. This unit also covers how to conduct a critical literature review, including planning and undertaking searches, evaluating the relevance and sufficiency of the literature, and referencing it accurately. It also covers how to apply this knowledge to draft a review for your research project, avoiding plagiarism, and the systematic review process. Thus, the unit helps establishthe fundamental skills pertaining to research and simultaneously through light on various Local, Regional, National, and Global concerns that must be taken into consideration while choosing a topic.  

  1.   Generating and refining research topic ideas: Relevance tree, Brainstorming, Delphi Technique; formulating a proposal/abstract 

  1.   Developing your research proposal: Hypothesis, Thesis Statement, The Golden Thread (Research Aim, Objectives, Questions) 

  1.  Review of Literature: Strategies & Approaches.  

Unit-3
Teaching Hours:15
Unit III: Research Philosophy and Approaches to Theory Development
 

Unit details: This unit aims to enable students to define ontology, epistemology, and axiology, and understand their relevance to research. Additionally, the unit explores research paradigms, philosophical positions, and theory development approaches, while encouraging students to reflect on their own philosophical stance towards their research, all in accordance with established global standards. 

  1. Research Assumptions: Ontology, Epistemology, and Axiology 

  1. Research Philosophies: Positivism, Critical Realism, Interpretivism, Postmodernism, & Pragmatism 

  1. Theory Development: Inductive, Deductive, and Abductive Reasoning.  

 

Unit-4
Teaching Hours:15
Unit IV: Methods and Methodology
 

Unit details: This unit emphasises the significance of methodological coherence in research design, selectingappropriate research strategies, consideringtime frames, ethical concerns, and the constraints of the researcher's role, all in accordance with global standards.  

  1.  Quantitative, Qualitative, and Mixed-method Approaches 

  1.  Research Strategies: Experiment, Survey, Archival and documentary research, Case study, Ethnography, Action Research, Grounded Theory, Narrative Inquiry. 

  1. Data Collection: Ethical Questions, Quantitative Data Collection, Qualitative Data Collection   

 

Unit-5
Teaching Hours:15
Unit V: Data Collection, Analysis, and Drafting the Paper
 

Unit details:   This unit provides a comprehensive guide on the essential considerations when preparing and analysing data and the strategies employed to infer the results. The unit also focuses on enabling the students to structure and draft a research paper of global standards. 

  1.  Data Analysis: Quantitative Techniques, Qualitative Techniques 

  1.  Results: Investigating the data, drawing inference, assessing limitations. 

  1. Research Paper: Structuring the draft, adhering to conventions, writing for different audience. 

 

Text Books And Reference Books:

MLA Handbook. 9th ed. Modern Language Association, 2021. 

Bailey, Stephen. Academic Writing: A Handbook for International Students. Routledge, 2006. 

Griffin, Gabriele, ed. Research Methods for English Studies. Rawat Publications, 2007. 

Kundu, Abhijit, et al. The Humanities: Methodology and Perspectives. Pearson Education, 2014. 

 

Pickering, Michael eds. Research Methods for Cultural Studies. Rawat Publications, 2016. 

 

Essential Reading / Recommended Reading

Bailey, Stephen. Academic Writing: A Handbook for International Students. Routledge, 2006. 

Harvey, Michael. The Nuts & Bolts of College Writing. Hackett Publishing, 2003. 

Lipson, Charles. How to Write a BA Thesis: A Practical Guide from Your First Ideas to Your Finished Paper. U of Chicago Press, 2005. 

Woolf, Judith. Writing about Literature. Routledge, 2005. 

Evaluation Pattern

 

 
 
 
 
 
 

CIA PART I 45 Marks 

 
 
 
 

CIA PART II-50 Marks 

 
 
 
 

ATTENDANCE- 5 marks  

 
 
 
 

Cumulative CIA 95+ Attendance 5 = 100 hours 

 
 
 
 

Submission 

 
 

Submission 

 
 

Submission 

 
 

 

 

BENG433 - LITERARY AND CULTURAL THEORY (2022 Batch)

Total Teaching Hours for Semester:75
No of Lecture Hours/Week:5
Max Marks:100
Credits:5

Course Objectives/Course Description

 

The paper initiates the students to unlearn some of their conventional notions about what is literature; introduces them to a varied school of literary and cultural theory; and equips them to frame their own sense of 'literature' and 'theory’ and ‘society’.The course aims to equip students to ask the right kind of questions about events around them in the local, regional, national and international contexts; to understand the nature of the societies and cultures that one is part of; recognise one’s subjectivities and ideological positionings; to conceptualise and evaluate one’s positions vis-à-vis the problematics of race, caste, class, gender, environment, the digital and technology. 

Learning Outcome

CO1: CO1: Understand a variety of cultural and theoretical concepts and engage with them through textual analysis, class discussion, written and creative interpretations.

CO2: CO2: Demonstrate knowledge of the concepts discussed from structuralism to postmodernism and its determinants through writing critical essays, class presentations, class discussions and creative assignments.

CO3: CO3: Analyse and evaluate sociocultural, economic, and political contexts that influence the production dissemination, reception and consumption of texts through class discussions, written and creative assignments.

CO4: CO4: Create ethically and politically conscious work and positions recognising one?s ideologies and subjecthoods through critical and analytical writings.

Unit-1
Teaching Hours:15
Unit I: Structuralism and Poststructuralism 
 

Unit Description:  This unit will equip students with concepts and problematics that surround structuralist and poststructuralist view-points. It will engage students through discussions and lectures on the nature and position of language at the turn of the twentieth century and the implications for the our national and global identities and subjectivities. It will examine the condition of the human in the matrices of power and knowledge that came to denote an era.   

  1. The linguistic turn   

  1.  Formalism vs structuralism  

  1. Difference and arbitrariness 

  1. Langue and Parole 

  1. Binomial nature of the sign 

  1. Nature and politics of Meaning 

  1. Key theorists: Ferdinand de Saussure, Michel Foucault, Claude Levi-Strauss, Roland Barthes, Jacques Derrida and Jacques Lacan 

Unit-2
Teaching Hours:15
Unit II: Neo-Marxisms, Cultural Materialism and New Historicism
 

Unit Description: This unit will equip students with skills to examine and evaluate contemporary Marxisms and interventions that have marked the practices of production, dissemination and consumption within national and global contexts. It will examine the politics that are operational within our regular cultural consumptions in terms ideology, hegemony and other power structures that rupture our easy meaning making within society.  

  1.  ISAs and RSAs 

  1. New Historicism 

  1. Cultural Materialism 

  1. Culture Industry 

  1. The Cultural Studies turn  

Unit-3
Teaching Hours:15
Unit III: Theories of Gender and Sexualities
 

Description: This unit will equip the students with basic theoretical concepts relating to gender and its intersections to read and examine the literary and the cultural in the everyday in contexts of the local, regional, national and the global. It aims to equip students to question social media activism and critically examine their own ideological conditionings and politics of identity creation and formation  

  1. Poststructuralist Feminisms  

  1.  Queer theory 

  1. Masculinities 

  1. Gendered Subjectivities  

Unit-4
Teaching Hours:15
Unit IV: Postcolonialism/s: Nations and Nationalisms
 

Description: This unit will enable students to discuss and debates on concepts relating to colonialism and postcolonialism and the problematics of its narrativization within global and universalising contexts.   

  1. Imperialism vs Colonialism  

  1. The psychopathology of colonialism  

  1. Orientalism 

  1. Hybridity 

  1. Nation and Nationhood 

  1. Diasporic Identities 

Unit-5
Teaching Hours:15
Unit V: Posthumanism and Ecocriticism
 

Unit Description: This unit will enable students to analyse and evaluate with the intersections of the human and technology and problematise the anthropocentric view of the environment to understand the local, regional, national and global contexts and contestations.  

  1. Posthumanism   

  1. Technology and Culture  

  1. Ecocriticism  

  1. Ecofeminism  

  1. Transhumanism  

Text Books And Reference Books:

Nayar, Pramod K. Contemporary Literary and Cultural Theory: From Structuralism to Ecocriticism, Pearson Education, pp. 1-32.  

Mahon, Peter. “Introduction: Posthumanism—A Dialogue of Sorts” In Posthumanism (Guides for the Perplexed). Bloomsbury Academic. 2017. http://dx.doi.org/10.5040/9781474236829. Accessed on March 3, 2023

OECD. “What are Masculinities?” In Man Enough? Measuring Masculine Norms to Promote Women’s Empowerment, Social Institutions and Gender Index, OECD Publishing, 2021. https://doi.org/10.1787/6ffd1936-en. Accessed on 3 March 2023.  

 

Essential Reading / Recommended Reading

de Saussure, Ferdinand. “Nature of the Linguistic Sign”, The Mutability and Immutability of the Sign” and “Linguistic Value” In A Course in General Linguistics, translated by Wade Baskin, edited by CharlesBallyand Albert Sechehaye, Forgotten Books, 2016, pp. 65-78, 111-121.  

Lacan, Jacques. “The Agency of the Letter in the Unconscious or Reason Since Freud”. In Ecrits: A Selection, Routledge, 2001, pp. 1-31.  

Foucault, Michel“What is an Author?”.The Open University, 1969. https://www.open.edu/openlearn/pluginfile.php/624849/mod_resource/content/1/a840_1_michel_foucault.pdf. Accessed on 3 March 2023.  

Barthes, Roland. "From Work to Text."  Image Music Text. Translated by Stephen Heath, Fontana Press, 1977, pp. 155-64. 

Barthes, Roland. “The Death of the Author”.Image Music Text. Translated by Stephen Heath, Fontana Press, 1977. pp. 142-48. 

Levi-Strauss, Claude. Myth and Meaning. 1978. Routledge, 2001 

Derrida, Jacques. ““Structure, Sign, and Play in the Discourse of the Human Sciences”. In Writing and Difference (1970), translated by Alan Bass, Routledge, 2001,  pp.  

Eagleton, Terry. Literary Theory: An Introduction. 2nd ed. Blackwell, 2008. 

Klages, Mary. Literary Theory: A Guide for the Perplexed. Continuum, 2006.  

Leitch, Vincent B., ed. The Norton Anthology of Theory and Criticism. W W Norton, 2001. 

Rice, Philip, and Patricia Waugh. Modern Literary Theory. 4th ed. Hodder Arnold, 2001.  

Rivkin, Julie, Michael Ryan, eds. Literary Theory: An Introduction. Rev ed. Blackwell, 2003.

Althusser, Louis. “Ideology and Ideological State Apparatuses”. In Lenin and Philosophy and Other Essays, Monthly Review Press, 2001.  

Williams, Raymond. Marxism and Literature. Oxford UP, 1986.  

Rooney, Ellen ed. Feminist Literary Theory. Cambridge UP, 2006.  

Waugh, Patricia. Literary Theory and Criticism: An Oxford Guide. Oxford UP, 2006.  

 Kang, Miliann, Donovan Lessard, Laura Heston, and Sonny Nordmarken. Introduction to Women, Gender, Sexuality Studies. U of Massachusets

Mahon, Peter. Posthumanism (Guides for the Perplexed). Bloomsbury Academic, London, 2017. http://dx.doi.org/10.5040/9781474236829. Accessed on March 3, 2023. 

 

Evaluation Pattern

CIA 1: 20 marks 

The students can be tested through the writing of argumentative essays, critical analysis of essays, class presentations, group discussions, creative writing, creative visualizations either as individual or group work.  

CIA 2: MSE – 50 Marks  

Pattern  

 

Section A: 2x10=20  

Section B: 1x15=15 

Section C: 1x15=15 

 

Students will be tested on their conceptual clarity, theoretical engagements, application and analysis of given texts and contexts 

 
 

CIA 3: 20 marks 

The students can be evaluated through exhibitions, visual essays or visual stories, mini-documentaries, performances, creating social media content and promotions, cumulative portfolios, docudramas and other modes of creative evaluation suitable for the course.  

 
 

ESE: 50 marks  

Pattern  

Section A: 2x10=20  

Section B: 1x15=15 

Section C: 1x15=15 

 

Students will be tested on their conceptual clarity, theoretical engagements, application and analysis of given texts and contexts. 

BENG441A - AMERICAN LITERATURE-II (2022 Batch)

Total Teaching Hours for Semester:60
No of Lecture Hours/Week:4
Max Marks:100
Credits:4

Course Objectives/Course Description

 

The course engages with the movements and debates that defined twentieth century and the early years of twenty first century American literature and culture. The course is divided into three units following the division that one could find in most American literature compendiums of the twentieth century. In this course, the contemporary era, which covers the latter half of the previous century, is divided into two units with the later unit examining the early decade of the twenty-first century as well. Through textual analysis, the course will trace cultural, political and social developments in the US; the political controversies, race and gender debates and movements and the burgeoning new trends in entertainment and music industry.  
 

The critical and creative engagements with the texts through class discussions, individual and group assignments, the course aims to develop critical and analytical skills along with a wider understanding of the regional (here in the American context) issues and their global repercussions.  
 

Learning Outcome

CO1: Introduce various genres, themes and cultural tropes found in American life and literature through various texts in the course.

CO2: Create an awareness and understanding of the socio-political and cultural contexts of literary and visual narratives in the American literature and culture.

CO3: Develop an understanding of the various historical events that contributed to literary and cultural productions through discussions, lectures and written assignments.

CO4: Develop critical and analytical skills through argumentative essays and discussions.

Unit-1
Teaching Hours:15
Unit 1: The Literature of Modernism: 1912-1940
 

The unit engages with the Modernist literature and the various artistic movements designated under the term “Modernism”, drawing on the critical perspectives most common in modernist studies: the New Criticism, Cultural Studies, and various forms of analysis. 

 

Key Topics: Modernism, expressionism, realism, imperialism, power, race 

  1. O'Neill, Eugene. The Emperor Jones. Vintage books, 1972. 

  1. Fitzgerald, F. Scott. Bernice Bobs Her Hair: And Other Stories. Dover Publications, 2009. 

  1. Frost, Robert. “Mending Wall by Robert Frost.” Poetry Foundation, Poetry Foundation, https://www.poetryfoundation.org/poems/44266/mending-wall. 

  1. Sandburg, Carl. “At a Window by Carl Sandburg.” Poetry Foundation, Poetry Foundation, https://www.poetryfoundation.org/poetrymagazine/poems/12844/at-a-window. 

  1. Hughes, Langston. “Daybreak in Alabama by Langston Hughes.” Poetry Foundation, Poetry Foundation, https://www.poetryfoundation.org/poems/150974/daybreak-in-alabama. 

  1. Hemingway, Ernest, et al. A Farewell to Arms. Vintage Books, 2013. 

  1. “Marianne Moore.” Poetry Foundation, Poetry Foundation, https://www.poetryfoundation.org/poets/marianne-moore. 

  1. “An Immorality by Ezra Pound.” Famous Poems, Famous Poets. - All Poetry, https://allpoetry.com/An-Immorality. 

Unit-2
Teaching Hours:15
Unit II: Post War America: 1940 onwards
 

This unit explores American Literary movement of disillusionment; the portrayal of lost generation and its aftermath.  

 

Topics: confessional poetry, World War II, Imperialism, capitalism, memory play, American dream 

“I Have a Dream’ - Speech by Martin Luther King, Jr. 1963-08-26.” "I Have A Dream" - Speech by Martin Luther King, Jr. 1963-08-26, https://www.ihaveadreamspeech.us/. 

“The Nobel Prize in Literature 1949.” NobelPrize.org, https://www.nobelprize.org/prizes/literature/1949/faulkner/speech/. 

Plath, Sylvia. “Lady Lazarus by Sylvia Plath.” Poetry Foundation, Poetry Foundation,  https://www.poetryfoundation.org/poems/49000/lady-lazarus. 

Death of a Salesman. Flinders University Library, Special Collections., 2004. 

Williams, Tennessee. The glass menagerie. New Directions Publishing, 2011. 

Walker, Alice. The Color Purple. Orion Publishing Group, 2014. 

Morrison, Toni. The Bluest Eye. Alfred A. Knopf, 2020. 

Barth, John. Lost in the Funhouse. Anchor Books, 1988. 

Buck, Pearl S. Letter from Peking. Pocket Books, 1969. 

Hayden, Robert. “Those Winter Sundays by Robert Hayden.” Poetry Foundation, Poetry Foundation, https://www.poetryfoundation.org/poems/46461/those-winter-sundays. 

“The Death of Emmett till: The Official Bob Dylan Site.” The Death of Emmett Till | The Official Bob Dylan Site, https://www.bobdylan.com/songs/death-emmett-till/. 

McCullers, Carson. The Heart Is a Lonely Hunter. Penguin Books, 2016. 

Unit-3
Teaching Hours:15
Unit III: Contemporary American Writings
 

The main objective of this unit is to expose students to a range of recent North American writings, with a focus on the heterogeneity of the current literary scene. In order to make sense of the diversity of texts we read, we will examine them through the critical lenses offered by concepts such as postmodernism, ethnic American literature, gender and multicultural literature.  
 

Topics: American identity, multiculturalism, Vietnam War, 9/11, post-modern technique, graphic narrative, holocaust 

Obama, Barack. Dreams from My Father: A Story of Race and Inheritance. Canongate, 2021. 

 

Spiegelman, Art. Maus. Rowohlt-Taschenbuch-Verl., 2004. 

 

Lahiri, Jhumpa. “Mrs. Sen’s”.Interpreter of Maladies. Harper Collins Publishers India, 2017. 

 

DeLillo, Don. Falling man. Simon and Schuster, 2007. 

 

Teaching learning strategies: Lectures, PPTs, Videos, Q&As, faculty-led discussions and guided tasks for experiential learning. 

 

 

Unit-4
Teaching Hours:15
Unit IV: Voices from the Margin
 

This unit will sample the diverse strands and strains of American literature in the contemporary times. 

 

Topics: Marginality, in-between, migration, disability, queer, gender, intersectionality 

 

Adichie, Chimamanda Ngozi. “The Arrangers of Marriage”.The Thing around Your Neck, Anchor Books, New York, 2010. 

 

Vuong, Ocean. Night Sky with Exit Wounds. Copper Canyon Press, 2019.  

 

Kaminsky, Ilya. Deaf Republic: Poems. Graywolf Press, 2019. 

 

Gorman, Amanda. “The Hill We Climb”. JM Meulenhoff, 2021. 

Text Books And Reference Books:
  1. O'Neill, Eugene. The Emperor Jones. Vintage books, 1972. 

  1. Fitzgerald, F. Scott. Bernice Bobs Her Hair: And Other Stories. Dover Publications, 2009. 

  1. Frost, Robert. “Mending Wall by Robert Frost.” Poetry Foundation, Poetry Foundation, https://www.poetryfoundation.org/poems/44266/mending-wall. 

  1. Sandburg, Carl. “At a Window by Carl Sandburg.” Poetry Foundation, Poetry Foundation, https://www.poetryfoundation.org/poetrymagazine/poems/12844/at-a-window. 

  1. Hughes, Langston. “Daybreak in Alabama by Langston Hughes.” Poetry Foundation, Poetry Foundation, https://www.poetryfoundation.org/poems/150974/daybreak-in-alabama. 

  1. Hemingway, Ernest, et al. A Farewell to Arms. Vintage Books, 2013. 

  1. “Marianne Moore.” Poetry Foundation, Poetry Foundation, https://www.poetryfoundation.org/poets/marianne-moore. 

  1. “An Immorality by Ezra Pound.” Famous Poems, Famous Poets. - All Poetry, https://allpoetry.com/An-Immorality. 

  2. Topics: confessional poetry, World War II, Imperialism, capitalism, memory play, American dream 

    “I Have a Dream’ - Speech by Martin Luther King, Jr. 1963-08-26.” "I Have A Dream" - Speech by Martin Luther King, Jr. 1963-08-26, https://www.ihaveadreamspeech.us/. 

    “The Nobel Prize in Literature 1949.” NobelPrize.org, https://www.nobelprize.org/prizes/literature/1949/faulkner/speech/. 

    Plath, Sylvia. “Lady Lazarus by Sylvia Plath.” Poetry Foundation, Poetry Foundation,  https://www.poetryfoundation.org/poems/49000/lady-lazarus. 

    Death of a Salesman. Flinders University Library, Special Collections., 2004. 

    Williams, Tennessee. The glass menagerie. New Directions Publishing, 2011. 

    Walker, Alice. The Color Purple. Orion Publishing Group, 2014. 

    Morrison, Toni. The Bluest Eye. Alfred A. Knopf, 2020. 

    Barth, John. Lost in the Funhouse. Anchor Books, 1988. 

    Buck, Pearl S. Letter from Peking. Pocket Books, 1969. 

    Hayden, Robert. “Those Winter Sundays by Robert Hayden.” Poetry Foundation, Poetry Foundation, https://www.poetryfoundation.org/poems/46461/those-winter-sundays. 

    “The Death of Emmett till: The Official Bob Dylan Site.” The Death of Emmett Till | The Official Bob Dylan Site, https://www.bobdylan.com/songs/death-emmett-till/. 

    McCullers, Carson. The Heart Is a Lonely Hunter. Penguin Books, 2016. 

    Obama, Barack. Dreams from My Father: A Story of Race and Inheritance. Canongate, 2021. 

     Spiegelman, Art. Maus. Rowohlt-Taschenbuch-Verl., 2004. 

     Lahiri, Jhumpa. “Mrs. Sen’s”.Interpreter of Maladies. Harper Collins Publishers India, 2017. 

     DeLillo, Don. Falling man. Simon and Schuster, 2007.

    Adichie, Chimamanda Ngozi. “The Arrangers of Marriage”.The Thing around Your Neck, Anchor Books, New York, 2010. 

     Vuong, Ocean. Night Sky with Exit Wounds. Copper Canyon Press, 2019.  

     Kaminsky, Ilya. Deaf Republic: Poems. Graywolf Press, 2019. 

     Gorman, Amanda. “The Hill We Climb”. JM Meulenhoff, 2021.

Essential Reading / Recommended Reading

Abel, Darrel, ed. American Literature: Literature of the Atlantic Culture, Vol 2.Barron's Educational Series Inc, 1963.  

 

Baym, Nina. The Norton Anthology of American Literature, Vol A, B, C, D.Norton and Company, 2012. 

Graham, Maryemma and Jerry Washington Ward, Jr. The Cambridge History of African American Literature. CUP, 2011.  

 Spiller, Ernest, Willard Thorp, Thomas Herbert Johnson, Henry Seidel Canby. Eds. Literary History of the United States. Macmillan, 1974. 

 

 McQuade, Donald, Robert Atwan, Martha Banta.Eds. The Harper Single Volume American ofEnglish Literature. Longman, 1999. 

Spiller, Ernest, Willard Thorp, Thomas Herbert Johnson, Henry Seidel Canby. Eds. Literary History of the United States. Macmillan, 1974.

Evaluation Pattern

CIA 1: 20 marks 

The students can be tested through the writing of argumentative essays, critical analysis of essays, class presentations, group discussions, creative writing, creative visualizations either as individual or group work.  

CIA 2: MSE – 50 Marks  

Pattern  

 

Section A: 2x10=20  

Section B: 1x15=15 

Section C: 1x15=15 

 

Students will be tested on their conceptual clarity, theoretical engagements, application and analysis of given texts and contexts 

 
 

CIA 3: 20 marks 

The students can be evaluated through exhibitions, visual essays or visual stories, mini-documentaries, performances, creating social media content and promotions, cumulative portfolios, docudramas and other modes of creative evaluation suitable for the course.  

 
 

ESE: 50 marks  

Pattern  

Section A: 2x10=20  

Section B: 1x15=15 

Section C: 1x15=15 

 

Students will be tested on their conceptual clarity, theoretical engagements, application and analysis of given texts and contexts. 

BENG441B - FOLKLORE: TRADITION AND RECONFIGURATION (2022 Batch)

Total Teaching Hours for Semester:60
No of Lecture Hours/Week:4
Max Marks:100
Credits:4

Course Objectives/Course Description

 

The course aims to delve into the fascinating world of folklore and the manner in which it has developed into an academic field. It will orient students to the concepts and theories of folklore studies and help them understand how various genres of folklore act as symbolic representations of socio-cultural history and reality. Beginning with the issues in the definition of folklore the students will be directed to the analysis of folktales, myths, and fairy tales. They will be made aware of the fact that the evolving of folklore is a continuous process and in rural and urban lives new folk beliefs and customs continue to form. From certain overarching themes that bring together cultures to motifs that can be radically specific, this course will attempt to evaluate the complex dynamics of folklore and the role it plays in contemporary lives. The students will be exposed to aspects of urban folklore, folklorism and applied folklore. They will also be introduced to the techniques and skills of a folklorist such as documenting, archiving and research pertinent to the preservation and transmission of folklore. 

Learning Outcome

CO1: CO1: Demonstrate an understanding of the key concepts, theories and genres of folklore through written assignments and class discussions.

CO2: CO2: Analyse the socio-cultural messages that are encoded in and disseminated through folklore at local, regional, national, and global levels through close reading and class discussion.

CO3: CO3: Interpret and understand their understanding of the modes of functioning of folklore in contemporary cultural and commercial contexts through class presentations and written assignments.

CO4: CO4: Create folklore archives through identifying folk narratives pertaining to their own cultural contexts and preserving the same through field work, documentation, introspection, and class discussion.

Unit-1
Teaching Hours:15
Unit 1: Defining Folklore and Folk Genres
 

Description: Introduction to the key ideas in folklore essential for the study of culture and tradition. By defining the theoretical perspective of the discipline of folklore, the unit will provide conceptual clarity on regional and local practices and contexts, folkloristics, and folk genres. 

  1. Definition of folklore 

  1. Folk concepts  

  1. Folk narratives 

Unit-2
Teaching Hours:15
Unit II: Folklore and Literature 
 

Description: The varied ways of use of folklore in literature. Familiarising with all branches of folk literature, rituals and customs for the meaningful understanding and analysis of literature and creating an awareness of values and ethics perpetuated in specific ethnographic contexts. 

 

  1.  Orality and literacy 

  1.  Folklore in literature 

  1.  Folk tradition to classical tradition 

Unit-3
Teaching Hours:15
Unit III : Folk Narratives in Popular Culture
 

Unit Description: The unit aims to trace the role of folk literature within varied platforms of contemporary popular culture such as television, movies, art, music and print media. It touches upon the representation of gender, race and other aspects underlying the reading practices.  

  1.  The concept of folkloresque 

  1.  Folklore in popular media 

  1.  The commercialisation of folklore 

Unit-4
Teaching Hours:15
Unit IV: Applied Folklore and Urban Folklore
 

Unit details: The unit aims to trace new readings of folklore as shared aspects of identity among divergent social and professional groups, understand applied folklore and assess the nuances of urban folklore. It explores expansions and shifts in the ambit of applied folklore from social to commercial and political perspectives and  

  • Contemporary Uses of Folklore 
  • Urban Folk 
  • Fieldwork 

 

Text Books And Reference Books:

Ben-Amos, Dan. “Toward a Definition of Folklore in Context.” The Journal of American Folklore, vol.84, no.331, 1971, pp. 3-15. 

Degh, Linda. “Folk Narrative.” Folklore and Folklife: An Introduction, edited by Richard M. Dorson, University of Chicago Press, 1972, pp. 53-83. 

 Abrahams, Roger D. “Proverbs and Proverbial Expressions.” Folklore and Folklife: An Introduction, edited by Richard M. Dorson, University of Chicago Press, 1972, pp. 117-127. 

Ong, Walter J. “Writing Restructures Consciousness.” Orality and Literacy. Routledge, 1982. 

 Dundes, Alan. “The Study of Folklore in Literature and Culture: Identification and Interpretation”.The Meaning of Folklore: The Analytical Essays of Alan Dundes. Utah State University Press, 2007. 

 Satchidanandan K. 2012. Breaking the Boundaries: The Folk, Classical and the Modern. In Nandini Sahu (ed.), Folklore and Alternative Modernities. 277-286. New Delhi: Author press. 

Foster, Michael Dylan, and Jeffrey A. Tolbert. The Folkloresque: Reframing Folklore in a Popular Culture World. Utah State University Press, 2016. 

Gothrasmrithy (Memory of a Clan), documentary by M. A Rahman  

Howard, Byron, and Nathan Greno, director. Tangled. 2010 (Read along with the fairy tale, Rapunzel) 

Satyawadi, Sudha. Unique Art of Warli Paintings. D.K. Printworld, 2010. 

 

Jones, Michael Owen, ed., Putting Folklore to Use. Lexington: University of Kentucky Press, 1994. 

Ellis, Bill. “Legend. Urban.” Folklore: An Encyclopedia of Beliefs, Customs, Tales, Music, and Art, edited by Thomas A. Green, ABC- CLIO, 1997, pp. 495-496, 2 vols. 

Bendix, Regina. “Fakelore.” Folklore: An Encyclopedia of Beliefs, Customs, Tales, Music, and Art, edited by Thomas A. Green, ABC- CLIO, 1997, pp. 275-277, 2 vols. 

Martha C Sims. “Fieldwork and Ethnography”. Living Folklore: An Introduction to the Study of People and their Traditions. Utah State University Press, 2005, pp. 202-223. 

Essential Reading / Recommended Reading

Carvalho –Neto, Paul de. Concept of Folklore. Trans. Jaques M P Wilson. Florida, University of Miami Press, 1971. 

 

Dundes, Alan. International Folkloristics: Classic Contributions by the Founders of Folklore.Rowman & Littlefield, 1999.

Ramanujan, A. K. The Flowering Tree and Other Oral Tales from India. California University Press, 1997

Stuart H. Blackburn. Singing of Birth and Death: Texts in Performance. University of Pennsylvania Press.1988. 

 Zipes, Jack. The Oxford Companion to Fairy Tales. OUP, 2015 

Evaluation Pattern

 

 
 
 
 
 
 

CIA I 20 Marks 

 
 
 
 

MSE 25 

 
 
 
 

CIA III Marks 20  

 
 
 
 

ESE 50 Marks 

 
 
 
 

Total 

 
 
 
 

Individual assignment 

 
 

Submission 

 
 

Submission 

 
 

Submission 

 
 

100 

BENG441C - INTRODUCTION TO DISCOURSE ANALYSIS (2022 Batch)

Total Teaching Hours for Semester:60
No of Lecture Hours/Week:4
Max Marks:100
Credits:4

Course Objectives/Course Description

 

The study of discourse is essentially the study of language in its natural habitat. We use language in a variety of contexts, to fulfill a broad range of communicative and social goals. In this course we will examine how contexts and functions of use influence linguistic form. The course is divided into three broad sections. First, the ‘macro-structure’ of discourse: the organization of different kinds (genres) of language, such as conversation, narrative, and institutional dialogue. We will analyze re-occurring patterns of structure and discuss how they are shaped and motivated by communicative and social functional goals. Second,the course focuses on how speakers routinely perform social action through discourse, such as disclaimers, offers, refusals, and questions. The role of Discourse Markers in structuring discourse will be examined. We will also investigate the relationship between discourse and identity, discourse and ideologies, and the social nature of common features of spoken language: ‘reported speech’, dialogicality, framing, and discourse norms. We will analyze how these contribute to discourse structure, and how they reflect, manage, and construct social interaction. Finally, the course will examine ‘microstructure’—the role of discourse and interaction in motivating and explaining grammar and meaning. We will discuss the way in which grammatical structures are functionally brought about by the communicative and social aspects of discourse.  

Learning Outcome

CO1: CO1: Describe the history of discourse study through class discussion, CIAs, assignments, etc.

CO2: CO2: Explain the relationship the society, culture, and context have with discourse through discussion, presentation, and observation.

CO3: CO3: Analyze a written or spoken discourse through writing critiques and class presentations, etc.

CO4: CO4: Engage critically with the oral and written text through written assignment, class discussion and lecture

Unit-1
Teaching Hours:15
Unit I: Discourse Analysis and Linguistics
 

Unit details: The unit engages with the question of: what is discourse? What is text? How to differentiate text from discourse?How to understand discourse analysis as a cultural practice and process. Further, the unit will introduce the students to the micro-structures of discourseand social relevance of these concepts in daily conversations. The unit will look into the human values, professional ethics and sustainability.  

  1. A Social Theory of Discourse 

  1. Inter-textuality 

  1. Deborah Schiffirin: Discourse Markers: Language, Meaning and Context  

  1. J. R. Martin: Cohesion and Texture  

  1. Schiffrin, Deborah, et al. “Discourse and Semantics.” 

Unit-2
Teaching Hours:15
Unit II: Theories to Practice
 

Unit details: The unitfocuses on the discussion of discourse analysis theories and the use of the theory in interaction. The unit will introduce the students to JL Austin’s Speech Act theory and John Searle’s Conversational Analysis theory. The students will be trained in practical application of these theories in the regional as well as local languages. The unit focuses on sustainability. 

  1.  R. Lakoff: Nine Ways of Looking at Apologies: The Necessity for Interdisciplinary Theory and Method in Discourse Analysis  

  1. Monica Heller: Discourse and Interaction 

  1. Livia Polanyi: The Linguistic Structure of Discourse  

  1. Jane A. Edwards: The Transcription of Discourse 

Unit-3
Teaching Hours:15
Unit III: Political, Social and Institutional Domains
 

Unit details: Ideology and discourse play a crucial role in politics. The unit introduces the students to key political ideologies that have shaped the world. It also introduces the students to various analyses of ideology and discourse from Marxism to Foucault, feminism, political economy, environmental theory, analyses of ideology and technology, analyses of racism and media. Related issues discussed include the politics of identity and the politics of emotion. The unit will look into human values, professionalethics and environmental concerns.  

  1.  Ruth Wodak and Martin Reisigl: Discourse and Racism  

  1. John Wilson: Political Discourse 

  1. Collen Cotter: Discourse and Media  

  1.  Nancy Ainsworth-Vaughn: The Discourse of Medical Encounters 

  1. Charlotte Linde: Narrative in Institution 

Unit-4
Teaching Hours:15
Unit IV: Culture, Community, and Genre
 

Unit details: The unit will highlight that the purpose of language is not merely to share information but also to scaffold the performance of social activities and to scaffold human affiliations and positioning within culture that involves questions of voice, identity, contestations and power relationships in global and national context. The unit will reflect on the human values, gender and sustainability.  

  1. Ron Scollon and Suzanne Wong Scollon: Discourse and Intercultural Communication  

  1. Shari Kendall and Deborah Tannen: Discourse and Gender  

  1. Heidi E. Hamilton: Discourse and Aging 

  1.  Christina Kakava: Discourse and Conflict 

Text Books And Reference Books:

Fairclough. Fair (1992). Discourse and Social Change. Blackwell Publishing: UK. 

Schiffrin. Deborah, Deborah Tannen, and Heidi E. Hamilton (2015). The Handbook of Discourse Analysis. Chichester: Wiley Blackwell. 

 

Essential Reading / Recommended Reading

 

Chouliarki, L. and Fairclough, N. Discourse in Late Modernity: Rethinking Critical Discourse Analysis, Edinburgh University Press. 1999.  

Fairclough, Norman. Media Discourse. Hodder Arnold Publishing, 1995.  

Fairclough, Norman. Discourse and Social Change, Blackwell Publishing, 2006 [1992].  

Van Dijk, Teun A. (ed). Discourse Studies: A Multidisciplinary Introduction, 2nd ed. Thousand Oaks: Sage Publications. 2011.  

Evaluation Pattern

CIA 1: 20 marks 

The students can be tested through the writing of argumentative essays, critical analysis of essays, class presentations, group discussions, creative writing, creative visualizations either as individual or group work.  

CIA 2: MSE – 50 Marks  

Pattern  

 

Section A: 2x10=20  

Section B: 1x15=15 

Section C: 1x15=15 

 

Students will be tested on their conceptual clarity, theoretical engagements, application and analysis of given texts and contexts 

 
 

CIA 3: 20 marks 

The students can be evaluated through exhibitions, visual essays or visual stories, mini-documentaries, performances, creating social media content and promotions, cumulative portfolios, docudramas and other modes of creative evaluation suitable for the course.  

 
 

ESE: 50 marks  

Pattern  

Section A: 2x10=20  

Section B: 1x15=15 

Section C: 1x15=15 

 

Students will be tested on their conceptual clarity, theoretical engagements, application and analysis of given texts and contexts. 

BENG461 - CULTURAL PSYCHOLOGY (2022 Batch)

Total Teaching Hours for Semester:60
No of Lecture Hours/Week:4
Max Marks:100
Credits:4

Course Objectives/Course Description

 

Course Description: The course explores the confluence of culture nad psychology to understand how varied cultures shapes human behaviour and attitudes. This includes the role of psychology in literature as well. Students will have an insight as how does one's culture impacts the perceptions, attitudes, thinking, personality, self and language of an individual reflected in works of varied authors. Through a combination of lectures, readings, disacussions, and experiential exercises, students will not only gain an understanding of cultural differnces but also develop cultural sensitivity.

Course Objectives: This course aims to

      Orient students on how culture is shaping human behaviors.

      Understand the basis of cultural variations in the East and the West.

      Understand the limitations of Western approaches to explore Eastern perspectives in psychology.

      Understand the interface between psychology and literature in cultural context.

Understand the major research methods used in cultural psychology.

Learning Outcome

1: Demonstrate an understanding of varied approaches of cultural differences and apply it to comprehend the literary works.

2: Analyze reasons for individual behaviour from a cultural perspective.

3: Identify and evaluate the role of culture in socialization, identity formation, and interpersonal relationships.

4: Examine psychological differences as a function of language.

Unit-1
Teaching Hours:15
Introduction to Cultural Psychology
 

Definition, Importance and scope of Cultural Psychology; formation of culture; components of culture; Interface between Psychology and Culture; interface between psychology and literature in cultural context; Cultural difference in Eastern and Western societies; Culture and human behaviour; Ethics and Emics.

Unit-2
Teaching Hours:15
Cultural influence on Cognition and Emotions
 

Perceptual processes and culture; Attention, Attribution; Cultural interpretations placed on perception of beauty, and food; Reasoning styles, Analytic and holistic thinking, Creative Thinking, Talking and Thinking, Linguistic Relativity, Variation of Emotional Experience across Culture.

Unit-3
Teaching Hours:15
Enculturation, self and personality
 

Self and identity: Definitions, Eastern and Western perspectives of self, Cultural influence in the development of self – concept; Enculturation and Socialization, Childhood Experiences Differences across Culture, Culture, Parenting and Families; Culture and Personality.

Unit-4
Teaching Hours:15
Culture, language, and Communication
 

Culture and language acquisition, Sapir-Whorf hypothesis, language diffferences accross cultures, cultural differences in non-verbal communications, process of intercultural and intracultural communication, improving intercultural communication. 

Text Books And Reference Books:

Heine, S. J. (2015). Cultural Psychology: Third International Student Edition. New York: W. W. Norton & Company.

Matsumoto M. & Juang, L. (2016). Culture and Psychology. New York: Cengage Learning.

Essential Reading / Recommended Reading

Cole, M. (2003). Cultural Psychology: A Once and Future Discipline. USA: Harvard University  Press.

Dalal, A.K., Singh, A.K. and  Misra, G. (l988) Reconceptualization of achievement behavior: A cognitive approach. In. A. Dalal (ed.) Attribution theory and research. New Delhi: Wiley Eastern.

Kitayama, S. & Cohen, D. (2010). Handbook of Cultural Psychology. New York: Guilford Press.

Leary, M., & J, T. (2012). Handbook of Self and Identity. New York: Guilford Press.

Sinha, D. (l986). Psychology in a third world country: The Indian experience. New Delhi, Sage.

Evaluation Pattern

Evaluation pattern:

 

CIA 1

CIA 2

CIA 3

Attd

ESE

20

25

20

05

30

 

 

CIA 1: Individual Assignments (Reflective essays, Scrap books, Report Writings, etc.)

 

 

CIA 2: Mid-Semester Examination(Written Examination)

Pattern:  Section A    3 x 10 = 30 marks (out of 4)

               Section B     1 x 20 = 20 marks (Compulsory)

An open book exam with four essay type questions. Question number 2 & 3 shall have internal choice.

 

CIA 3: Group Assignments (Research proposals,Surveys, Field Studies, Interventions,Exhibitions, etc.)

 

 

ESE: End Semester Examination (Written Examination)

Pattern:  Section A    5 x 02 = 10 marks (out of 6)

                Section B    4 x 05 = 20 marks (out of 5)

                Section C   1 x 10 = 10 marks (out of 2)

                Section D   1 x 10 = 10 marks (Compulsory)

SDEN411 - SKILL DEVELOPMENT (2022 Batch)

Total Teaching Hours for Semester:30
No of Lecture Hours/Week:2
Max Marks:50
Credits:0

Course Objectives/Course Description

 

This course has been designed to enable the students to acquire skills that would help them in the process of knowledge acquisition. Through this engagement, it will revisit and question different notions of knowledge and how it is constructed, created, disseminated, and acquired. The course would also enable the students to understand various research practices that are the focal point of the discipline. Also central to the course is an inquiry on the process and role of critical thinking in the discipline and in the larger context of society and nation.

Course Objectives

The course is designed to:

  • enhance skills required for knowledge acquisition.
  • develop a comprehensive knowledge of the variety of research practices in the discipline.
  • hone and nurture their critical thinking abilities.

 

Learning Outcome

CO1: Demonstrate critical reading abilities in multiple contexts

CO2: Recognize the politics of knowledge production and dissemination

CO3: Apply various research methods introduced in the course in their areas of interest

Unit-1
Teaching Hours:4
Data Interpretation "Show Me the Data"- Quantitative
 

 

This unit is primarily invested in the study of quantitative data. The unit will focus on the various ways in which data is elicited and analyzed. It will also give a brief idea about how quantitative data, which is highly monotonous in nature can be presented in an interesting way. Taking examples from the field of English, History, and Political Science, this unit will identify the sub-fields related to these disciplines which deal with large data sets.

Unit-2
Teaching Hours:4
Data Interpretation "Show Me the Data"-Qualitative
 

 

Data Interpretation Module will cover Qualitative Research Methods in Language Studies. This module will give students the opportunity to explore the different types of qualitative research methodologies used within applied linguistics, linguistics and language and culture research. This will be focused on to an examination of what counts as evidence within a qualitative research framework and how qualitative research evidence can be evaluated. Students will examine a range of qualitative research methodologies, such as case study, ethnography, participant observation, interviews, questionnaires, discourse analysis. Students will apply this knowledge to a personal research interest.

Unit-3
Teaching Hours:4
Critical Thinking: "To Think or Not to?"- Multiple Intelligences
 

 

The unit would primarily engage with the question of what it means to think and revisit some of the notions that are related to the act of thinking and the notion of intelligence. Focussing on the concept of multiple intelligence put forward by Gardener, the unit aims to provide a platform for the students to discuss and deliberate on intelligence and the possibility of exploring multiple intelligence.

Unit-4
Teaching Hours:4
Critical Thinking: "To Think or Not to" - Deferential thinking
 

 

Drawing from an informed understanding of the concept of multiple intelligence, this unit will explore the need to look at thinking as a multi-layered process. The aim here is to make students aware of the need to think differently than attempting to fit into what is normative.

Unit-5
Teaching Hours:4
Continuous Learning - The Holy Cycle: Unlearn, Learn and Relearn?
 

 

Continuing with the questions of thinking and intelligence, this unit focuses on the process of learning and assessing what it means to be a learner in the contemporary era. This unit aims to impart the skills which will make learners value and practice dynamicity and acknowledge the need for appreciating multiple perspectives.

Unit-6
Teaching Hours:4
Social Awareness: "Know Thy Neighbour"- Know Your Regime
 

 

Social awareness provides an individual the ability to understand and respond to the needs of others. This course focuses on social awareness - the ability to understand and respond to the needs of others. This is the third of the domains of emotional intelligence proposed by Daniel Goleman. Research indicates that emotional intelligence can be learned and be measurable differences directly associated with professional and personal success. Furthermore, it may be responsible for up to 80% of the success we experience in life. The course focuses on the basic areas of emotional intelligence namely self-awareness, self-management; empathy/social awareness and relationship management. Students will be able to comprehend how self-awareness reflects understanding, personal acceptance & an overall understanding of personal psychology.

Unit-7
Teaching Hours:6
Social Awareness "Know Thy Neighbour": " In Short - Of Reading"
 

 

This module will help students learn and understand the fundamental motivations for reading. The module will introduce students to the various aspects of reading and writing and will help focus on the need to read with a sense of social awareness, responsibility and ethical action towards reading. This module aims to help students acquire the cognitive domain-related skills in helping them to appraise, develop, value, critique and defend their acts of reading. The module will include introduction to thinkers like Borges, Scholes, Booth, Fish and others who have written about reading and its responsibilities.

Text Books And Reference Books:

--

Essential Reading / Recommended Reading

--

Evaluation Pattern

General Evaluation Pattern: Unit-Wise Continuous Evaluation

 

The evaluation will be based on the assessments formulated by the PTC student-instructors who facilitate each unit in the class. A continuous evaluation pattern will be followed whereby after the completion of each unit, an assignment will follow. The assessment will be done based on predefined rubrics and the score sheet needs to be tabulated. The cumulative score sheet is to be prepared at the end of the semester and the final Skill Development Score is to be computed.

BENG531 - POSTCOLONIAL LITERATURES (2021 Batch)

Total Teaching Hours for Semester:75
No of Lecture Hours/Week:15
Max Marks:100
Credits:5

Course Objectives/Course Description

 

Postcolonialism may be defined, following Robert Young, as the perspective provided by theories that analyze the material and epistemological conditions of postcoloniality and seek to combat the continuing, often covert operation of an imperialist system of economic, political and cultural domination. This course will examine major literary and filmic texts through the lens of postcolonial theories. It will enable readers to, as John McLeod puts it, read local, regional, national and global literatures that have been produced by people from countries with a history of colonialism. The course especially focusses on aspects of human values and gender in connection with the workings and legacy of colonialism, and resistance to it, in either the past or the present. The course will develop critical skills that will enable students to use postcolonial theories to discuss the ways in which the literary forms of fiction, film and autobiography both depict and question postcolonial realities in nations ranging from India to Nigeria.

The course aims to help students

• To familiarize with the function and value of literature from a postcolonial perspective.

• To develop the student’s capacity to think critically about postcolonial literatures in a comparative framework.

• To understand the construction of nation and national culture, the role of education and language, and hybridity, gender, and the disenfranchised in the formation of colonial and postcolonial identities.

• To understand how the genres or forms in which writers treat postcolonial issues shape their representation of postcolonial

Learning Outcome

CO1: Demonstrate knowledge of key concepts, theoretical frameworks, and discourses in the field of postcolonial studies through class presentations and written assignments

CO2: Identify and critique colonial/postcolonial undercurrents in texts and contexts through classroom discussions and library engagements

CO3: Critique the social and cultural changes featured in the prescribed texts by mapping the regional, national, or international historical and social contexts through research assignments

CO4: Write clear, concise, and well-structured essays demonstrating the influence of colonial rule and postcolonial aftermath by researching, identifying, and critiquing various texts related to the field.

Unit-1
Teaching Hours:15
Colonialism and Postcolonialism
 

This unit serves as a schematic introduction to national and global ideas of postcolonialism and related concepts. The unit helps students embarking into studies of postcolonial literatures with a brief introduction to the terminologies, values and concepts in order develop critical and analytical skills.

39. Key Concepts related to Postcolonial Studies

40. Discourse and Discourse Analysis

41. Hegemony

42. Hybridity

43. Ethnicity

44. Centre/Margin

45. Metropolis/Empire

46. Colonialism, Postcolonialism and Neo-colonialism

47. What does the “post” in the term postcolonialism signify?

 

Essential readings:

Loomba, Ania. “Situating Colonial and Postcolonial Studies.” Colonialism/Postcolonialism, Routledge, 2007, pp. 7–24.

Césaire, Aimé. Discourse on Colonialism, NYU Press, 2001, pp. 172–80.

 

Unit-2
Teaching Hours:15
Introduction to postcolonial theories
 

To understand the shifting the history of colonialism, it is important to understand the global, national and local concerns in the light of postcolonial theories. This unit discusses three such pioneering works that forms an essential part of the impressive body of theoretical models for studying postcolonialism. The unit engages with cross-cutting issues of gender, human values and sustainability and develops critical and research skills.

44. Spivak, Gayathri Chakravorty. “Can the Subaltern Speak?

45. Fanon, Frantz. The Wretched of the Earth. (Selected excerpts)

46. Said, Edward W. Orientalism (Selected Excerpts)

Essential readings:

Spivak, Gayathri Chakravorty. “Can the Subaltern Speak?” Marxism and the Interpretation of Culture, Macmillan, 1988, pp. 24–29.

Fanon, Frantz. The Wretched of the Earth. Grove/Atlantic, 1963.

Said, Edward W. Orientalism: Western Conceptions of the Orient. Penguin UK, 2016. (Selected excerpts only)

Unit-3
Teaching Hours:15
Resisting Voices: The Disenfranchised within the Postcolonial Space
 

Writing by the colonised subject becomes a significant method of the construction of identities and subjectivities in the postcolonial world. This unit shows students how voices that emerge from local, regional, national and global spaces exhibit a new sense of urgency in addressing issues of domination and resistance. Power dynamics, human values, gender issues and questions of sustainability become essential in this context. The course instructor can choose any four from the following set of short readings and draw from the theoretical readings in the previous unit to explore the disenfranchised within the postcolonial space.

34. Devi, Mahasweta. “Draupadi”.

35. Mohammed, Abdul Jan. “Between Speaking and Dying”

36. Roy, Arundhati. The God of Small Things

37. Walcott, Derek. “The Casteway”

38. Detha, Vijaydan. “Weigh your Options”

39. Hughes, Langston, “Dream Deffered”

40. Satchidanandan, K. “Stammer"

Essential readings:

Devi, Mahasweta. "Draupadi." Multitudes, Vol.2, 2007, pp. 37-49.

Detha, Vijaydan. “Weigh your Options” Chouboli and Other Stories, Translated by. Christi A. Merrill and Kailash Kabeer, Vol 2. Katha 2010, pp 27-31.

Mohammed, Abdul Jan. “Between Speaking and Dying: Some Imperatives in the Emergence of Subaltern in the Context of U.S. Slavery.” Can the Subaltern Speak? Reflections on the History of an Idea, Columbia University Press, 2010, pp. 139–55.

Roy, Arundhati. The God of Small Things. Penguin Books India, 2002.

Walcott, Derek. “The Castaway.” https://www.pwf.cz/archivy/texts/readings/derek-walcott-the-castaway_2722.html.

Unit-4
Teaching Hours:15
Postcolonial Spatialities
 

While postcolonial studies may seem to be more firmly riveted to temporal and not spatial questions, this unit introduces students to the essential role of space in imagining and reimagining communities, human values and gendered relations in previously colonised societies. This unit draws on to texts which are focussed on local, regional and national spaces in order to develop essential thinking and creative skills.

61. Bhaskaran, Janu. Mother Forest.

62. Nafisi, Azar. Reading Lolita in Tehran.

63. Kincaid, Jamaica. A Small Place.

64. Singh, Khushwant. Train to Pakistan.

 

Essential readings:

Bhaskaran, Janu. Mother Forest: The Unfinished Story of C.K. Janu. Translated by N. Ravi Shanker, Kali for Women, 2004.

Nafisi, Azar. Reading Lolita in Tehran: A Memoir in Books. Random House, 2003.

Kincaid, Jamaica. A Small Place. Farrar, Straus and Giroux, 2000.

Singh, Khushwant. Train to Pakistan. Orient Blackswan, 1988.

Unit-5
Teaching Hours:15
Writing Back: From Fiction to the Screen
 

This unit is based on postcolonial fiction that has been adapted for the screen. This unit will be based on screenings and discuss of national and global films with postcolonial themes, that will help students reflect on cross cutting issues of gender, human values and sustainability and develop critical and analytical skills.

13. The Namesake.

14. Half of a Yellow Sun.

15. A Suitable Boy

 

Essential readings:

The Namesake. Directed by Mira Nair, UTV Motion Pictures, 2007.

Half of a Yellow Sun. Directed by Biyi Bandele, Leap Frog Fims, 2013.

A Suitable Boy. Directed by Mira Nair and Shimit Amin, Lookout Point TV, 2020.

Text Books And Reference Books:

Total: 100 Marks

CIAs: 70%

ESE: 30%

CIA 1: 20 marks

The students can be tested through the writing of argumentative essays,

critical analysis of essays, class presentations, group discussions, creative

writing, creative visualizations either as individual or group work.

CIA 2: MSE – 50 Marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

Students will be tested on their conceptual clarity, theoretical engagements,

application and analysis of given texts and contexts

CIA 3: 20 marks

The students can be evaluated through exhibitions, visual essays or visual

stories, mini-documentaries, performances, creating social media content and

promotions, cumulative portfolios, docudramas and other modes of creative

evaluation suitable for the course.

ESE: 50 marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

Students will be tested on their conceptual clarity, theoretical engagements,

application and analysis of given texts and contexts

Essential Reading / Recommended Reading

Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. Revised Edition. Verso, 1991.

Bhabha, Homi. “Signs Taken for Wonders.” The Post-Colonial Studies Reader. Eds. Bill Ashcroft, Gareth Griffiths, Helen Tiffin. Routledge, 1995.

Nayar, Pramod K. Postcolonial Literature: An Introduction. Pearson, 2008.

Young, Robert J. C. “Postcolonial Remains”. Postcolonial Studies: An Anthology, Wiley Blackwell, 2016. Print.

Lahiri, Jhumpa. The Namesake. HarperPerennial, 2007.

Adichie, Chimamanda Ngozi. Half of a Yellow Sun. HarperCollins UK, 2009.

Seth, Vikram. A Suitable Boy. Penguin Books India, 1994.

Evaluation Pattern

Total: 100 Marks

CIAs: 70%

ESE: 30%

CIA 1: 20 marks

The students can be tested through the writing of argumentative essays,

critical analysis of essays, class presentations, group discussions, creative

writing, creative visualizations either as individual or group work.

CIA 2: MSE – 50 Marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

Students will be tested on their conceptual clarity, theoretical engagements,

application and analysis of given texts and contexts

CIA 3: 20 marks

The students can be evaluated through exhibitions, visual essays or visual

stories, mini-documentaries, performances, creating social media content and

promotions, cumulative portfolios, docudramas and other modes of creative

evaluation suitable for the course.

ESE: 50 marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

Students will be tested on their conceptual clarity, theoretical engagements,

application and analysis of given texts and contexts

BENG532 - LANGUAGE, CLASSROOM, AND PEDAGOGY (2021 Batch)

Total Teaching Hours for Semester:75
No of Lecture Hours/Week:15
Max Marks:100
Credits:5

Course Objectives/Course Description

 

The purpose of this compulsory course is to introduce the concepts of language teaching and learning within classroom spaces and beyond, help students understand how pedagogic spaces are constructed and what their social implications are. The course also intends to explore issues related to assessment in formal as well as semi-formal settings. Through the development of a nuanced understanding about the language teaching and learning scenario at the local, regional, national, and global contexts, the learners would be able to hone skills and professional ethics in the domain of teaching and learning thereby enhancing their opportunities of employability and entrepreneurship in the field. The course has been conceptualized with the following objectives:

• Introduce the learners to the theories, debates, and dominant discourses in the domain of language teaching and learning.

• Familiarize the learners with the dominant methods and practices of language teaching and learning as well as the policies in the field.

• Create an awareness of the linguistic competencies of the learners and thereby enhance their understanding of the critical approach to pedagogy through an experiential approach

Learning Outcome

CO1: Demonstrate knowledge of key concepts, theoretical frameworks, and discourses in the field of language teaching in India and abroad through class discussions and assignments.

CO2: Identify and evaluate the critical debates around language usage, teaching, and learning through hands-on activities and pre-planned tasks.

CO3: Apply the learnings acquired through the course in analyzing, evaluating, and deciphering the nuances in language policies and planning through pre-planned tasks and assignments.

CO4: Demonstrate the ability to critically engage with the debates in the field of critical pedagogy through class discussions and assignments.

Unit-1
Teaching Hours:15
Introduction
 

This unit provides Introductory sessions on conceptualising and developing perspectives on classrooms, pedagogies, and language teaching. This unit will directly contribute of the skill development of the learners and train them to use various language teaching methods which in turn would enhance their employability.

48. Tracing historical developments in Language Teaching

49. Grammar translation

50. Direct method

51. Audio-lingual method

52. Situational language teaching

53. Total physical response

54. The natural approach

55. The communicative approach

56. The silent way

57. Suggestopedia

58. Community language learning

59. Task-based language teaching

60. Understanding notions of classrooms as pedagogic spaces.

Essential readings:

Richards, Jack. C. and Theodore. S. Rodgers. Approaches and Methods in Language Teaching. Cambridge University Press, 1986.

Widdowson, H. G. Teaching Language as Communication. Oxford University Press, 1978.

Unit-2
Teaching Hours:15
Language Classrooms as Contested spaces
 

This unit focuses on the discursive construction class-room spaces and contextualises it with examples from around the globe. This unit will enable a nuanced understanding of the various cross-cutting issues related to education and human values, gender, professional ethics, and sustainability.

47. Global issues in language teaching

48. Contextualising English language education in the Indian context

49. Social identities in pedagogic spaces- challenges and concerns

50. Freire, Paulo. Pedagogy of the Oppressed: 30th Anniversary Edition. Bloomsbury Publishing USA, 2014.

Essential readings:

Bailey, Richard W. Images of English: A Cultural History of the Language. Cambridge University Press, 1991.

Freire, Paulo. Pedagogy of hope: Reliving pedagogy of the oppressed. Bloomsbury Publishing, 2014.

Unit-3
Teaching Hours:15
Language classrooms: theories of affect and cognition in pedagogy
 

This unit exposes the learners to the linguistic and affective theories that help develop insights on the phenomenon of language acquisition and teaching and thereby expose the learners to issues of global concerns in the field.

41. Language Acquisition/ Learning theories

42. Brief introduction to the works of:

A) Behaviorsim: B.F. Skinner

B) Cognitivism: Noam Chomsky

C) Child Language Acquistion: Jean Piaget and Vygotsky

D) Second Language Acquistion: Stephen Krashen

E) Acculturation Model: Schumann

F) Accommodation theory: Giles & Byrne

G) Discourse theory: Hatch

H) Variable Competence Model: Ellis

I) Universal Hypothesis: Wode

J) Neurofunctional Theory: Lamendella

Essential readings:

Ellis, Rod. Understanding Second Language Acquisition. Oxford University Press, 1991.

Unit-4
Teaching Hours:15
Basic components of syllabus, curriculum design and pedagogy
 

This unit provides the learners a first-hand understanding on curriculum, syllabus and assessment practices and exposes them to the global issues related to the field.65. Syllabus, curriculum design

66. Major theories: Stenhouse, Tyler, Bobbitt, Taba, Nunan. (Major definitions, types and differences).

67. Understanding curriculum and syllabus

68. Processes in syllabus and curriculum design

69. Assessment

70. Understanding Evaluation, Assessment and Testing, Content-based and Skill-based Testing

71. Validity, reliability, standardised testing

72. Alternative teaching and assessment practices

Essential readings:

Durairajan, Geetha. Assessing Learners: A Pedagogic Resource. Cambridge University Press, 2015.

Richards, Jack. C. Curriculum Development in Language Teaching. Cambridge University Press, 2001.

Unit-5
Teaching Hours:15
English language teaching in India
 

This unit locates the context of English Language Teaching within India with special focus on the multilingual context of learning. This unit exposes the learners to various regional, local, and national debates related English Language policy and planning in the context of education.

16. Studies on bilingualism and multilingualism

17. Situating English language in a multilingual context

Essential readings:

Bayer, Jennifer. Language and social identity. Multilingualism in India. Multilingual Matters Ltd, 1990.

Text Books And Reference Books:

Total: 100 Marks

CIAs: 70%

ESE: 30%

CIA 1: 20 marks

The students can be tested through the writing of argumentative essays,

critical analysis of essays, class presentations, group discussions, creative

writing, creative visualizations either as individual or group work.

CIA 2: MSE – 50 Marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

Students will be tested on their conceptual clarity, theoretical engagements,

application and analysis of given texts and contexts

CIA 3: 20 marks

The students can be evaluated through exhibitions, visual essays or visual

stories, mini-documentaries, performances, creating social media content and

promotions, cumulative portfolios, docudramas and other modes of creative

evaluation suitable for the course.

ESE: 50 marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

Students will be tested on their conceptual clarity, theoretical engagements,

application and analysis of given texts and contexts

Essential Reading / Recommended Reading

Ur, Penny. A Course in Language Teaching: Practice and Theory. Cambridge: Cambridge University Press, 1996.

Widdowson, H. G. Teaching Language as Communication. Oxford University Press, 1978.

 

Evaluation Pattern
 

Total: 100 Marks

CIAs: 70%

ESE: 30%

CIA 1: 20 marks

The students can be tested through the writing of argumentative essays,

critical analysis of essays, class presentations, group discussions, creative

writing, creative visualizations either as individual or group work.

CIA 2: MSE – 50 Marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

Students will be tested on their conceptual clarity, theoretical engagements,

application and analysis of given texts and contexts

CIA 3: 20 marks

The students can be evaluated through exhibitions, visual essays or visual

stories, mini-documentaries, performances, creating social media content and

promotions, cumulative portfolios, docudramas and other modes of creative

evaluation suitable for the course.

ESE: 50 marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

Students will be tested on their conceptual clarity, theoretical engagements,

application and analysis of given texts and contexts

BENG533 - DISCOURSES IN ENVIRONMENTAL HUMANITIES (2021 Batch)

Total Teaching Hours for Semester:75
No of Lecture Hours/Week:15
Max Marks:100
Credits:5

Course Objectives/Course Description

 

This course aims to address the ecological crisis which has become a defining feature of the current epoch. Conceived from an English Studies perspective, the course maps the ecological crisis and various associated movements through narratives. Through such a conceptualization, the course proposes to expose students to a wide variety of debates and discussions on ecological crisis and awareness drawing texts from different literary cultures and perspectives. The course also attempts to understand ecological crises as stemming from various socio-cultural and political entanglements with ecology. The texts in the course will give the students an overview of the global, national and regional discourses and debates pertaining to ecology and sustainability, thus helping them decode the global and local issues related to ecological violence and their interconnections. To give a multidimensional comprehension of various issues dealt through narratives, field visits are also included to the course structure.

Through classroom discussions, textual analysis, individual and group assignments, the course enables students to develop their critical thinking, analytical skills and raise awareness of nuances of ecological debates. The course thus aims to sensitize students about the environmental and social issues thereby enabling them to work with start-ups, NGOs and in other areas where social and environmental sensitivity and critical thinking are necessary. Texts range in focus and scope from regional, local, national, and global contexts and include engagement with cross-cutting issues such as gender and environmentalism.

The course aims to:

• Develop critical thinking and analytical skills through argumentative writing and class discussions.

• Create awareness of the ecological crisis through literary and visual narratives that expose the students to various local, regional and global issues.

• Analyse the questions of gender, race and ethnicity and their relevance in ecological discourses through various theoretical engagements.

• Examine the local environment and the questions of sustainability through field visits and field journals.

Learning Outcome

CO1: Demonstrate knowledge of key concepts, theoretical frameworks, and discourses in the field of environmental criticism through class discussions, debates, and written assignments.

CO2: Explain and analyse critical arguments on ecological issues and concerns through various classroom presentations.

CO3: Criticize various socio-political and cultural entanglements and their literary representations in the regional, national and global contexts through written assignments.

CO4: Formulate ideas and suggestions for sustainable practices and raise ecological awareness through classroom discussions and well-constructed research papers.

Unit-1
Teaching Hours:15
Narrating Ecology
 

The unit will familiarise the students with key terms relating to ecological concerns and how they are defined and narrativised, especially in the arts and humanities. Giving instances from both global and national contexts, these readings will encourage learners to engage with discourses on sustainability and the role played by the arts and humanities. Texts range in focus and scope from regional, local, national, and global contexts and include engagement with cross-cutting issues such as gender and environmentalism.

Keywords - ecology, environment, nature, romanticism, wilderness, ecocriticism

Essential Readings:

73. Glotfelty, Cheryll. "Ecocriticism: literary studies in an age of environmental crisis." Interconnections Between Human and Ecosystem Health. Springer, Dordrecht, 1996, pp. 229-236.

Excerpts from:

74. White Jr., Lynn. "The Historical Roots of Our Ecologic Crisis, From Transcendence to Obsolescence: A Route Map”. The Ecocriticism Reader: Landmarks in Literary Ecology. 1996.

75. Carson, Rachel. Silent Spring. Houghton Mifflin Harcourt, 2002.

76. Buell, Lawrence. The Future of Environmental Criticism: Environmental Crisis and Literary Imagination. John Wiley & Sons, 2009.

77. Garrard, Greg. “Pastoral”. Ecocriticism. Routledge, 2011.

78. Ghosh, Amitav. The Great Derangement. Climate Change and the Unthinkable. University of Chicago Press, 2016.

Unit-2
Teaching Hours:15
Postcolonial Ecology
 

This unit assists learners to identify and understand postcolonial concerns in contemporary ecological discourses. Readings have been selected from both national and global contexts to facilitate a holistic understanding of the topic. Texts range in focus and scope from regional, local, national, and global contexts and include engagement with cross-cutting issues such as gender and environmentalism.

Select Essays from:

Essential Reading:

1. DeLoughrey, Elizabeth M., and George B. Handley. Postcolonial Ecologies: Literatures of the Environment. OUP USA, 2011.

2. Guha, Ramachandra. "Radical American Environmentalism and Wilderness Preservation: A Third World Critique." The Ethics of the Environment, 1995, pp. 239-51.

3. Sinha, Indra. Animal’s People. Simon and Schuster, 2016.

4. Sarah, Joseph. Gift In Green. Translated by Valsan Thambu, Harper Collins, 2013.

Unit-3
Teaching Hours:15
Environment and Gender
 

This unit Introduces the interconnections of gender and ecological discourse through reading ecofeminist theoretical pieces and literary texts. The instructor can choose two texts for theoretical discussion and one from the literary narratives. Texts range in focus and scope from regional, local, national, and global contexts and include engagement with cross-cutting issues such as gender and environmentalism.

Essential Readings:

1. Merchant, Carolyn. “Gaia: Ecofeminism and the Earth.” Earthcare: Women and the Environment, Routledge, 2014.

2. Gaard, Greta. "Living interconnections with animals and nature." Ecofeminism: Women, animals, nature, 1993, pp. 1-12.

Excerpts from:

3. Shiva, Vandana. Staying Alive: Women, Ecology and Development. Zed Books, 1988.

4. Williams, Terry Tempest. The Clan of One-Breasted Women (1992). Penguin UK, 2021.

5. Castillo, Ana. So Far from God: A Novel. Plume Books, 1994.

Unit-4
Teaching Hours:15
Environment and Film
 

This unit includes visual texts that represent issues relating to current environmental concerns. It makes contemporary ecological concerns relatable to students by presenting them through visual media. Texts range in focus and scope from regional, local, national, and global contexts and include engagement with cross-cutting issues such as gender and environmentalism.

Essential Readings:

Our Planet series (any two episodes)

2. The Elephant Whisperers

3. Before the Flood

4. Eyes of the Orangutan

5. 2040

6. An Inconvenient Truth

7. David Attenborough: A Life on Our Planet

8. Cowspiracy: The Sustainability Secret

Unit-5
Teaching Hours:15
Ecological Justice
 

This unit empowers learners to engage in contemporary issues surrounding ecological justice in the global context, with specific reference to local and regional discourses surrounding Indigenous identities. Texts range in focus and scope from regional, local, national, and global contexts and include engagement with cross-cutting issues such as gender and environmentalism.

Theoretical discussions: 10 hours

Essential Readings:

1. Adamson, Joni, et al. The Environmental Justice Reader: Politics, Poetics, & Pedagogy. University of Arizona Press, 2002.

2. Nixon, Rob. Slow Violence and the Environmentalism of the Poor. Harvard University Press, 2011.

Text Books And Reference Books:

Texts prescribed in the course.

Essential Reading / Recommended Reading

Adamson, Joni, William A. Gleason and David N. Pellow. Keywords for Environmental Studies. New York University Press, 2016.

Buell, Lawrence. Writing for an Endangered World. Harvard University Press, 2001.

Clark, Timothy. Literature and the Environment. Cambridge University Press. 2010.

McKibben, Bill. The End of Nature. Penguin Random House, 1989.

Evaluation Pattern

Total: 100 Marks

CIAs: 70%

ESE: 30%

CIA 1: 20 marks

The students can be tested through the writing of argumentative essays,

critical analysis of essays, class presentations, group discussions, creative

writing, creative visualizations either as individual or group work.

CIA 2: MSE – 50 Marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

Students will be tested on their conceptual clarity, theoretical engagements,

application and analysis of given texts and contexts

CIA 3: 20 marks

The students can be evaluated through exhibitions, visual essays or visual

stories, mini-documentaries, performances, creating social media content and

promotions, cumulative portfolios, docudramas and other modes of creative

evaluation suitable for the course.

ESE: 50 marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

Students will be tested on their conceptual clarity, theoretical engagements,

application and analysis of given texts and contexts

BENG541A - INDIAN LITERATURES: PROBLEMS AND PERSPECTIVES (2021 Batch)

Total Teaching Hours for Semester:60
No of Lecture Hours/Week:15
Max Marks:100
Credits:4

Course Objectives/Course Description

 

This paper introduces students to key themes and concerns in Indian Literatures, primarily at national and regional levels. This is a survey course that serves as an introduction to main issues and concepts in Indian Literatures around cross cutting issues such as gender, caste, class, nation etc. Categories and nomenclatures are debated and challenged in and through the selections. The course is a mix of traditional as well as contemporary literatures written both in English as well as other regional languages translated into English and will develop theoretical, analytical and critical reading skills in students.

• To understand the complexities of cultural, economic, political and social forces and their impact on the production of literatures in India of different classes and backgrounds.

• To understand the religious, caste, gender, colonial, national and regional constructs in India through its literatures and thereby develop sensitivity and add to the core value of love for fellow beings.

• To become aware of methods of interpreting literary texts in the contemporary context

Learning Outcome

CO1: Demonstrate knowledge of key concepts, theoretical frameworks, and discourses in the field of Indian writing in English through class presentations and written assignments.

CO2: Identify and reflect on the complexities of cultural, economic, political, and social forces in the production of discourses in India through critical debate and classroom engagement

CO3: Illustrate how various discourses are instrumental in the production of literatures at regional and national levels through written assignments prepared using the close reading of prescribed texts.

CO4: Evaluate the methodological concerns in interpreting literary texts in the contemporary context through research papers and public discourse.

Unit-1
Teaching Hours:15
Indian Literary theory and Criticism
 

 

This module will introduce students to the category of Indian Literatures, its survey of different aspects of the body of writing as well as a critical understanding of the knowledge systems indigenous to India, and the manner in which it accommodates intersectional issues particular to the nation as well as specific regions. It will also enable development of theoretical knowledge about Indian Literary Theory and Criticism.

61. Genealogies of Indian Literature

62. Is there an Indian way of thinking?

63. Indian literary criticism

Teaching learning strategies (list all that would be appropriate for the unit in alignment with the COS): Readings, in class discussions, individual tests and quizzes, group assignments, comprehensive written examination.

Essential readings:

Raveendran, P. P. "Genealogies of Indian Literature." Economic and Political Weekly, 2006, pp. 2558-2563.

Sen, Amartya. “Indian Tradition and Western Imagination.” Daedalus, Vol. 126, No. 2, Human Diversity, 1997.

Ramanujan, Attipat Krishnaswami. "Is there an Indian way of thinking? An informal essay." Contributions to Indian sociology, Vol.23, no.2, 1989, pp. 41-58.

Devy, Ganesh Narayandas, ed. Indian literary criticism: theory and interpretation. Orient Blackswan, 2002.

Unit-2
Teaching Hours:15
Poetry
 

This module surveys select poetry from contemporary India- that represent national and regional concerns. It surveys cities, people, ecology and ideas like faith and non-violence located within the Indian context and helps acquire critical reading skills and appreciation of Indian poetry and its techniques.

51. A Prison Evening by Faiz Ahmed Faiz

52. Mother -English Translation of “Avva” by P Lankesh

53. My Grandmother’s House by Kamala Das

54. Kala ghoda: Poems. Arun Kolatkar

Teaching learning strategies (list all that would be appropriate for the unit in alignment with the COS): Readings, in class discussions, individual tests and quizzes, group assignments, comprehensive written examination.

Essential readings: Any three poems mentioned above.

Faiz, Ahmed Faiz. “A Prison Evening.” All Poetry, https://allpoetry.com/A-Prison-Evening. Accessed on 6 March 2023.

Lankesh, P. “Avva.” http://komalesha.blogspot.com/2014/09/mother-english-translation-of-avva-by-p.html. Accessed on 6 March 2023.

Das, Kamala. “My Grandmother’s House.” Poetry Nook, https://www.poetrynook.com/poem/my-grandmothers-house. Accessed on 6 March 2023.

Unit-3
Teaching Hours:15
Plays
 

The unit initiates discussion on theatre which is very intrinsic to Indian cultures and traditional art forms and allows students to appreciate the form, distinct characteristics and critically engage with the intersectional debates it embodies around caste, myth, gender, religion etc. Local engagement can also be made possible through visit to Rangashankara in the city where plays and performances are regularly hosted.

80. Karnad, Girish, and Bi Vi Kāranta. Hayavadana. Calcutta: Oxford University Press, 1975.

81. Vinodini. “Daaham (Thirst).” Staging Resistance: Plays by Women in Translation. Eds. Suneetha Rani and Tutun Mukherjee, Oxford University Press, USA, 2005.

82. Tendulkar, Vijay. Silence! The court is in session. Kolkata: Oxford University Press, 1978.

Teaching learning strategies (list all that would be appropriate for the unit in alignment with the COS): Readings, in class discussions, individual tests and quizzes, group assignments, comprehensive written examination. Field visit to Rangashankara may be possible to watch a play based on Indian context.

Essential readings:

1. Karnad, Girish, and Bi Vi Kāranta. Hayavadana. Calcutta: Oxford University Press, 1975.

2. Vinodini. “Daaham (Thirst).” Staging Resistance: Plays by Women in Translation. Eds. Suneetha Rani and Tutun Mukherjee, Oxford University Press, USA, 2005.

3. Tendulkar, Vijay. Silence! The court is in session. Kolkata: Oxford University Press, 1978.

Unit-4
Teaching Hours:15
Short Fiction
 

This selection of short fiction introduces students to a variety of readings about cross cutting issues around the nation, partition, women and their social roles as well as resistance to established traditions. Students are introduced to critical issues in the national context and they develop critical reading skills and awareness about key national concerns.

43. Gender

44. Nation

45. Class and Caste

46. Environment and

Teaching learning strategies (list all that would be appropriate for the unit in alignment with the COS): Readings, in class discussions, individual tests and quizzes, group assignments, comprehensive written examination.

Essential readings:

1. Ambai. "A Kitchen in the Corner of a House." Translated by J. Bernard Bate and A. K. Ramanujan. Journal of South Asian Literature, Vol.27, no.1, 1992, pp. 21-42.

2. Manto, Saadat Hasan. Dog of Tithwal. Translated from Urdu by Khalid Hasan, Muhammad Umar Memon. Archipelago Books, 2021.

3 Kafan (The Shroud), by Premchand, Translated from Urdu and Hindi by Frances W. Pritchett. http://www.columbia.edu/itc/mealac/pritchett/00urdu/kafan/translation_kafan.html.

4. Pritham, Amitha. “The Weed.” The Daily Star Web Edition. 4 Num 248. http://archive.thedailystar.net/2004/02/07/d402072101111.htm.

Text Books And Reference Books:

Texts prescribed in the syllabus.

Essential Reading / Recommended Reading

Stuart Blackburn and Vasudha Dalmia (ed). India’s Literary History. Essays on the Nineteenth Century. Permanent Black, 2008.

Kantor, Roanne. "‘My Heart, My Fellow Traveller’: Fantasy, Futurity and the Itineraries of Faiz Ahmed Faiz." Writing Revolution in South Asia. Routledge, 2018. 96-113.

Dharwadker, Vinay. "Some contexts of modern Indian poetry." Chicago Review 38.1/2 (1992): 218-231.

Naik, Madhukar K. Perspectives on Indian Poetry in English. Abhinav publications, 1984.

Premchand, Munshi. "The nature and purpose of literature." Social Scientist 39.11/12 (2011): 82-86.

Ray, Mohit. "Hayavadana: A study of Karnad’s use of Source Texts and Folk Form’." Indian Writing in English 1 (2003).

Dalmia, Vasudha. Poetics, Plays, and Performances: The Politics of Modern Indian Theatre. Oxford University Press, 2008.

Dharwadker, Aparna. “Diaspora, Nation, and the Failure of Home: Two Contemporary Indian Plays.” Theatre Journal, vol. 50, no. 1, 1998, pp. 71–94. JSTOR, http://www.jstor.org/stable/25068484. Accessed 2 Mar. 2023.

Sengupta, Ashis. “MAHESH DATTANI AND THE INDIAN (HINDU) FAMILY EXPERIENCE.” Hungarian Journal of English and American Studies (HJEAS), vol. 11, no. 2, 2005, pp. 149–67. JSTOR, http://www.jstor.org/stable/41274325. Accessed 2 Mar. 2023.

Kuortti, Joel, and Mittapalli Rajeshwar, eds. Indian Women's Short Fiction. Atlantic Publishers & Dist, 2007.

Ekka, Francis, and Rosy Chamling. "Problematising Tribality: A Critical Engagement with Hansda Sowvendra Shekhar’s The Adivasi Will Not Dance: Stories." Rupkatha Journal on Interdisciplinary Studies in Humanities 13.4 (2021).

Evaluation Pattern

Total: 100 Marks

CIAs: 70%

ESE: 30%

CIA 1: 20 marks

The students can be tested through the writing of argumentative essays,

critical analysis of essays, class presentations, group discussions, creative

writing, creative visualizations either as individual or group work.

CIA 2: MSE – 50 Marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

Students will be tested on their conceptual clarity, theoretical engagements,

application and analysis of given texts and contexts

CIA 3: 20 marks

The students can be evaluated through exhibitions, visual essays or visual

stories, mini-documentaries, performances, creating social media content and

promotions, cumulative portfolios, docudramas and other modes of creative

evaluation suitable for the course.

ESE: 50 marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

Students will be tested on their conceptual clarity, theoretical engagements,

application and analysis of given texts and contexts

BENG542A - TRANSLATION: THEORY AND PRACTICE (2021 Batch)

Total Teaching Hours for Semester:60
No of Lecture Hours/Week:15
Max Marks:100
Credits:4

Course Objectives/Course Description

 

This course introduces students to the different aspects of translation and the factors involved in the process of translation. The course aims to familiarize students with the various roles translation plays in carrying a culture forward and its implications afterwards. The course provides linguistic skills, multicultural competence, and other necessary skills to be professional in the field.

Learning Outcome

CO1: Demonstrate knowledge of key concepts, theoretical frameworks, and discourses in the field of Translation studies through practical translation tasks.

CO2: Explain the role of translation in bringing vernacular literature in the global cultural discourse and map the trajectory of the translation process through class assignments

CO3: Practice the act of translation in the assigned works by comparing and analysing two or more translated versions of the same text.

CO4: Examine the role of translation in carrying a culture forward through research submissions.

Unit-1
Teaching Hours:15
Introduction to Translation Studies
 

Unit Detail: The unit introduces the theoretical and practical aspects of translation studies. It deals with the prevalent concept, practices, strategies and problems concerning translation at global and regional levels. It also involves some translation exercises for students to explore the skills, strategies and techniques of translation.

• Introduction to translation studies

• Translation Strategies

• Translation as new writing and discovery

• Variations of Translation

Essential readings:

Hatim, Basil, and Jeremy Munday. “Introduction.” Translation: An Advanced Resource Book. Psychology Press, 2004.

Mukherjee, Sujit. “Translation as New Writing.” Translation as Recovery. Pencraft International, 2004.

Mukherjee, Sujit. “Translation as Discovery.” Translation as Recovery. Pencraft International, 2004.

Bassnett, Susan. "Variations on translation." A Companion to Translation Studies, 2014, pp. 54-66

Unit-2
Teaching Hours:15
Aspects of Translation and its Role
 

Unit details: This unit focuses on the various aspects and roles of translation in society. It engages with specific texts to discuss the aspects like its linguistic aspects (language and translatability), the issue of dialect and varieties of language, the role of nation, culture and society in translation.

• Translation and linguistic aspects

• Varieties of English

• Translation and mutilingualism

• Translation and national literature

• Translation and world literature

 

Essential readings:

Jakobson, Roman. "On linguistic aspects of translation." On translation. Harvard University Press, 2013. 232-239. 

Heim, Michael Henry. "Varieties of English for the Literary Translator." A Companion to Translation Studies, 2014, pp. 454-466.

Choudhuri, Indra Nath. “The Role of Translation in a Multilingual Society Knitting India: Through Translation Indra Nath Choudhuri.” PDF Free Download, https://docplayer.net/22425890-The-role-of-translation-in-a-multilingual-society-knitting-india-through-translation-indra-nath-choudhuri.html. Accessed 28 Feb. 2022.

David Damrosch: “Translation and Nation Literature”

Henitiuk, Valerie. "The single, shared text? Translation and world literature." World literature today, Vol.86, no.1, 2012, pp. 30-34.

Unit-3
Teaching Hours:15
Politics of Translation
 

Unit Detail: This unit exclusively focuses on the politics of translation that includes the politics of caste, class, language and culture. It aims to provide students with the challenges a translated text or the process of translation faces. The readings and class engagements will provide critical skills.

• The politics of translation

• Problematising translation

Essential readings:

Mukherjee, Meenakshi. "The practice and politics of literary translation." The Literary Journal, Vol.2, 2005.

Bhalla, Alok. "The Politics of Translation: Manto's Partition Stories and Khalid Hasan's English Version." Social Scientist, 2001, pp. 19-38.

Unit-4
Teaching Hours:15
Traditions of Translation
 

Unit details: The unit engages with traditions of translation by engaging with selected texts from Indian literary and Western literary scenes. It takes national, regional and global works to engage with the similarities and differences in the intra and inter-traditions. The unit focuses on the nature, aspect and politics of translation.

• Indian literature in translation

• Translating fiction

• Postcolonial translation

• Principles of correspondence

Essential readings:

Devy, G. N. "Indian Literature in English Translation: An Introduction." The Journal of Commonwealth Literature, Vol.28, no.1, 1993, pp. 123-138.

Prasad, G. J. V. "Writing translation." The strange case of the Indian English novel. Theory and practice, 1999, pp. 41-57.

Lahiri, Jhumpa. "Intimate alienation: Immigrant fiction and translation." Translation, Text and Theory: The Paradigm of India, 2002, pp. 113-20

Simon, Sherry. "Translating and interlingual creation in the contact zone." Post-colonial Translation, 2002, pp. 58

Nida, Eugene A. "Principles of correspondence." Toward a science of translating. Brill, 2003, pp. 156-192

Text Books And Reference Books:

Texts Prescribed in the course.

Essential Reading / Recommended Reading

Mukherjee, Sujit. “Translation as Discovery.” Translation as Recovery. Pencraft International, 2004.

Jakobson, Roman. "On linguistic aspects of translation." On translation. Harvard University Press

Munday, Jeremy. Introducing translation studies: Theories and applications. Routledge, 2016.

Trivedi, Harish. "Translating culture vs. cultural translation." Benjamins translation library, Vol. 71, 2007, pp. 277.

Bermann, Sandra, and Catherine Porter. A Companion to Translation Studies. John Wiley & Sons, 2014.

Tymoczko, Maria. "Post-colonial writing and literary translation." Post-colonial translation: Theory and practice, 1999, pp. 19-40.

Ribeiro Pires Vieira, Else. "Liberating Calibans. Readings of Antropofagia and Haroldo de Campos’ poetics of transcreation." Post-Colonial Translation: Theory and Practice. Routledge, 2005.

Arrojo, Rosemary. " Interpretation as Possessive Love Hélène Cixous, Clarice Lispector and the Ambivalence of Fidelity." Post-colonial Translation, 1999, pp. 141

Evaluation Pattern

Total: 100 Marks

CIAs: 70%

ESE: 30%

CIA 1: 20 marks

The students can be tested through the writing of argumentative essays,

critical analysis of essays, class presentations, group discussions, creative

writing, creative visualizations either as individual or group work.

CIA 2: MSE – 50 Marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

Students will be tested on their conceptual clarity, theoretical engagements,

application and analysis of given texts and contexts

CIA 3: 20 marks

The students can be evaluated through exhibitions, visual essays or visual

stories, mini-documentaries, performances, creating social media content and

promotions, cumulative portfolios, docudramas and other modes of creative

evaluation suitable for the course.

ESE: 50 marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

Students will be tested on their conceptual clarity, theoretical engagements,

application and analysis of given texts and contexts

BENG542B - CULTURAL LINGUISTICS (2021 Batch)

Total Teaching Hours for Semester:60
No of Lecture Hours/Week:15
Max Marks:100
Credits:4

Course Objectives/Course Description

 

Each language is a repository of history and knowledge as well as the culture of a group of speakers. This course surveys the social and cultural contexts of languages in the world. It examines the ways in which a human language reflects the ways of life and beliefs of its speakers, contrasted with the extent of language's influence on culture. A wide variety of cultures and languages are examined. The course will focus on topics such as identity, social factors of language use, language vitality, language structures and issues of globalization.

Learning Outcome

CO1: Demonstrate knowledge of key concepts, theoretical frameworks, and discourses in the field of cultural linguistics through academic and non-academic engagements.

CO2: Analyse and explain how culture death and language death are interrelated and give examples through class presentations and discussion.

CO3: Demonstrate how their own culture and language influence one another through pilot studies by applying the theory of linguistic relativity.

CO4: Connect the cultural metaphors from their languages and analyse their conceptualisations through CIAs and written assignments.

Unit-1
Teaching Hours:15
Introduction
 

This unit offers the theoretical background of the discipline from global perspective. It enhances the analytical skills of linguistic analysis to understand the intersection between language and culture to enable the learners to understand the linguistic practices of cultural groups. This understanding help them to get employed in language policy on preservation and protection of vulnerable languages.

Cultural Linguistics: An overview

Cultural Conceptualisations and language

The analytical framework

Research Methods in Cultural Linguistics

Ethnosyntax

Ethnosemantics

Ethnopragmatics

Teaching learning strategies (list all that would be appropriate for the unit in alignment with the COS):

Lecture, presentation and task based class discussion

Essential readings:

Gladkova, Anna. Ethnosyntax, The Routledge Handbook of Language and Culture. Routledge, Taylor & Francis Group, 2019

Goddard, Cliff and Zhengdao Ye. Ethnopragmatics, The Routledge Handbook of Language and Culture. Routledge, Taylor & Francis Group, 2019. Leavitt, John. Ethnosemantics, in The Routledge Handbook of Language and Culture. Routledge, Taylor & Francis Group, 2019.

Sharifian, Farzad. “Cultural Linguistics: An Overview.” Cultural Linguistics: Cultural conceptualisations and language. Vol. 8. John Benjamins Publishing Company, 2017.

Sharifian, Farzad. “Cultural conceptualisations and language: The analytical framework.” Cultural Linguistics: Cultural conceptualisations and language. Vol. 8. John Benjamins Publishing Company, 2017.

Sharifian, Farzad. “Research methods in Cultural Linguistics.” Cultural Linguistics: Cultural conceptualisations and language. Vol. 8. John Benjamins Publishing Company, 2017.

Unit-2
Teaching Hours:15
Scope of Cultural Linguistics
 

This unit deals with the scope of cultural linguistics and offers insights into the theoretical frameworks from Linguistics and their intersection with culture.

Linguaculture: The language-culture nexus in transnational perspective

Language, Gender and Culture

Embodied cultural metaphors

Cultural Linguistics and Linguistic Relativity

Cultural Linguistics and World Englishes

Teaching learning strategies: Lecture, presentation and task based class discussion

Essential readings:

Sharifian, Farzad. “Embodied cultural metaphors.” Cultural Linguistics: Cultural conceptualisations and language. Vol. 8. John Benjamins Publishing Company, 2017.

Sharifian, Farzad. “Cultural Linguistics and Linguistic Relativity.” Cultural Linguistics: Cultural conceptualisations and language. Vol. 8. John Benjamins Publishing Company, 2017

Sharifian, Farzad. “Cultural Linguistics and World Englishes.” Cultural Linguistics: Cultural conceptualisations and language. Vol. 8. John Benjamins Publishing Company, 2017.

Tanaka, Lidia. Language, Gender and Culture, The Routledge Handbook of Language and Culture. Routledge, Taylor & Francis Group, 2019

Risager, Karen. Linguaculture: The language-culture nexus in transnational perspective The Routledge Handbook of Language and Culture. Routledge, Taylor & Francis Group, 2019

Unit-3
Teaching Hours:15
Application of Cultural Linguistics
 

The unit deals with the application of theoretical frameworks of Cultural Linguistics in real world scenario. The learners will engage with sociopolitical realities of world and discourse around them through linguistic analysis.

Cultural Linguistics and Religion

Cultural Linguistics and Political Discourse

Perception of impoliteness from a cultural linguistics perspectives

Kinship semantics

Teaching learning strategies : Lecture, presentation and task based class discussion

Essential readings: Gaby, Alice. "Kinship semantics: Culture in the lexicon." Advances in cultural linguistics. Springer, Singapore, 2017, pp. 173-188.

Mills, Sara. Language, Culture, and Politeness, The Routledge Handbook of Language and Culture. Routledge, Taylor & Francis Group, 2019.

Sharifian, Farzad. “Cultural Linguistics and Religion.” Cultural Linguistics: Cultural conceptualisations and language. Vol. 8. John Benjamins Publishing Company, 2017.

Sharifian, Farzad. “Cultural Linguistics and Political Discourse.” Cultural Linguistics: Cultural conceptualisations and language. Vol. 8. John Benjamins Publishing Company, 2017

Unit-4
Teaching Hours:15
Case Studies
 

This unit offers insights to various case studies to understand the implications of the nexus of language and culture. The texts are taken from global and national perspectives and deals with issues like aging. The acquired skills enable the learners to analyse and research their real world issues of language and culture.

Frank, and Sandra Frey. "Are marriages made in heaven? A cultural-linguistic case study on Indian-English matrimonials." Advances in cultural linguistics. Springer, Singapore, 2017, pp. 573-605.

Benczes, Réka, et al. "Cultural Linguistics and ageing: What naming practices in Australian English can reveal about underlying cultural conceptualisations." Advances in cultural linguistics. Springer, Singapore, 2017, pp. 607-624.

Wolf, Hans-Georg. "De-escalation—A Cultural-Linguistic View on Military English and Military Conflicts." Advances in cultural linguistics. Springer, 2017, pp. 683-702.

Polzenhagen, Frank, and Hans-Georg Wolf. "Culture-specific conceptualisations of corruption in African English: Linguistic analyses and pragmatic applications." Cultural Linguistics and World Englishes. Springer, Singapore, 2021, pp. 361-399.

Teaching learning strategies: Lecture, presentation and task based class discussion

Text Books And Reference Books:

Texts Prescribed in the syllabus.

Essential Reading / Recommended Reading

Danesi, Marcel. A Basic Course in Anthropological Linguistics. Canadian Scholars’ Press Inc, 2004

Palmer, Gary B. Toward a Theory of Cultural Linguistics. Austin, TX: University of Texas Press, 1996.

Sharifian, Farzad, editor. The Routledge Handbook of Language and Culture. Routledge, Taylor & Francis Group, 2019. S

harifian, Farzad. "Cultural linguistics: The state of the art." Advances in cultural linguistics, 2017, pp. 1-28.

Sharifian, Farzad. “Cultural Linguistics and Pragmatics.” Cultural Linguistics: Cultural conceptualisations and language. Vol. 8. John Benjamins Publishing Company, 2017.

Trudgill, Peter. Sociolinguistics: An Introduction to Language and Society, Penguin, 2000.

Sharifian, Farzad, and Tahmineh Tayebi. "Perceptions of impoliteness from a Cultural Linguistics perspective." Advances in cultural linguistics. Springer, Singapore, 2017, pp. 389-409.

Evaluation Pattern

Total: 100 Marks

CIAs: 70%

ESE: 30%

CIA 1: 20 marks

The students can be tested through the writing of argumentative essays,

critical analysis of essays, class presentations, group discussions, creative

writing, creative visualizations either as individual or group work.

CIA 2: MSE – 50 Marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

Students will be tested on their conceptual clarity, theoretical engagements,

application and analysis of given texts and contexts

CIA 3: 20 marks

The students can be evaluated through exhibitions, visual essays or visual

stories, mini-documentaries, performances, creating social media content and

promotions, cumulative portfolios, docudramas and other modes of creative

evaluation suitable for the course.

ESE: 50 marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

Students will be tested on their conceptual clarity, theoretical engagements,

application and analysis of given texts and contexts

BENG543A - READING GRAPHIC NARRATIVES (2021 Batch)

Total Teaching Hours for Semester:60
No of Lecture Hours/Week:15
Max Marks:100
Credits:4

Course Objectives/Course Description

 

This course has been conceptualized to introduce students to the genre of graphic narratives in the form of comics, novels, cartoon strips, graffiti etc. The course aims to equip students with skills to engage with graphic narratives as ‘texts’ or ‘signifying systems’, will provide them with tools to read graphic narratives and critique them as informed readers of graphic narratives. It will enable them to treat and study graphic narratives as ‘serious art’ and also und to understand the academic implications of studying such texts.

Learning Outcome

CO1: Demonstrate knowledge of key concepts, theoretical frameworks, and discourses in the field of graphic narratives through the analysis of audio-visual texts in their presentations and assignments.

CO2: Identify and explain the nuances of these ?texts? through classroom engagements and debates.

CO3: Employ critical thinking and analytical skills to establish graphic narratives as a universal ?art? through their research papers/blogs/articles.

CO4: Create a narrative that embodies the nuances of the form and context by producing a tangible output that aligns with any of the existing forms of graphic narratives.

Unit-1
Teaching Hours:15
Introduction: Graphic Narratives
 

 

Unit details: This unit will introduce students to graphic narratives and will focus on the global context within which an academic study of graphic narratives is placed.

• How to read Graphic Narratives

• Graphic Narratives as a field of studies

Teaching learning strategies (list all that would be appropriate for the unit in alignment with the COS): Lectures, presentations, discussions and readings

Essential readings:

88. Labio, Catherine. "What's in a name? The academic study of comics and the" graphic novel"." Cinema Journal, Vol 50, no.3, 2011, pp. 123-126.

89. McCloud, Scott. Understanding Comics: The Invisible Art. William Morrow Paperbacks. 1994.

90. Behler, Anne. "Getting started with graphic novels: A guide for the beginner." Reference & User Services Quarterly, Vol.46, no.2, 2006, pp. 16-21.

Campbell, Eddie. "What is a graphic novel?" World Literature Today, Vol.81, no.2, 2007, pp. 13-14.

92. Ndalianis, Angela. "Why comics studies?." Cinema Journal. Vol.50, no.3, 2011, pp. 113-117.

93. Meskin, Aaron. "Defining comics?." The Journal of Aesthetics and Art Criticism. Vol.65, no.4, 2007, pp. 369-379.

94. Toku, Masami. "What is manga? The influence of pop culture in adolescent art." Art education, Vol.54, no.2, 2001, pp. 11-17.

95. Roeder, Katherine. "Looking high and low at comic art." American Art. Vol.22, no.1, 2008, pp. 2-9.

96. Masilamani, Rachel. "Documenting illegal art: collaborative software, online environments and New York City's 1970s and 1980s graffiti art movement." Art Documentation: Journal of the Art Libraries Society of North America. Vol.27, no.2, 2008, pp. 4-14.

97. Dorfman, Ariel and Armand Mattelart. How to Read Donald Duck: Imperialist Ideology in the Disney Comic. International General. 1991

Unit-2
Teaching Hours:15
Reading Graphic Narratives
 

This unit will closely study the formal aspects of graphic narratives and will explore the global socio-political terrain upon which various forms of graphic art is created.

• Focalization

• Sequential Art

• The politics and aesthetics of Graffiti

Teaching learning strategies (list all that would be appropriate for the unit in alignment with the COS): Lectures, presentations, discussions and readings

Essential readings:

49. Petersen, Robert. Comics, Manga, and Graphic Novels: A History of Graphic Narratives: A History of Graphic Narratives. ABC-CLIO, 2010.

50. Eisner, Will. “Writing and Sequential Art.” Comics and Sequential Art: Principles and Practices from the Legendary Cartoonist. W. W. Norton & Company, 2008, pp. 101-109.

51. Petersen, Robert. “Digital Comics.” Comics, Manga, and Graphic Novels: A History of Graphic Narratives: A History of Graphic Narratives. ABC-CLIO, 2010, pp. 227-238.

52. Horstkotte, Silke, and Nancy Pedri. "Focalization in graphic narrative." Narrative, Vol.19, no.3, 2011, pp. 330-357.

53. Barnett, Claudia. "The Death of Graffiti: Postmodernism and the New York City subway." Studies in popular culture. Vol.16, no.2, 1994, pp. 25-38.

Unit-3
Teaching Hours:15
Engaging with Graphic Narratives
 

 

Unit details: This unit will move beyond American comics and will focus on the varying global contexts for graphic narratives. This unit will also explore Indian graphic narratives. French Comics

• Indian Graphic Narratives

• Superhero Comics

Teaching learning strategies: Lectures, presentations, discussions and readings

Essential readings:

60. McKinney, Mark. “Representations of History and Politics in French-Language Comics and Graphic Novels: An Introduction.” History and Politics in French-Language Comics and Graphic Novels. University Press of Mississippi, 2011, pp. 2-25.

61. Baru. “The Working Class and Comics: A French Cartoonist’s Perspective.” History and Politics in French-Language Comics and Graphic Novels. University Press of Mississippi, 2011, pp. 239-58.

62. Nayar, Pramod. The Indian Graphic Novel: Nation, History and Critique. Routledge. NewYork. 2016.

63. Varughese, E. Dawson. Visuality and Identity in Post-millennial Indian Graphic Narratives. Palgrave Macmillan. 2018.

64. Weiner, Robert G. “Graphic Novels and Literature, Then and Now.” Marvel Graphic Novels and Related Publications: An Annotated Guide to Comics, Prose Novels, Children’s Books, Articles, Criticism and Reference Works, 1965–2005. McFarland, 2008, pp. 5-10.

65. King, Alyson E. "Cartooning history: Canada's stories in graphic novels." The History Teacher. Vol.45, no.2, 2012. pp. 189-219.

66. Petersen, Robert. “Post–World War II Art Graphic Narratives.” Comics, Manga, and Graphic Novels: A History of Graphic Narratives: A History of Graphic Narratives. ABC-CLIO, 2010, pp. 187-204.

67. Dallacqua, Ashley Kaye. "Exploring the connection between graphic novel and film" English Journal, 2012, pp. 64-70.

Unit-4
Teaching Hours:15
Graphic Narrative Texts
 

 This unit explores select graphic narrative texts and will closely study different ways of unravelling their form and content.

Teaching learning strategies: ectures, presentations, discussions and readings

Essential readings:

1. Satrapi, Marjane. Persepolis. Random House, 2008.

2. Gaiman, Neil. The Graveyard Book. Harper Collins, 2009.

3. Watterson, Bill. The Complete Calvin and Hobbes. Andrews McMeel Publishing, 2005.

4. Select Marvel Comics

5. Banerjee, Sarnath. Corridor. Penguin Books India, 2004.

6. Spiegelman, Art. The Complete MAUS. Viking, 2011.

7. Sajad,

Text Books And Reference Books:

Texts prescribed in the syllabus.

Essential Reading / Recommended Reading

Bal, Mieke, et al. Narratology: Introduction to the Theory of Language. U Toronto Press, 1997.

Eisner, Will. Comics and Sequential Art. W W Norton and Company, 2008

Petersen, Robert. Comics, Manga and Graphic Novels. Praeger Publishers, 2010.

Dallacqua, Ashley K. "Exploring literary devices in graphic novels." Language Arts, Vol.89, no.6, 2012, pp. 365-378.

2. Nilsen, Don LF. "The grammar of graffiti." American Speech, 1980, pp. 234-239.

Schulz, Charles M. The Peanuts Guide to Happiness. Canongate Books. 2015.

Blumberg, Arnold T."'The Night Gwen Stacy Died': The End of lnnocence and the 'Last Gasp of the Silver Age'". IJOCA. 2006.

Weiner, Robert G. Marvel: Graphic Novels and Related Publications. Macfarland, 2009.

Liddo, Annalisa D: Alan Moore: Comics as Performance, Fiction as Scalpel. University Press of Mississippi, 2009.

Banksy. Wall and Peace. Random House UK. 2007

Evaluation Pattern

Total: 100 Marks

CIAs: 70%

ESE: 30%

CIA 1: 20 marks

The students can be tested through the writing of argumentative essays,

critical analysis of essays, class presentations, group discussions, creative

writing, creative visualizations either as individual or group work.

CIA 2: MSE – 50 Marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

Students will be tested on their conceptual clarity, theoretical engagements,

application and analysis of given texts and contexts

CIA 3: 20 marks

The students can be evaluated through exhibitions, visual essays or visual

stories, mini-documentaries, performances, creating social media content and

promotions, cumulative portfolios, docudramas and other modes of creative

evaluation suitable for the course.

ESE: 50 marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

Students will be tested on their conceptual clarity, theoretical engagements,

application and analysis of given texts and contexts

BENG543B - INTRODUCTION TO CULTURAL STUDIES (2021 Batch)

Total Teaching Hours for Semester:60
No of Lecture Hours/Week:15
Max Marks:100
Credits:4

Course Objectives/Course Description

 

This course introduces students to the key terms, analytical techniques, and interpretive strategies commonly employed in cultural studies.

The emphasis is on interdisciplinary approaches to exploring how cultural processes and artefacts are produced, shaped, distributed, consumed and responded to in diverse ways. Through various class discussions, research and writing, students investigate these varied dimensions of culture; learn to understand them in their broader social, aesthetic, ethical, and political contexts.

Learning Outcome

CO1: Demonstrate knowledge of key concepts, theoretical frameworks, and discourses in the field of cultural studies through classroom discussions and debates

CO2: Employ various theories from the perspective of Cultural Studies to analyse texts and contexts in their research papers/presentations.

CO3: Create interpretive nuances of the term ?culture? in both academic and non-academic realms through classroom presentations and written assignments.

CO4: Critically explore the discourses on citizenship, nation-state, hegemonic practices, and sustainability within regional, national, and global contexts through well-crafted research papers.

Unit-1
Teaching Hours:15
Introduction to Culture and Cultural Studies
 

The introductory unit introduces students to the key terms in Cultural Studies and this will serve as a foundation to the rest of the paper. The Unit aims to not merely introduce students to the origins and development of the discipline but also encourage them to be self-reflexive of the discipline in their own contexts.

Key Topics:

Culture and Signifying Practices, Representation, Cultural Materialism, Political Economy, Power, Ideology and Hegemony

68. Baker, Chris. The Sage Dictionary of Cultural Studies, Sage, 2004 (Introduction and Selected Key Terms)

69. Johnson, Richard, et al. “Asking the Cultural Question- Seven Different Agenda”. The Practice of Cultural Studies. Sage, 2004.

70. Sebastian, Mrinalini. “Understanding Cultural Studies”

71. Williams, Raymond. Culture and society, 1780-1950. Columbia University Press, 1983.

72. Radhakrishnan, Ratheesh. "Cultural studies in India: A preliminary report on institutionalisation." Higher Education Cell, Bangalore: Centre for Study of Culture and Society, 2008.

Teaching learning strategies: Lectures, PPTs, Videos, Q&As, faculty-led discussions and guided tasks for experiential learning.

Essential readings:

Grossberg, Lawrence. "Cultural studies in the future tense." Cultural Studies in the Future Tense. Duke University Press, 2010.

Hua Hsu, "Stuart Hall and the Rise of Cultural Studies," The New Yorker (2017)

Matthew, Arnold, and Matthew Arnold. Arnold: “Culture and Anarchy” and Other Writings. Cambridge University Press, 1993.

During, Simon. Cultural studies: A critical introduction. Routledge, 2004.

Unit-2
Teaching Hours:15
Culture and the Nation
 

“Culture and the Nation” introduces debates and discourses about the nation, its making and its imagination. The spaces where the nation is imagined – from education policies to the classrooms; in folktales; in discourses of inclusion and exclusion—are looked at in this module to enable the understanding of the constructedness of the nation.

Key Topics: nation, agency, national identity, nation state, representation, cultural hegemony

69. Hall, Stuart. Cultural studies and its theoretical legacies. Routledge, 2006.

70. Dutta, Nandana. "21 Narrative Agency and Thinking about Conflicts." Postcolonial Studies: An Anthology, 2015, pp. 354.

71. Guru, Gopal. "The Idea of India: 'Derivative, Desi and Beyond'." Economic and Political Weekly, 2011, pp. 36-42.

72. Ramanujan, A. K. "Tell It to the Walls: On Folktales in Indian Culture." The Collected Essays of AK Ramanujan, 1999, pp. 462-84.

Teaching learning strategies: Lectures, PPTs, Videos, Q&As, faculty-led discussions and guided tasks for experiential learning.

Essential readings:

Viswanathan, Gauri. "Introduction to Masks of Conquest." Falling into Theory: Conflicting Views on Reading Literature. Ed. David H. Richter. Bedford/St. Martin's, 2000, pp. 60-68.

Chatterjee, Partha. "Whose Imagined Community?" Millennium, Vol.20, no.3, 1991, pp. 521-525.

Rushdie, Salman. “Imaginary Homelands.” Imaginary Homelands: Essays and criticism 1981-1991. Random House, 2012.

Nandy, Ashis. “Preface to The Intimate Enemy.” The Intimate Enemy: Loss and Recovery of Self Under Colonialism. Oxford University Press, USA, 1988.

Clarke, Richard LW. "Louis Althusser “Ideology and Ideological State Apparatuses,” 1969.

Gramsci, Antonio. "Hegemony, Intellectuals." Cultural Theory and Popular Culture: A Reader, 2006, pp. 85.

Adorno, Theodor W. "The Culture Industry Reconsidered." Critical Theory and Society A Reader. Routledge, 2020, pp. 128-135.

Unit-3
Teaching Hours:15
Cultural Studies and the Subaltern
 

“Cultural Studies and the Subaltern” interrogates what and how of subalternity from a cultural studies perspective. This unit aims to enable students to understand the subaltern space as a space of meaning-making that cuts across several tangents like religion, caste, gender and human rights, among others

Key topics: Subaltern, communalism, subjectivity, identity politics, secularism, modernity

54. Ilaiah, Kancha. "Why I am not a Hindu: A Sudra critique of Hindutva philosophy, culture and political economy." (2005).

55. Ansari, M. T. “Introduction: In the Interstices of the Subject: Islamic Identity in India.” Secularism, Islam and Modernity: Selected Essays of Alam Khundmiri. SAGE Publications India, 2001, pp. 1-19.

56. Pandey, Gyanendra. "Can a Muslim be an Indian?." Comparative Studies in Society and History, Vol.41, no.4, 1999, pp. 608-629.

57. Nayar, Pramod K. "Subalternity and translation: The cultural apparatus of human rights." Economic and Political Weekly, 2011, pp. 23-26.

Teaching learning strategies: Lectures, PPTs, Videos, Q&As, faculty-led discussions and guided tasks for experiential learning.

Essential readings:

Spivak, Gayatri Chakravorty. "Can the Subaltern Speak." Die Philosophin Vol.14, no.27, 2003, pp. 42-58.

Ilaiah, Kancha. Post-Hindu India: A Discourse in Dalit-Bahujan, Socio-Spiritual and Scientific Revolution. SAGE Publications India, 2009.

Niranjana, Tejaswini. "Feminism and Cultural Studies in Asia." Interventions Vol.9, no.2, 2007, pp. 209-218.

Chatterjee, Partha. "After Subaltern Studies." Economic and Political Weekly, 2012, pp. 44-49.

Unit-4
Teaching Hours:15
Cultural Imaginary and the Virtual World
 

This unit will look at the role of virtual platforms in shaping the Indian political and cultural imagination.

Key Topics: Biopolitics, citizenship, subject position, body discourse, poststructuralism, global technology, international relation, data, algorithm.

98. Nayar, Pramod K. “'I Sing the Body Biometric': Surveillance and Biological Citizenship.” Economic and Political Weekly, 2012, pp. 17-22.

99. Biju, P. R. Political Internet: State and Politics in the Age of Social Media. Routledge India, 2016.

Teaching learning strategies: Lectures, PPTs, Videos, Q&As, faculty-led discussions and guided tasks for experiential learning.

Essential readings:

Sengupta, Shuddhabrata. "Everyday Surveillance: ID cards, Cameras and a Database of Ditties." Sarai Reader, 2002, pp. 297-301.

Dasgupta, Rana. The Face of the Future–Biometric Surveillance and Progress. Sarai Reader, 2001.

Text Books And Reference Books:

Texts prescribed in the syllabus.

Essential Reading / Recommended Reading

Oswell, David. Culture and Society: An Introduction to Cultural Studies. Sage, 2006.

Leavis, F. R. "Mass Civilization and Minority Culture (1930)." Education and the University: A Sketch for an English School, 1974.

Barthes, Roland, and Susan Sontag. "Myth Today." Stardom and Celebrity: A Reader (2007).

Das Gupta, Sayantani and Marsha Hurst. Stories of Illness and Healing: Women Write Their Bodies. Kent State University Press, 2007.

Das, Veena. Critical Events: An Anthropological Perspective on Contemporary India. OUP, 1995.

Harriss-White, Barbara. India Working: Essays on Society and Economy. Cambridge University Press, 2003.

Pinto, Jerry. Em and the Big Hoom, Penguin. 2012.

Evaluation Pattern

Total: 100 Marks

CIAs: 70%

ESE: 30%

CIA 1: 20 marks

The students can be tested through the writing of argumentative essays,

critical analysis of essays, class presentations, group discussions, creative

writing, creative visualizations either as individual or group work.

CIA 2: MSE – 50 Marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

Students will be tested on their conceptual clarity, theoretical engagements,

application and analysis of given texts and contexts

CIA 3: 20 marks

The students can be evaluated through exhibitions, visual essays or visual

stories, mini-documentaries, performances, creating social media content and

promotions, cumulative portfolios, docudramas and other modes of creative

evaluation suitable for the course.

ESE: 50 marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

Students will be tested on their conceptual clarity, theoretical engagements,

application and analysis of given texts and contexts

BENG581 - INTERNSHIP (2021 Batch)

Total Teaching Hours for Semester:0
No of Lecture Hours/Week:0
Max Marks:100
Credits:2

Course Objectives/Course Description

 

Course Description: 

BA English Honours students have to undertake an internship of not less than 26 working days at an organization of their choice related to any area of their study. It can be a writing, translating, skill-based internship like editing, teaching internship or an internship that entails close working with cross-cutting issues related to ecological and environmental concerns, disability or marginalized aspects in society. Overall, this course will create enable the students to get exposed 

to the various dynamics of the professional world and enhance their employability opportunities. The objectives of the course are as follows: 

• to encourage learner and learning-centred pedagogy. 

• to strengthen the curriculum based on internship feedback, wherever relevant. 

• to help the student choose their career through practical experience. 

• to relate social and experiential learning with classroom practices 

Learning Outcome

CO1: Demonstrate the implication of social and experiential learning with classroom practices in their internship reports.

CO2: Decide the suitable career based on the experience of internship based on their own reflections and feedback duly mentioned in the reports

CO3: Examine the collaborations made and learning acquired with communities outside university space.

CO4: Utilize the skills acquired during the internship for providing feedback on curriculum to strengthen it based

Unit-1
Teaching Hours:0
Internship details
 

The coordinator of the program will assign faculty members from the department as guides at least two weeks before the end of the fifth semester. The students will have to be in touch with the guides during the internship period either through personal meetings, over the phone, or through the internet. 

At the place of internship, the students are advised to be in constant touch with their mentors. 

At the end of the required period of internship the candidates will submit a report in not less than 5000 words. The report should be submitted by June. 

Apart from a photocopy of the letter from the organization stating the successful completion of the internship, the report shall have the following parts. 

  • • Introduction to the place of internship 
  • • Reasons for the choice of place and kind of internship 
  • • Nature of internship 
  • • Objectives of the internship 
  • • Tasks undertaken 
  • • Learning outcome 
  • • Suggestions, if any 
  • • Conclusion 

 

A photocopy/digital copy of the portfolio, if available, may be given along with the report. However, the original output, if available, should be presented during the internship report presentation. 

The report shall be in the following format. 

 

 

12 font size; Times New Roman or Garamond font; one and half line spaced; Name, Register No, and Program Name, Date of Submission on the left-hand top corner of the page; below that in the centre title of the report ‘Report of internship undertaken at ____ from ____ (date, month in words, year); no separate cover sheet to be attached. 

Text Books And Reference Books:

None

Essential Reading / Recommended Reading

None

Evaluation Pattern

The internship is to be undertaken during the fourth-semester break. The internship is a mandatory requirement for the completion of the Honours program. The students will have to give an internship proposal with the following details: organizations where the student proposes to do the internship; reasons for the choice, nature of the internship, period of internship, relevant permission letters, if available, name of the mentor in the organization, and email, telephone and mobile numbers of the person in the organization with 

whom Christ University could communicate matters related to the internship. Typed proposals will have to be given at least a month before the end of the fifth semester. 

The coordinator of the program will assign faculty members from the department as guides at least two weeks before the end of the fifth semester. The students will have to be in touch with the guides during the internship period either through personal meetings, over the phone, or through the internet. 

At the place of internship, the students are advised to be in constant touch with their mentors. 

At the end of the required period of internship, the candidates will submit a report in not less than 5000 words. 

 

This must be assessed on the basis of 

Weekly Report 

Draft Submission 

VIVA

 

 

 

 

 

SDEN511 - SKILL DEVELOPMENT (2021 Batch)

Total Teaching Hours for Semester:30
No of Lecture Hours/Week:2
Max Marks:50
Credits:0

Course Objectives/Course Description

 

The course has been designed keeping in mind the latest trends and practices in the discipline and a larger extent in the educational system. The course will introduce students to some of the established areas like content writing and publishing, translations, etc. as well as emerging areas like digital humanities, citizen journalism, etc.. The focus here is to help students acquire and nurture skills that are integral for their personal and professional growth.

Course Objectives

The course is designed to:

 

  1. Introduce students to emerging trends in the discipline

  2. Familiarize them with some of the industries associated with the discipline

  3. Enhance skills that could translate academic learning to professional excellence

Learning Outcome

CO1: Apply the learnings acquired to professional contexts

CO2: Recognise some of the dominant trends associated with the discipline

CO3: Identify and familiarise themselves with potential job ecosystems

Unit-1
Teaching Hours:2
Applicability of English Studies: Technical and Content Writing
 
 

Writing as a skill has evolved beyond the domains for writing for the print media. With the digital media steadily gaining precedence over print media, writing for the digital media is the newest skill in demand by both academia and industry. This course will also look into the intricacies of language use with respect to different media. Thus, the course aims to teach learners the skills of content generation and presentation preparing them to meet the needs of the industry.

Module Outcomes:

ability to write for digital and print media

audience recognition

awareness of ethical concerns

Unit-2
Teaching Hours:2
Environmental Justice
 
 

This unit will examine issues pertaining to the environment and social justice. It focuses on people’s fundamental right to live in clean environment and helps students question and challenge the existing social, political and economic practices that lead to the denial of this basic right to certain sections of the society. The course will introduce students to various concepts and movements related to environment like environmental racism and radical environmental movements. It also would include analysis of some case studies from different parts of the world and literary as well as visual narratives that question the discrimination among people of certain caste/ race/ class and national identities, the denial of their access to basic resources like land, water and clean air and understand their burden of dealing with disposal of hazardous waste in their neighbourhood. This course is therefore, designed to develop a critical approach to understanding environmentalism and social justice and a sensitivity towards nature at large and people in general.

Unit-3
Teaching Hours:2
Digital Humanities
 

Over the past few decades, new digital tools have emerged that are now used within a range of humanities disciplines. The course in Digital Humanities provides a solid grasp of how powerful digital tools can be used to analyse, visualise and research digital media and digitised materials. Students will also learn to digitise and process different types of texts and images and how these can be made available at cultural heritage institutions and in other contexts. The programme is multidisciplinary and driven by humanistic inquiry and curiosity. Key themes are the critical evaluation of digital technologies and their use in a number of areas, including knowledge production and cultural heritage.

Unit-4
Teaching Hours:2
International Universities and their Curriculum
 
 

This module provides a comparative understanding of the ways in which international universities design their curricula. It enables learners to gain exposure to transnational ways of approaching academia, allowing them to make more informed choices about the decisions they make and their roles as global citizens, regardless of national or regional identities. The module also allows them to deliberate on issues that are significant at a global level and to engage with curricula as scholars in a way that focuses on internationalisation and awareness of broad real-world contexts.

Unit-5
Teaching Hours:2
Citizenship and Citizen Journalism
 

This course is intended to inform students of the rights and entitlements that each one of us is privileged to experience as citizens of a nation and the obligations that one is to follow and carry out being a responsible citizen. This course will also enable students to explore opportunities and avenues to tell stories as ordinary citizens on issues pertaining to their individual lives as well as society at large. It will make students aware of the possibility of becoming a responsible citizen journalist and participate in media discourse. This new genre of journalism is an important initiative towards the democratization of the media and therefore, students will be informed of the ethical practices that are to be adopted in the process of reporting and publishing.

Unit-6
Teaching Hours:2
Translation and Publishing
 

This unit will enable learners to develop a nuanced understanding of the field of Translation and the various intricacies and politics related to the process of translation and publishing industry. This will also familiarize them with some of the important stakeholders and the immediate job prospects in the field.

Unit-7
Teaching Hours:2
Publishing for Children
 
 

This unit will introduce students to writing, illustrating and publishing for children in India. It will introduce them to publishing houses for children’s books, processes and requirements for writing, editing, illustrating for children. It will open possibilities of freelancing with established publishers in addition to helping them understand the nature of children’s publishing and career prospects in them.

Unit-8
Teaching Hours:2
Becoming Career-Ready
 

This unit will help students develop modes of creating one’s competitive advantage in the professional space. While reiterating the need to understand various limits of self-centered differentiators, the module will introduce the importance of knowledge, interpersonal skills and individual professional values here. It will highlight the various competencies one needs to build in order to become career ready. Some of these competencies include critical thinking skills, oral and written communication, intercultural competencies and work ethics. Sample assessments to understand career-readiness will also be administered in class.

Unit-9
Teaching Hours:2
Heritage and Conservation
 
 

Tourism, rapid-urbanization, natural disasters, violent conflicts and resource-utilization are among the many ever-present threat to archaeological sites. In the face of these challenges, values are the subject of much discussion in contemporary society. Indeed, with the world becoming a global village, the search for values and meaning has become a pressing concern. In the field of cultural heritage conservation, values are critical to deciding what to conserve — what material goods will represent us and our past to future generations — as well as to determining how to conserve. This unit is designed to acquaint the students about the need for looking into heritage and conservation as a field of study, as well as discuss the career opportunities in the same.

Unit-10
Teaching Hours:2
Positive psychology
 
 

The course will acquaint students with the science of well being and help students focus on their strengths rather than weaknesses, so as to help them build a good life. The course will focus on positive experiences like happiness, joy, inspiration, and love; positive states and traits like gratitude, resilience, and compassion and positive institutions by focusing on positive principles within entire organizations and institutions. It will help students develop and incorporate certain good practices in their everyday life, so as to have a meaningful and happy life.

Unit-11
Teaching Hours:2
Comics Journalism
 
 

This module will introduce the students to the field of comics journalism in general and in India particularly. It will enable them to understand the nitty-gritties of what comics journalism is and how they as writers and illustrators can become social critics through an involved culture of creatively engaging with society and culture. It will also look into how this can be a viable career option.

Text Books And Reference Books:

--

Essential Reading / Recommended Reading

--

Evaluation Pattern

General Evaluation Pattern: Unit-Wise Continuous Evaluation

 

The evaluation will be based on the assessments formulated by the PTC student-instructors who facilitate each unit in the class. A continuous evaluation pattern will be followed whereby after the completion of each unit, an assignment will follow. The assessment will be done based on predefined rubrics and the score sheet needs to be tabulated. The cumulative score sheet is to be prepared at the end of the semester and the final Skill Development Score is to be computed.

BENG631 - UNDERSTANDING GENDER (2021 Batch)

Total Teaching Hours for Semester:75
No of Lecture Hours/Week:5
Max Marks:100
Credits:5

Course Objectives/Course Description

 

Gender Studies is an academic area of study that critically examines how gender shapes our identities, social interactions and experiences of everyday living. Through exposure to interDisciplinaryperspectives, students develop a framework for thinking about power relations and the ways in which those relations are shaped and challenged by intersecting constructions of gender, sexuality, sexual orientation and their configurations in various power structures. Interrogating everyday experiences, social and political institutions, literary and philosophical contributions, past and present ideas and world events, the course seeks to provide students with tools to engage with and critically analyse these areas. Further, the course seeks to give a major political spin by interpellating Western theory with gender sensitive experiences curated across India so that students learn to reflect on these more immediate narratives against the dynamic possibilities of theory. 

• Introduce key concepts and movements in the field of gender studies.

• Familiarise learners with the gender dynamics operating within various structures of society.

• Equip learners to competently understand and apply concepts and terminology relating to gender and sexuality. • Enable learners to critically examine how normative power structures situate them in various societies in their academic and public discussions. 

Learning Outcome

CO1: Demonstrate a comprehensive knowledge of various gender questions, concerns, and concepts in class discussions, academic presentations, and writings

CO2: Analyse the gendered working of society by evaluating specific cases and contexts in research tasks given as part of assessments.

CO3: Develop critical thinking and research skills by examining and evaluating the gendered dynamics of various structures operating within society through discussions and assessments.

CO4: Write academic/research articles to be presented in class and conferences in the area by employing theoretical frameworks and concepts introduced in the course.

Unit-1
Teaching Hours:15
Introduction to Gender Studies
 

This unit introduces foundational texts and concepts in the field. It enables learners to understand the empirical contexts that shape ideologies relating to gender and sexuality. Texts range in focus and scope from regional, local, national, and global contexts and include engagement with cross-cutting issues such as gender and environmentalism.

Unit-2
Teaching Hours:15
Introduction to LGBTQ+ Studies
 

This unit provides theoretical grounding in terms of critical concepts from the area of study. It encourages intersectional perspectives to enable learners to better understand socio-cultural dynamics, helping them get clarity on issues such as the politics of representation. Texts range in focus and scope from regional, local, national, and global contexts and include engagement with cross-cutting issues such as gender and environmentalism

Unit-3
Teaching Hours:15
Cultural, National, and Transnational Aspects of Gender
 

This unit explores conceptual notions relating to national and transnational contexts as well as trans/nonbinary notions of gender. Texts range in focus and scope from regional, local, national, and global contexts and include engagement with crosscutting issues such as gender and environmentalism.

Unit-4
Teaching Hours:15
Gender and Intersectionality
 

This unit contains readings that assist learners to actively understand that gender-based discrimination does not occur independently of aspects of identity such as race, caste, class, religion, etc. Texts range in focus and scope from regional, local, national, and global contexts and include engagement with cross-cutting issues such as gender and environmentalism.

Unit-5
Teaching Hours:15
Visual Texts
 

This unit includes visual texts that represent issues relating to current concerns. It makes contemporary concerns relatable to students by presenting them through visual media. Texts range in focus and scope from regional, local, national, and global contexts and include engagement with cross-cutting issues such as gender and environmentalism.

Text Books And Reference Books:

Vaid-Menon, Alok. Beyond the Gender Binary. 74. “Come Closer to Feminism” .Feminism Is for Everybody: Passionate Politics, by bell hooks, Routledge, 2015.

de Beauvoir, Simone. The Second Sex, Vintage Classics, 2015. 

Le Guin, Ursula K. "Introducing Myself.”." The Wave in the Mind: 3-7.

Steinem, Gloria. "How Phyllis Freud was Born." Moving Beyond Words (1994): 19-32.

. Mohanty, Chandra Talpade, Ann Russo, and Lourdes Torres, eds. Third world women and the politics of feminism. Vol. 632. Indiana University Press, 1991.

. Lorde, Audre. "An Open Letter to Mary Daly (1979)." Sister/Outsider: Essays and Speeches (2007): 68-9.

. Abu‐Lughod, Lila. "Do Muslim women really need saving? Anthropological reflections on cultural relativism and its others." American anthropologist 104.3 (2002): 783-790.

Katz, Jonathan Ned. "‘Homosexual 'and ‘Heterosexual’: Questioning the Terms." A Queer World: The Center for Lesbian and Gay (1997). 

Judith Butler, “Imitation and Gender Insubordination’." Inside/Out: Lesbian Theories, Gay Theories: 27-8. 

Sedgwick, Eve Kosofsky. "Gender asymmetry and erotic triangles." Between men: English literature and male homosocial desire.

Rich, Adrienne Cecile. "Compulsory heterosexuality and lesbian existence (1980)." Journal of Women's History 15.3 (2003): 11-48

Walker, Alice. “In Search of Our Mothers’ Gardens.”

Narayan, Uma. “Cross-Cultural Connections, Border-Crossings, and ‘Death by Culture’:” Taylor & Francis, Taylor & Francis, 15 Apr. 2013, www.taylorfrancis.com/chapters/mono/10.4324/9780203707487-7/cross-cultural-connectionsborder-crossings-death-culture-thinking-dowry-

 Women Writing in India 600 B.C. to the Present, by Susie Tharu and K. Lalita, Oxford Univ. Press, 1995. 

Johnson, Alex Carr. “How to Queer Ecology: One Goose at a Time.”

Bogaert , Anthony. Asexuality: What It Is and Why It Matters. The Journal of Sex Research 52(4):362-379, 2015.

 Dan McMuffin, “Coconut Milk” 

Gaard, Greta. “Toward a Queer Ecofeminism.” Hypatia, vol. 12, no. 1, 1997, pp. 114–137., doi:10.1111/j.1527- 2001.1997.tb00174.x.

 Case, Kim: Introduction to Intersectional Pedagogy

Kimberlé Crenshaw: On Intersectionality: Essential Writings. Introduction to the 2017 edition.

Agha Shahid Ali, The Country without a Post Office (either the title poem or “The Correspondent”)

 Ocean Vuong, Night Sky with Exit Wounds (any two poems)

 Walker, Alice. “In Search of Our Mothers’ Gardens.”

 Everybody’s Talking about Jamie

Fire

One Day at a Time: Pilot Episode

 Ajeeb Dastaan: Geeli Pucchi 

 

 

 

 

 

 

 

Essential Reading / Recommended Reading

Chakravarti, Uma. “Whatever Happened to the Vedic Dasi”. Recasting Women: Essays in Indian Colonial History. Eds. Kumkum Sangari and Sudesh Vaid. New Delhi: Kali for Women, 1989.

Kannabiran, Vasanta and K. Lalita. “That Magic Time: Women in the Telangana People’s Struggle”. Recasting Women: Essays in Indian Colonial History. Eds. Kumkum Sangari and Sudesh Vaid. New Delhi: Kali for Women, 1989.

Ramanujan, A. K., Velcheru Narayana Rao, and David Shulman. When God is a Customer: Telugu Courtesan Songs by Kshetrayya and Others. Berkeley: University of California Press, 1994

Winterson, Jeanette. Written on the Body. Vintage Books, 2014.

Proulx, Annie. Brokeback Mountain and Other Stories. Paragon, 2007.

Aditi Angiras and Akhil Katyal. The World that Belongs to Us: An Anthology of Queer Poetry from South Asia. Cole McCade. Criminal Intentions.

Ryka Aoki, Light from Uncommon Stars. Ocean Vuong, On Earth We’re Briefly Gorgeous.

Brokeback Mountain.

Aligarh.

The Danish Girl. Hooper, Tom. Focus Features, 2015.

Evaluation Pattern

CIA 1: 20 marks

The students can be tested through the writing of argumentative essays, critical analysis of essays, class presentations, group discussions, creative writing, creative visualizations either as individual or group work.

CIA 2: MSE – 50 Marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

Students will be tested on their conceptual clarity, theoretical engagements, application and analysis of given texts and contexts

CIA 3: 20 marks

The students can be evaluated through exhibitions, visual essays or visual stories, mini-documentaries, performances, creating social media content and promotions, cumulative portfolios, docudramas and other modes of creative evaluation suitable for the course. 

ESE: 50 marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

Students will be tested on their conceptual clarity, theoretical engagements, application and analysis of given texts and contexts. 

BENG632 - CASTE AND MARGINALITY (2021 Batch)

Total Teaching Hours for Semester:75
No of Lecture Hours/Week:5
Max Marks:100
Credits:5

Course Objectives/Course Description

 

This paper introduces students to an emerging and significant field of study in understanding the problems and perspectives of Dalits. The course aims to help students familiarize themselves with the politics of caste across culture, literature and thought. 

Learning Outcome

CO1: Identify and examine political, social, ideological, and literary implications of understanding Dalit issues in texts and present them during classroom discussions and class presentations.

CO2: Demonstrate awareness about the underlying philosophies of Dalit struggle and movements in their public and academic discourses.

CO3: Write about caste and its various discourses in a critically informed manner in their assignments and class presentations.

CO4: Expand their knowledge of caste-based hegemony and its larger implications in local, regional, and national contexts through assignments, research, and readings.

Unit-1
Teaching Hours:15
Caste and Culture: Critical Debates
 

The Laws of Manu

Annihilation of Caste

Modes of Narrativising the History of Slave Suffering.

Emergence of Dalitism

Dalit Studies in the context of higher education in India 

Unit-2
Teaching Hours:15
Dalit Feminisms
 

Guru, Gopal. "Dalit women talk differently." Economic and political weekly (1995): 2548-2550. 

Rege, Sharmila. “Dalit Women Talk Differently: A Critique of Difference and Towards a Dalit Feminist Standpoint Position.” Economics and Political Weekly.

Unit-3
Teaching Hours:15
Dalit Mobilization: From Colonial to the Contemporary
 

. “Chapter 3. the Pariah–Missionary Alliance: Agrarian Contestation and the Local State.” The Pariah Problem, 2014, doi:10.7312/visw16306-005.

“‘Threefold Tensions: Pre-Colonial History, Colonial Reality, and Postcolonial Politics: Notes on the Making of Dalit Identity’ .” The Flaming Feet: A Study of the Dalit Movement in India, by D. R. Nagaraj, South Forum Press, 1993.

7. “‘The Brahmin as a Trope: The Self-Respect Movement’ .” Brahmin and Non-Brahmin: Genealogies of the Tamil Political Present, by Pandian M S S., Permanent Black in Association with Ashoka University, 2017.

 Sarukkai, Sundar. Phenomenology of Untouchability. Economics and Political Weekly, www.jstor.org/stable/25663542

Deshpande, Satish. Caste and Castelessness: Towards a Biography of the ... Economics and Political Weekly, www.jstor.org/stable/23527121.

Ashraf, Ajaz. “10 Things the Suicide of Rohith Vemula Reveals about Indian Society.” Scroll.in, Scroll.in, 30 Jan. 2016, scroll.in/article/802722/10-things-the-suicide-of-rohith-vemula-reveals-about-indian-society.

Angelina (Nangeli)December, and Angelina (Nangeli). “The Story of Nangeli " Raiot.” RAIOT, 16 Jan. 2017, raiot.in/thestory-of-nangeli/.

Unit-4
Teaching Hours:15
Illustrative Readings
 

Gunasekaran, K A. “Touch.” The Oxford India Anthology of Tamil Dalit Writing, by Ravikumār and R. Azhagarasan, Oxford University Press, 2012.

Chellapalli Swarooparani: “Water

Kandasamy, Meena. The Gypsy Goddess. Atlantic Books, 2019.

Text Books And Reference Books:

All texts prescribed in the syllabus

Essential Reading / Recommended Reading

Deshpande, Satish. The Problem of Caste: Essays from Economic and Political Weekly, Orient Blackswan, 2014. Guru, Gopal. Humiliation. Oxford, 2011.

Manu. The Laws of Manu. Penguin Classics, 2000.

Pawar, Urmila and Meenakshi Moon. We Also Made History: Women in the Ambedkarite Movement. Zubaan, 2008.

Nagaraj, D. R. The Flaming Feet and Other Essays. Permanent Black, 2010.

Pandian, MSS. Brahmin and Non-Brahmin: Genealogies of the Tamil Political Present. Permanent Black, 2007.

Guru, Gopal, and Sundar Sarukkai. The cracked mirror: An Indian debate on experience and theory. Oxford University Press, 2018.

Omvedt, Gail. Understanding Caste: From Buddha to Ambedkar and Beyond. Orient Blackswan, 2011.

Tharu, Susie and Satyanaraya K. No Alphabet in Sight: New Dalit Writing from South India. Penguin, 2011. … From those Stubs, Steel Nibs are Sprouting, Harper Collins, 2013

Mayaram, Shail, MSS Pandian and Ajay Skaria. Muslims, Dalits, and the Fabrications of History: Subaltern Studies XII. Permanent Black, 2005.

Pawar, Urmila and Meenakshi Moon. We Also Made History: Women in the Ambedkarite Movement. Zubaan, 2008. Nagaraj, D. R. The Flaming Feet and Other Essays. Permanent Black, 2010.

Pandian, MSS. Brahmin and Non-Brahmin: Genealogies of the Tamil Political Present. Permanent Black, 2007.

Moon, Vasant. Growing up untouchable in India: a Dalit autobiography. Rowman & Littlefield, 2001.

Evaluation Pattern

CIA 1: 20 marks

The students can be tested through the writing of argumentative essays, critical analysis of essays, class presentations, group discussions, creative writing, creative visualizations either as individual or group work.

CIA 2: MSE – 50 Marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

Students will be tested on their conceptual clarity, theoretical engagements, application and analysis of given texts and contexts

CIA 3: 20 marks

The students can be evaluated through exhibitions, visual essays or visual stories, mini-documentaries, performances, creating social media content and promotions, cumulative portfolios, docudramas and other modes of creative evaluation suitable for the course. 

ESE: 50 marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

Students will be tested on their conceptual clarity, theoretical engagements, application and analysis of given texts and contexts. 

BENG633 - SEMINAR IN MULTILINGUALISM (2021 Batch)

Total Teaching Hours for Semester:75
No of Lecture Hours/Week:5
Max Marks:100
Credits:5

Course Objectives/Course Description

 

This course introduces the notion of (post)/multilingualism, and how it is perceived and represented in different ways in the Indian context. Moreover, why multilingualism should matter to you. Multilingualism can best be studied from an interDisciplinaryperspective. You will explore various dimensions of Multilingualism from how people become multilingual, what the processes involved, what are the benefit and challenges of multilingualism to the contemporary concerns and issues in the field. The course is designed in such a manner that each unit will have four-five articles/chapters from different books on a dedicated theme. The effort is to familiarize students with how multilingualism is interDisciplinaryin nature, and thus, has a very important role to play in various social, political, and educational matters. The course aims to impart skills like critical skills, linguistics skills, multicultural skills, innovative teaching methods in language teaching, etc. 

Learning Outcome

CO1: Demonstrate a comprehensive knowledge of the nature and function of language in society and concepts related to multilingualism through class discussion and presentation.

CO2: Evaluate and identify how children learn/acquire languages through readings of theoretical works and engaging with specific cases through assignments.

CO3: Analyse linguistic and extralinguistic reasons for linguistic minority/language death through analysis of written and spoken expression in collaborative research works

CO4: Apply critical thinking and problem-solving techniques to address new issues/approaches in the field of multilingualism, translanguaging, and meterolingualism through seminar presentations.

Unit-1
Teaching Hours:15
Multilingualism: Language and Society
 

The unit provides a basic understanding of the term ‘Multilingualism’. How language is used, seen and perceived by people in society. What is the social and linguistic consideration required to have a phenomenon called bilingualism or multilingualism? An effort is made to study the causes, effects, and processes of multilingualism. How language as a living organism goes through a process of ‘birth’, ‘life’, and ‘death’. The unit imparts linguistics skill as well as analytical skills.

Mahapatra, Bijay P. "A demographic appraisal of multilingualism in India." Multilingualism in India (1990): 1-14.\

Maher, John C. Multilingualism: A very short introduction. Vol. 525. Oxford University Press, 2017. (Chapter 1 & 2) Edwards, John. "Towards multilingualism." Journal of Multilingual Theories and Practices 1.1 (2020): 23-43.

Unit-2
Teaching Hours:15
Multilingualism & Cognition
 

Unit details: This unit is dedicated to understanding the location and function of language in the brain (understanding localization and laterlization). Different chapters/articles explore the different perspectives on the production, reception, and comprehension of the language in the brain. Students will also be informed regarding the basic theories and issues in the field of neuro and psycholinguistics. Language acquisition and learning theories will be discussed from the perspective of bi/multilingualism.

Edwards, John. "Towards multilingualism." Journal of Multilingual Theories and Practices 1.1 (2020): 23-43. Kamanga, Chimwemwe Mayinde Mystic. "The joys and pitfalls of multiple language acquisition: The workings of the mind of a simultaneous multilingual." The multiple realities of multilingualism (2009): 115-134. Ijalba, Elizabeth, Loraine K. Obler, and Shyamala Chengappa. "Bilingual aphasia: Theoretical and clinical considerations." The handbook of bilingualism and multilingualism (2012): 59-83. Martinovic, Ines, and Jeanette Altarriba. "Bilingualism and emotion: Implications for mental health." The Handbook of bilingualism and multilingualism (2012): 292-320

Unit-3
Teaching Hours:15
Multilingualism: Language Policy and Education
 

Unit details: With the recent development in the field of neuro and psycholinguistics, and the fact that how a positive approach toward multilingualism help and grow children’s cognitive ability brought a new perspective and dimension to language policy and education. In this unit, an effort would be made to understand the equation between the language, education system and language and language policy and education. In this unit, an effort would be made to understand the equation between the language, education system and language policy.

Weber, Jean-Jacques, and Kristine Horner. "Multilingual universities and the monolingual mindset." Multilingualism and Multimodality. Brill, 2013. 101-116. Cenoz, Jasone, and Durk Gorter. "Translanguaging as a pedagogical tool in multilingual education." Language awareness and multilingualism 3 (2017). Dua, Hans R. "Multilingualism from a language planning perspective: Issues and prospects." Multilingualism in India(1990): 79- 100. Cenoz, Jasone, and Durk Gorter. "A holistic approach to multilingual education: Introduction." The Modern Language Journal 95.3 (2011): 339-343

 

Unit-4
Teaching Hours:15
Multilingualism: Culture, Identity, Politics, and Immigration
 

Unit details: The unit tries to bring an interDisciplinaryapproach to the study of multilingualism. A correlation is established between the language, ideology, identity, culture and politics. This unit tries to comprehend the interdependence of these factors. Multilingualism is a new trend not only in the educational sphere but also in different popular cultures. In this section, the relevance of multilingualism is explored, considering the above-mentioned factors as well as globalization, technology, mass media, etc. Maher, John C. Multilingualism: A very short introduction. Vol. 525. Oxford University Press, 2017. Ibrahim, Awad. "Immigration/flow, hybridity and language awareness." Language awareness and multilingualism (2017). Kim, Grace MyHyun. "Practicing multilingual identities: Online interactions in a Korean dramas forum." International Multilingual Research Journal 10.4 (2016): 254-272. Gevers, Jeroen. "TWO SIDES OF THE SAME COIN?." Reconciling Translingualism and Second Language Writing(2020). Pennycook, A., & Otsuji, E. Lingoing and everyday metrolingual metalanguage. In Critical Perspectives on Linguistic Fixity and Fluidity. (2019). Routledge. (pp. 76-96). Kliś-Brodowska, Agnieszka. "Multiculturalism in Video Game Studies: An Inquiry into the Current Research and Perspectives for Study." Multiculturalism, Multilingualism and the Self: Literature and Culture Studies (2017): 139-155.

Unit-5
Teaching Hours:15
Translanguaging and Bengaluru city
 

Unit details: The unit explores the idea of translanguaging in Bengaluru city. In Bengaluru, as per the recent information available, there are around 108 languages spoken, including all scheduled languages. The idea of meterolingual emerges from the notion of the use of semiotic repertoire for communicational purposes. The unit explores language attitude, language marginalization, identity, the city as a space of inclusion and exclusion, language and technology, and maintenance and sustenance of regional languages. The unit provides skills like analytical, observational, research and linguistics skills. Cenoz, Jasone, and Durk Gorter. "Translanguaging as a pedagogical tool in multilingual education." Language awareness and multilingualism 3 (2017). Piller, Ingrid. "Dubai: Language in the ethnocratic, corporate and mobile city." Urban sociolinguistics (2017): 77-94. García, Ofelia, and Angel MY Lin. "Translanguaging in bilingual education." Bilingual and multilingual education(2017): 117-130.

Text Books And Reference Books:

 

All texts prescribed in the syllabus

Essential Reading / Recommended Reading

Mansour, Gerda. Multilingualism and nation building. Vol. 91. Multilingual Matters, 1993. Maher, John C. Multilingualism: A very short introduction. Vol. 525. Oxford University Press, 2017. Bhatia, Tej K., and William C. Ritchie, eds. The handbook of bilingualism and multilingualism. John Wiley & Sons, 2014.

Kroll, Judith F., et al. "Bilingualism, mind, and brain." Annu. Rev. Linguist. 1.1 (2015): 377-394. Pliatsikas, Christos, et al. "The effect of bilingualism on brain development from early childhood to young adulthood." Brain Structure and Function 225.7 (2020): 2131-2152. Grosjean, François, and Ping Li. The psycholinguistics of bilingualism. John Wiley & Sons, 2013

Edwards, John. Multilingualism. Routledge, 2002. Cenoz, Jasone, and Durk Gorter, eds. Multilingual education. Cambridge University Press, 2015. Jessner, Ulrike. "Multicompetence approaches to language proficiency development in multilingual education." Bilingual and multilingual education (2017): 161-174.

Pattanayak, Debi Prasanna, ed. Multilingualism in India. No. 61. Multilingual Matters, 1990. Lee, Carmen. Multilingualism online. Routledge, 2016. Pandey, Anjali. "Mining Multilingualism's Materiality:'Re-representing'Linguistic Diversity in Presidential Biography." Critical Multilingualism Studies 2.1 (2014): 38-73.

Pennycook, Alastair, and Emi Otsuji. Metrolingualism: Language in the city. Routledge, 2015.

Evaluation Pattern

CIA 1: 20 marks

The students can be tested through the writing of argumentative essays, critical analysis of essays, class presentations, group discussions, creative writing, creative visualizations either as individual or group work.

CIA 2: MSE – 50 Marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

Students will be tested on their conceptual clarity, theoretical engagements, application and analysis of given texts and contexts

CIA 3: 20 marks

The students can be evaluated through exhibitions, visual essays or visual stories, mini-documentaries, performances, creating social media content and promotions, cumulative portfolios, docudramas and other modes of creative evaluation suitable for the course. 

ESE: 50 marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

 

Students will be tested on their conceptual clarity, theoretical engagements, application and analysis of given texts and contexts. 

BENG641A - NARRATIVE APPROACHES TO TRAUMA (2021 Batch)

Total Teaching Hours for Semester:60
No of Lecture Hours/Week:4
Max Marks:100
Credits:4

Course Objectives/Course Description

 

The centrality of narratives in engaging with trauma and suffering is very significant to note. With the understanding that one of the ways through which people, across the world and cultures, deal with traumatic experiences is by narrativizing it, the course introduces various frameworks through which trauma narratives can be engaged. This course will provide students with narrative approaches to engagement with trauma that will enable them to be more sensitive in their engagements and interactions, imbibing humane values like empathy and consideration, to people from across cultures. The focus on storytelling as a mode to cure illness and trauma, thus leading to intersections between the body and narrative representation of the body, is introduced in the course and develop skills of creativity and narrativizing. The objectives of this paper are to:

• introduce learners to trauma narrative and its Disciplinaryformation. • familiarize learners to analytical frames to engage with the narrative representations of trauma. • enable learners to identify the cross-Disciplinaryand interDisciplinaryapproaches to engaging with trauma

Learning Outcome

CO1: Demonstrate an understanding of trauma as a concept through discussion of various narratives through class discussions, deliberations and presentations.

CO2: Employ various analytical frames to engage with the narrative representations of trauma in research papers.

CO3: Critically evaluate the impact of the cultural representations of trauma and suffering in a variety of text through collaborative research works and presentations.

CO4: Generate intersectional and interDisciplinaryapproaches to engage with trauma and its narratives in critical written/performative research assignments.

Unit-1
Teaching Hours:15
Narrative Frames for Trauma and Suffering
 

This unit will introduce students to the theoretical frames with which one can approach trauma and suffering, broadly applicable in cultural and social contexts across the world. This will enable engagement with events and situations of suffering in an informed manner and exhibiting humane values like compassion and empathy. Critical reading skills will be further developed in the context of Trauma Studies. 86. “Within Trauma: An Introduction.” Critical Trauma Studies: Understanding Violence, Conflict, and Memory in Everyday Life, by Monica J. Casper and Eric Wertheimer, New York University Press, 2016. 87. Selections from: Scarry, Elaine. The Body in Pain: The Making and Unmaking of the World. New York: Oxford University Press, 1987. Print.

Scherzinger, Karen. "Other People's Pain: Narratives of Trauma and the Question of Ethics." Journal of Literature and Trauma Studies 1.1 (2012): 119-123.

Unit-2
Teaching Hours:15
Politics of Trauma
 

This unit will foreground the significance of politics and affect of trauma, traumatic subjectivities and traumatization – being cognizant of trauma’s subject-making features in the global and national contexts. The unit enables discussions on intersectional concerns of gender, environment, politics of nation and migration, amongst others through critical reading of events and oral narratives of it like Partition. 80. Stevens, Maurice E. "Trauma is as trauma does." Critical trauma studies: Understanding violence, conflict, and memory in everyday life (2017). 81. Das, Veena. "4. The Act of Witnessing: Violence, Gender, and Subjectivity." Life and Words. University of California Press, 2006. 59-78. 82. Nayar, Pramod K. "Borderless Bodies." Sarai Reader: Frontiers (2007): 199-211.

Unit-3
Teaching Hours:15
poetics
 

This unit will help develop skills through the introduction of analytical frames to engage with the narrative representations of trauma that would help engage with issues of illnesses and suffering and through cross cutting issues like gender at a global, national, and regional levels. 72. “Aesthetics, Authenticity and Audience”. Unfitting Stories: Narrative Approaches to Disease, Disability, and Trauma, by Valerie Raoul, Wilfrid Laurier University Press, 2007. 73. “Writing about illness: Therapy or Testimony?”. Unfitting Stories: Narrative Approaches to Disease, Disability, and Trauma, by Valerie Raoul, Wilfrid Laurier University Press, 2007.

Unit-4
Teaching Hours:15
Illustrative Texts
 

To offer better clarity on the theoretical frameworks and concepts discussed, it is significant to have skills of critically reading narratives of trauma that could look at issues pertaining to gender, race, environment and other issues and also illustrate how human emotions and values are made evident in texts from global contexts. 107. Frida Kahlo’s Paintings 108. Waiting for the Barbarians, J M Coetzee. 109. The Help. Visual Text

Text Books And Reference Books:

 

All texts prescribed in the syllabus

Essential Reading / Recommended Reading

. Toremans, Tom. "Trauma: Theory–reading (and) literary theory in the wake of trauma." European Journal of English Studies 7.3 (2003): 333-351. 2. Casper, Monica, and Eric Wertheimer, eds. Critical trauma studies: Understanding violence, conflict and memory in everyday life. NYU Press, 2016. 3. Davis, Colin, and Hanna Meretoja, eds. The Routledge companion to literature and trauma. Routledge, 2020. 4. Mintz, Susannah B. Hurt and Pain: Literature and the Suffering Body. A&C Black, 2013

1. Hron, Madelaine. Translating pain: Immigrant suffering in literature and culture. University of Toronto Press, 2009. 2. Manto, Khol Do. 3. Butalia, Urvashi. The other side of silence: Voices from the partition of India. Penguin UK, 2017

4. Hron, Madelaine. “The Trauma of Displacement.” Trauma and Literature, edited by J. Roger Kurtz, Cambridge University Press, Cambridge, 2018, pp. 284–298. Cambridge Critical Concepts.

1. Lorde, Audre. The cancer journals. Penguin, 2020.

A Piece of Cake, Roahl Dahl. Short story. 2. Kruger, Marie. “Trauma and the Visual Arts.” Trauma and Literature, edited by J. Roger Kurtz, Cambridge University Press, Cambridge, 2018, pp. 255–269. Cambridge Critical Concepts.

Evaluation Pattern

CIA 1: 20 marks

The students can be tested through the writing of argumentative essays, critical analysis of essays, class presentations, group discussions, creative writing, creative visualizations either as individual or group work.

CIA 2: MSE – 50 Marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

Students will be tested on their conceptual clarity, theoretical engagements, application and analysis of given texts and contexts

CIA 3: 20 marks

The students can be evaluated through exhibitions, visual essays or visual stories, mini-documentaries, performances, creating social media content and promotions, cumulative portfolios, docudramas and other modes of creative evaluation suitable for the course. 

ESE: 50 marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

 

Students will be tested on their conceptual clarity, theoretical engagements, application and analysis of given texts and contexts. 

BENG641B - LITERARY DISABILITY STUDIES (2021 Batch)

Total Teaching Hours for Semester:60
No of Lecture Hours/Week:4
Max Marks:100
Credits:4

Course Objectives/Course Description

 

All human beings experience a significant illness or disability at some point in life; yet economic, political, social, and cultural factors complicate the medical frameworks through which societies normally address disabled bodies. The introduction to the course will bring new voices into existing conversations and allow students to initiate new lines of inquiry into how "disability" shapes, and is shaped by, literary texts. Critical engagement with the course reveals the formation and hegemony of normalcy in literary works. It traces the meanings of disability that are not constant, but vary from work to work, just as in reality they vary with bodily condition, time, and place. Probing representations of such characters and revealing hidden patterns and expanding the way canonical narratives are read. This course is conceived to explore literature and literary topics from a disability studies perspective which thrive to understand the human values of vulnerable bodies and disabled bodies. The aim of this course is to provide a general introduction to Disability Studies as they apply to the study of literature, particularly fictional narratives, but with some emphasis also on autobiography and poetry. It also includes critical essays on contemporary focus with human values such as body modification, narratives on ageing, narrative on body shaming etc. 

Learning Outcome

CO1: Identify some of the literary strategies that authors use in depicting people with disabilities in their literary works through class discussions and assignments

CO2: Apply the major theoretical approaches within Disability Studies to examine the representations of disability in literature through research articles and assignments

CO3: Analyze the implications of these representations for public perceptions of disability and people with disabilities in academic/public discussions and research engagements

CO4: Curate exhibition and awareness on issues of person with disability from Indian context.

Unit-1
Teaching Hours:15
Introduction
 

Unit details: Description: The unit introduces the students to the foundational texts from global context to develop conceptual understanding of disability. This prepare the students to understand the human values of person with disability. The foundational unit will help the students to get employment in academics and research. 1. A Brief history of Literary Disability Studies (David Bolt, 2017)

Linton, Simi. “What Is Disability Studies?” PMLA/Publications of the Modern Language Association of America, vol. 120, no. 2, 2005, pp. 518–522., doi:10.1632/s0030812900167823. 3. “Introduction: Disability, Normality, and Power.” The Disability Studies Reader, 2016, pp. 17–30., doi:10.4324/9781315680668-6. 4. Mitchell, David T., and Sharon L. Snyder. Narrative Prosthesis: Disability and the Dependencies of Discourse. The University of Michigan Press, 2011. 5. Quayson, Ato. “Aesthetic Nervousness .

 

Unit-2
Teaching Hours:15
Prose and Poetry about disability
 

The unit offers an introduction of prose and poetry written about and written by person with disabilities that help them understand the human values of person with disabilities. Understanding the prose and poetry written by person with disabilities from global and national level help the student to recognise the human values of person with disabilities. Understanding the perspective of disabilities can lead to working with disabled community to publish and promote their work. 1. Flannery O'Connor: “Good Country People” 2. Raymond Carver: “Cathedral” 3. Saadat Hasan Manto: Manzoor 4. Ferris, Jim. The Hospital Poems. 5. Petra Kupper. The Origin of My Wheelchair 6. Mukhopadhyay, Tito Rajarshi. “Five Poems.”

Unit-3
Teaching Hours:15
Disability Narratives and Disability Culture
 

Description: This unit deals with disability narratives and disability culture from global and national disability scholars and activist. Texts offers narrative perspectives on bodies that are aged, fat, and disfigured to understand the human values of vulnerable bodies. Understanding of disability culture help the student to get employed with NGOs working with people with disabilities. 1. Lucy Grealy, Autobiography of a Face (with reference to film Wonder/Chhapak) 2. Hemchandran Karah (2019). Stares of the Blind: Neglected Facet of Human Bonding 3. Rashid Jahan, Who (That One) 4. Dubus, “The Fat Girl” (Fat Studies) 5. Alice Munro, “The Bear Came Over the Mountain” (Screening of Away From Her) 6. Gullette, chapters from Aged by Culture. 

Unit-4
Teaching Hours:15
: Disability in Translation
 

Description: This unit offers understanding of disability as a new angle to understand the vernacular literature from Indian context. Understanding this unit will help the student to establish the human value of disability in Indian literature. This will help them to employ their learning in unearthing representation of disabilities in Indian literature. 1. Radha Chakravarty, A Different Idiom: Translation and Disability 2. Shilpaa Anand , Translating rhetoricity and everyday experiences of disablement: the case of Rashid Jahan’s ‘Woh’ 3. Shilpa Das ‘Lohini Sagai’: translating disability, literature and culture 4. Santosh Kumar, Jataka Katha Goes On: Metaphor as Materiality

Text Books And Reference Books:

 

All texts prescribed in the syllabus

Essential Reading / Recommended Reading

Davis, L.J. The Disability Studies Reader, Routledge, 2013. Mitchell, D., & Snyder, S. “Narrative Prosthesis and the Materiality of Metaphor.” In Narrative Prosthesis: Disability and the Dependencies Discourse (pp.7-64). Ann Arbor: University of Michigan Press. 2000 Quayson, Ato, (ed.). Aesthetic Nervousness: Disability and the Crisis of Representation. New York: Columbia University Press, 2007

Davis, L.J. The Disability Studies Reader, Routledge, 2013.

Davis, L.J. The Disability Studies Reader, Routledge, 2013. Foucault, M. Madness And Civilization: A History Of Insanity In The Age Of Reason. Vintage Books 1988, c1965. Print.

James Wilson and Cynthia Lewiecki-Wilson, (eds.) Embodied Rhetorics: Disability in Language and Culture. Southern Illinois University Press, 2001.

Davis, L.J. The Disability Studies Reader, Routledge, 2013.

Foucault, M. Madness And Civilization: A History Of Insanity In The Age Of Reason. Vintage Books 1988, c1965. Print. James Wilson and Cynthia Lewiecki-Wilson, (eds.) Embodied Rhetorics: Disability in Language and Culture. Southern Illinois University Press, 2001. Sharon L. Snyder, Brenda Jo Brueggemann, and Rosemarie Garland-Thomson, (eds.). Disability Studies: Enabling the Humanities. Modern Language Association, 2002 Shakespeare, Tom. Disability Rights and Wrongs. Routledge. 2006

 

 

Evaluation Pattern

CIA 1: 20 marks

The students can be tested through the writing of argumentative essays, critical analysis of essays, class presentations, group discussions, creative writing, creative visualizations either as individual or group work.

CIA 2: MSE – 50 Marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

Students will be tested on their conceptual clarity, theoretical engagements, application and analysis of given texts and contexts

CIA 3: 20 marks

The students can be evaluated through exhibitions, visual essays or visual stories, mini-documentaries, performances, creating social media content and promotions, cumulative portfolios, docudramas and other modes of creative evaluation suitable for the course. 

ESE: 50 marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

 

Students will be tested on their conceptual clarity, theoretical engagements, application and analysis of given texts and contexts. 

BENG642A - POPULAR CULTURE: THE POLITICS OF THE EVERYDAY (2021 Batch)

Total Teaching Hours for Semester:60
No of Lecture Hours/Week:4
Max Marks:100
Credits:4

Course Objectives/Course Description

 

Whether it is the latest video game that everyone is raving about or the newest retelling of a superhero flick that has set a new benchmark in popularity, popular culture pervades our everyday lives. It is critically important to study popular culture in order to assess its social, political, cultural and economic impact on society. This course will demonstrate to students the overall importance of popular culture in their lives. Taking textual and visual materials from the local, regional, national and international contexts, the course will explore the way in which popular culture is defined, interpreted and disseminated at various levels. How it operates within axes of intersectionalities like gender, class, race, caste, ecology, the human, technology and the posthuman. This academic inquiry into the nuances of popular culture, will equip the students with critical thought and analysis required to decode and dissect the ethics, values and codes ingrained in the cultural productions. Such a decoding will help them understand the way in which questions of gender, race, class, sustainability can be examined and evaluated through popular discourses. The course through textual engagements, class discussions, individual and group assignments aim to develop analytical skills, critical thinking, creativity and initiative among students. This course will enable students to develop keen insights on the way in which popular culture impacts and informs our daily lives. With a focus on the theoretical and practical aspects of popular culture, the course will equip the students with critical thinking analytical skills along with communication skills that can be professionally used in media management, academic research and a variety of other areas

Learning Outcome

CO1: Identify and demonstrate the relationship between popular culture and society through written and creative assignments, class discussions and debates and class presentations

CO2: Review and assess regional, national and global aspects of popular culture productions in their written and creative assignments, class discussions, and presentations.

CO3: Critically evaluate the role of popular culture in constructing or reinforcing personal beliefs and ideological positions through submissions and collaborative projects.

CO4: Question popular culture artifacts and its relationship to consumer culture through research assignments and creation of popular culture artefacts.

Unit-1
Teaching Hours:15
What is Popular Culture and Why Study Popular Culture?
 

This unit will introduce students to the domain of popular culture within academia with its politics and contestations. It will enable the students to understand the manifestations of the popular in terms of its local, regional, national and global determinations and ideological underpinnings. It will attempt to locate the significance of the discipline and domain in the contemporary professional and academic scenario and will equip students with critical and analytical skills to engage with the discipline in academia and outside of it. 

Cruz, Omayra Zaragoza, and Raiford Guins. Introduction. Popular Culture: A Reader. Sage, 2015, pp. During, Simon. “Popular Culture on a Global Scale: A Challenge for Cultural Studies?” Critical Inquiry, vol. 23, no. 4, 1997, pp. 808–33. JSTOR, http://www.jstor.org/stable/1344050. Accessed 1 Mar. 2023. Mukerji, Chandra, and Michael Schudson. “Popular Culture.” Annual Review of Sociology, vol. 12, 1986, pp. 47–66. JSTOR, http://www.jstor.org/stable/2083194. Accessed 1 Mar. 2023. Hall, Dennis R. “The Study of Popular Culture: Origin and Developments.” Studies in Popular Culture, vol. 6, 1983, pp. 16–25. JSTOR, http://www.jstor.org/stable/45018101. Accessed 1 Mar. 2023.

Unit-2
Teaching Hours:15
Debates and Discourses in PC
 

This unit will enable students to examine and evaluate major debates and discourses that inform popular cultures studies in the global and national context. It will scaffold the domain through theories that have emerged across disciplines which enable one to recognise the intersections of race, class, gender and environment that determine the examination and analysis of popular culture

Hall, Stuart. “Notes on Deconstructing the Popular”. Essential Essays, Volume 1: Foundations of Cultural Studies, edited by David Morley, Duke UP, 2018. Marx, Karl. “The Fetishism of Commodities and The Secret Thereof.” Capital: Volume One, by Karl Marx et al., Dover Publications, Inc, 2019. Lopes, Paul. “Culture and Stigma: Popular Culture and the Case of Comic Books.” Sociological Forum, vol. 21, no. 3, 2006, pp. 387–414., doi:10.1007/s11206-006-9022-6. Department of English and Cultural Studies

Althusser, Louis. “Ideology and Ideological State Apparatuses: Notes Towards an Investigation”. In Lenin and Other Essays, Monthly Press Review, 1971. Barthes, Roland. “Plastic.” In Mythologies, trans by Annette Lavers, Penguin, 2000, p. 97.

Unit-3
Teaching Hours:15
Subcultures and Countercultures
 

Description: This unit will help develop skills to examine and analyse subcultures and countercultures and the different forms of popular cultures that occupy the lives of the common man within regional, national and international contexts. It will examine subcultural and countercultural movements that question notions of gender, race, religion and consumption.

Excerpts from Hebdige, Dick. Subculture: The Meaning of Style. Routledge, 2011. Busse, Kristine. “Beyond Mary Sue: Fan Representation and the Complex Negotiation of Gendered Identity:. In Seeing Fans: Representations of Fandom in Media and Popular Culture, Lucy Bennett and Paul Booth, eds., Bloomsbury Academic, 2016, pp. 159-168. Bloomsbury Collections - Seeing Fans - Representations of Fandom in Media and Popular Culture (knimbus.com). Accessed on 2 March 2023. Robards, Brady, and Andy Bennett. “My Tribe: Post-Subcultural Manifestations of Belonging on Social Network Sites.” Sociology, vol. 45, no. 2, 2011, pp. 303–17. JSTOR, http://www.jstor.org/stable/42857540. Accessed 2 Mar. 2023. Zimmerman, Nadya. “Refusing to Play, Pluralism, and Anything Goes: Defining the Counterculture.” Counterculture Kaleidoscope: Musical and Cultural Perspectives on Late Sixties San Francisco, University of Michigan Press, 2008, pp. 1–21. JSTOR, http://www.jstor.org/stable/10.3998/mpub.192464.3. Accessed 2 Mar. 2023.Subcultures and Countercultures 

Unit-4
Teaching Hours:15
Popular Culture in India
 

Unit Description: This unit will enable students to examine and evaluate discourses of the popular within the nation and its implications in the global and regional contexts. The section will engage with questions that are of human and cultural significance to participants in the cultural formations.

Anupama Kapse. “Double Trouble: SRK, Fandom, and Special Effects.” Framework: The Journal of Cinema and Media, vol. 58, no. 1–2, 2017, pp. 187–208. JSTOR, https://doi.org/10.13110/framework.58.1-2.0187. Accessed 2 Mar. 2023. Gerritsen, Roos. “Keeping in Control: The Figure of the Fan in the Tamil Film Industry.” Intimate Visualities and the Politics of Fandom in India, Amsterdam University Press, 2019, pp. 55–84. JSTOR, https://doi.org/10.2307/j.ctvr0qr1v.6. Accessed 2 Mar. 2023. Mehta, Monika, and Lisa Patti. “Imagining Virtual Audiences: Digital Distribution, Global Media, and Online Fandom.” Pop Empires: Transnational and Diasporic Flows of India and Korea, edited by S. HEIJIN LEE et al., University of Hawai’i Press, 2019, pp. 249– 67. JSTOR, https://doi.org/10.2307/j.ctv7r429w.22. Accessed 2 Mar. 2023. Herbert, Caroline. “National Hauntings: Specters of Socialism in Shree 420 and Deewar”. In Popular Ghosts: The Haunted Spaces of Everyday Culture. Bloomsbury Academic, 2002. http://dx.doi.org/10.5040/9781628928266. Accessed on March 2, 2023. 

Text Books And Reference Books:

 

All texts prescribed in the syllabus

Essential Reading / Recommended Reading

Fiske, John. Reading the popular. Routledge, 2009. Freccero, Carla. Popular culture: An introduction. New York UP, 1999. Gokulsing, Moti K. and Wimal Dissanayake. Popular culture in a globalised India. Routledge, 2008. Haselstein, Ulla, et al. “Popular Culture: Introduction.” Amerikastudien / American Studies, vol. 46, no. 3, 2001, pp. 331–38. JSTOR, http://www.jstor.org/stable/41157662. Accessed 1 Mar. 2023. Sherman, Marilyn R., and Roger B. Rollin. “Opportunities for Research and Publication in Popular Culture.” Studies in Popular Culture, vol. 6, 1983, pp. 35–46. JSTOR, http://www.jstor.org/stable/45018103. Accessed 1 Mar. 2023. Parker, Holt N. “Toward a Definition of Popular Culture.” History and Theory, vol. 50, no. 2, 2011, pp. 147–70. JSTOR, http://www.jstor.org/stable/41300075. Accessed 1 Mar. 2023. Wagers, Robert. “Popular Fiction Selection in Public Libraries: Implications of Popular Culture Studies.” The Journal of Library History (1974-1987), vol. 16, no. 2, 1981, pp. 342–52. JSTOR, http://www.jstor.org/stable/25541200. Accessed 1 Mar. 2023.

Harsin, Jayson and Mark Hayward. “Stuart Hall’s ‘Deconstructing the Popular’: Reconsiderations 30 Years Later”. Communication, Culture & Critique, June 2013. doi: 10.1111/cccr.12009. Accessed on 2 March 2023. Barthes, Roland. Mythologies, transalated by Annette Lavers. Penguin, 2000. Bordo, Susan, and Jean Kilbourne. “Anorexia Nervosa: Psychopathology as the Crystallization of Culture.” Women, Knowledge, and Reality, 2015, pp. 398–428., doi:10.4324/9780203760635-34. Gimlin, Debra. “Accounting for Cosmetic Surgery in the USA and Great Britain: A Cross-Cultural Analysis of Women's Narratives.” Body & Society, vol. 13, no. 1, 2007, pp. 41–60., doi:10.1177/1357034x07074778. Janssen, David A. Time to Lose Faith in Humanity: The - JSTOR. www.jstor.org/stable/23414985. Adorno, Theodor W. “Culture Industry Reconsidered.” The Culture Industry: Selected Essays on Mass Culture, by Theodor W. Adorno and J. M. Bernstein, Routledge, 2001, pp. 98–106.

Fiske, John. “Shopping for Pleasure: Malls as Power and Resistance.” In Reading the Popular, Routledge, 2011, pp. 

Samuels, Bob. “Facebook, Twitter, YouTube-and Democracy.” AAUP, 7 Apr. 2015, www.aaup.org/article/facebook-twitteryoutube%E2%80%94and-democracy. Muggleton, David. “Postmodern Subcultures and Aesthetic Modernity”. In Inside Subcultures: The Postmodern Meaning of Style, Bloomsbury Academic, 2002. http://dx.doi.org/10.5040/9781474214988. Accessed on 2 March 2023. Roberts, Derek. “Modified People: Indicators of a Body Modification Subculture in a Post-Subculture World.” Sociology, vol. 49, no. 6, 2015, pp. 1096–112. JSTOR, http://www.jstor.org/stable/44016774. Accessed 2 Mar. 2023. Dowd, James J., and Laura A. Dowd. “The Center Holds: From Subcultures to Social Worlds.” Teaching Sociology, vol. 31, no. 1, 2003, pp. 20–37. JSTOR, https://doi.org/10.2307/3211422. Accessed 2 Mar. 2023. du Plessis, Michael, and Kathleen Chapman. “Queercore: The Distinct Identities of Subculture.” College Literature, vol. 24, no. 1, 1997, pp. 45–58. JSTOR, http://www.jstor.org/stable/25099625. Accessed 2 Mar. 2023. Suri, Jeremi. “The Rise and Fall of an International Counterculture, 1960-1975.” The American Historical Review, vol. 114, no. 1, 2009, pp. 45–68. JSTOR, http://www.jstor.org/stable/30223643. Accessed 2 Mar. 2023. Averyt, William F. “THE PHILOSOPHY OF THE COUNTERCULTURE.” Naval War College Review, vol. 23, no. 7, 1971, pp. 17–25. JSTOR, http://www.jstor.org/stable/44641214. Accessed 2 Mar. 2023.

Gerritsen, R. (2019). Chennai beautiful: Shifting urban landscapes and the politics of spectacle. In Intimate Visualities and the Politics of Fandom in India (pp. 189–224). Amsterdam University Press. https://doi.org/10.2307/j.ctvr0qr1v.10 Vadde, Aarthi. “Amateur Creativity: Contemporary Literature and the Digital Publishing Scene.” New Literary History, vol. 48, no. 1, 2017, pp. 27–51. JSTOR, http://www.jstor.org/stable/44505273. Accessed 2 Mar. 2023. Chopra, Rohit. “Global Food, Global Media, Global Culture: Representations of the New Indian Cuisine in Indian Media”. In The Bloomsbury Handbook of Food and Popular Culture, K. LeBesco & P. Naccarato eds, Bloomsbury Academic, 2018, pp. 40–53. http://dx.doi.org/10.5040/9781474296250.0010. Accessed on March 2, 2023. 

 

Evaluation Pattern

CIA 1: 20 marks

The students can be tested through the writing of argumentative essays, critical analysis of essays, class presentations, group discussions, creative writing, creative visualizations either as individual or group work.

CIA 2: MSE – 50 Marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

Students will be tested on their conceptual clarity, theoretical engagements, application and analysis of given texts and contexts

CIA 3: 20 marks

The students can be evaluated through exhibitions, visual essays or visual stories, mini-documentaries, performances, creating social media content and promotions, cumulative portfolios, docudramas and other modes of creative evaluation suitable for the course. 

ESE: 50 marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

 

Students will be tested on their conceptual clarity, theoretical engagements, application and analysis of given texts and contexts. 

BENG642B - ENGAGING WITH CINEMA (2021 Batch)

Total Teaching Hours for Semester:60
No of Lecture Hours/Week:4
Max Marks:100
Credits:4

Course Objectives/Course Description

 

This course introduces students step by step to the skills involved in the study of film. It gives priority to the students’ point of entry by creating a concrete platform, thereby valuing any initial filmic knowledge they bring as the best place to start from. It aims to foster an approach to film that will enable the study of any film as a valuable artefact, and thereby encourage personal response, active research, the practical application of learning, and greater diversity in study, allowing interests and enthusiasm a place in education. Individual chapters address the following key areas. The course aims to help students • To learn the basic language of cinema and thereby take a more analytical approach to their whole experience of cinema • to appreciate, understand and read films as audio-visual texts and to to read and write critically about them • Introduce students to the diverse forms and types of films and movements. Films will be screened regularly to explain the concepts to students. The films screened will be the primary texts and not mere contexts to teach the concepts

Learning Outcome

CO1: Identify and define stylistic elements of cinema, and develop an understanding of the semiotics of films through classroom discussions and their assignments.

CO2: Critically examine regional, national, and global cinema in relation to race, caste, gender, sexuality, and nationalism in their presentations, and assignments.

CO3: Demonstrate a broad knowledge of film history, national cinemas, and modes of production through written assignments and class presentations.

CO4: Develop critical and interpretative skills in their interaction with cinema and other visual texts through their assignments and critical readings of texts

Unit-1
Teaching Hours:15
Engaging with Cinema
 

Introduction Hours: 15 Unit details: This unit introduces the academic discipline of film studies that deals theoretical, critical and historical approaches to cinema. The artistic, political, cultural and economic implications of global cinema is introduced to students in this unit. 89. Film and Art - “Film as Art: Creativity, Technology, and Business,” Film Art: An Introduction 90. Film Studies - “What is Film Studies? What does it mean to study films?” As Film Studies: An Essential Introduction 91. Components of Film Form Film Narrative, Mise-en-scene, Cinematography, Editing and Sound 

Bordwell, David, and Thompson, Kristin. Film history: an Introduction. Boston, McGraw-Hill, 2003. Nelms, Jill. Introduction to Film Studies. United Kingdom, Taylor & Francis, 2012.Beginning Film Studies Gaffney, Freddie, et al. As Film Studies: The Essential Introduction. United Kingdom, Routledge, 2006. Dix, Andrew. Beginning Film Studies: Second Edition. United Kingdom, Manchester University Press, 2016. Sikov, Ed. Film Studies: An Introduction. United Kingdom, Columbia University Press, 2010.

Unit-2
Teaching Hours:15
Films: Genre, and Movements
 

Films: Genre, and Movements Hours: 15 Unit details: This unit will introduce students to the concept of film genre and includes sections of the concepts of identifying, understanding and studying genre. Global to regional films will be discussed as part of the unit. The relations pf genres to race, sexuality, gender, history, national identity and class also will be discussed. • Film Genres- Film Noir • Film Movements – German Expressionist cinema to Iranian New Wave Cinema

Clarke, James. Movie Movements. United Kingdom, Oldcastle Books, 2011. Haaland, Torunn. Italian Neorealist Cinema. United Kingdom, Edinburgh University Press, 2012. Kozloff, Sarah, et al. An Introduction to Film Genres. United Kingdom, W.W. Norton, 2014.

Unit-3
Teaching Hours:15
Films: Genre, and Movements
 

This unit will introduce students to the concept of film genre and includes sections of the concepts of identifying, understanding and studying genre. Global to regional films will be discussed as part of the unit. The relations pf genres to race, sexuality, gender, history, national identity and class also will be discussed. • Film Genres- Film Noir • Film Movements – German Expressionist cinema to Iranian New Wave Cinema Teaching learning strategies: Lectures, classroom discussions, film screenings, group discussions and presentations Essential readings: Clarke, James. Movie Movements. United Kingdom, Oldcastle Books, 2011. Haaland, Torunn. Italian Neorealist Cinema. United Kingdom, Edinburgh University Press, 2012. Kozloff, Sarah, et al. An Introduction to Film Genres. United Kingdom, W.W. Norton, 2014.

Spicer, Andrew. Film Noir. United Kingdom, Taylor & Francis, 2018. Wagstaff, Christopher. Italian Neorealist Cinema: An Aesthetic Approach. United Kingdom, University of Toronto Press, 2007

Unit-4
Teaching Hours:15
Cinema: Ideology and the Politics of Representation
 

This unit is attempting to place and understand cinema as an ideological text. The relationship of cinema to various identities such as gender, race, caste, nation, class and sexuality will be examined through films from across the globe. Feminist film theory, third cinema, women’s cinema, national cinemas etc will be discussed in class. 110. Cinema, identity and representation 111. Gender and Cinema 112. Caste, race and cinema 113. Nation and Cinema Teaching learning strategies: Lectures, classroom discussions, film screenings, group discussions and presentations Essential readings: Everett, Anna. “The Other Pleasures: The Narrative Function of Race in the Cinema.” Film Criticism, vol. 20, no. 1/2, 1995, pp. 26–38. JSTOR, http://www.jstor.org/stable/44018837. Accessed 5 Mar. 2023. Hollinger, Karen. Feminist Film Studies. United Kingdom, Taylor & Francis, 2012. Mayer, Sophie. “Uncommon Sensuality: New Queer Feminist Film/Theory.” Feminisms: Diversity, Difference and Multiplicity in Contemporary Film Cultures, edited by Laura Mulvey and Anna Backman Rogers, Amsterdam University Press, 2015, pp. 86–96. JSTOR, http://www.jstor.org/stable/j.ctt16d6996.12. Accessed 5 Mar. 2023. Julurie, Vamsee. The Routledge Companion to Caste and Cinema in India. India, Taylor & Francis. Cinema and Nation. United Kingdom, Taylor & Francis, 2005.

Text Books And Reference Books:

 

All texts prescribed in the syllabus

Essential Reading / Recommended Reading

Ahmed, Omar. Studying Indian Cinema. United Kingdom, Columbia University Press, 2015. Buckland, Warren. Film Studies: An Introduction: Teach Yourself. United Kingdom, John Murray Press, 2015. Bordwell, David, and Thompson, Kristin. Film Art: An Introduction. Israel, McGraw-Hill, 1993. Bordwell, David. Poetics of Cinema. N.p., Taylor & Francis, 2012. Dmytryk, Edward. On Film Editing. United Kingdom, Taylor & Francis, 2012. Doughty, Ruth (ed.) Film: The Essential Study Guide. United Kingdom, Taylor & Francis, 2008. Suggested Films: The Great Train Robbery (1903),The Tramp- Charlie Chaplin, Workers Leaving the Lumiere Factory The Cabbage Fairy , Modern Times

Browne, Nick. Refiguring American Film Genres: Theory and History. United Kingdom, University of California Press, 1998 Johnston, Keith M.. Science Fiction Film: A Critical Introduction. United Kingdom, Bloomsbury Publishing, 2011. Langford, Barry. Film Gnre : Hollywood and beyond. Edinburgh, Edinburgh University Press, 2005. Luhr, William. Film Noir. Germany, Wiley, 2012. Shiel, Robert, and Shiel, Mark. Italian Neorealism: rebuilding the cinematic city. Germany, Wallflower Press, 2006. Sikov, Ed. Film Studies: An Introduction. United Kingdom, Columbia University Press, 2010. Park, William. What Is Film Noir? United Kingdom, Rowman & Littlefield Publishing Group, Incorporated, 2011. The Oxford Guide to Film Studies. Spain, Oxford University Press, 1998. Film Noir Reader 2. United States, Limelight Editions, 1999.

Morrison, James. Auteur Theory and My Son John. United Kingdom, Bloomsbury Publishing, 2018. The Global Auteur: The Politics of Authorship in 21st Century Cinema. United States, Bloomsbury Publishing, 2016. Hodsdon, Barrett. The Elusive Auteur: The Question of Film Authorship Throughout the Age of Cinema. United States, McFarland, Incorporated, Publishers, 2017. Vincendeau, Ginette. Stars and Stardom in French Cinema. United Kingdom, Bloomsbury Publishing, 2000. Revisiting Star Studies: Cultures, Themes and Methods. United Kingdom, Edinburgh University Press, 2017. Manṭo, Saʻādat Ḥasan. Stars from Another Sky: The Bombay Film World of the 1940s. India, Penguin Books, 2010

Bukatman, Scott. “Spectacle, Attractions and Visual Pleasure.” The Cinema of Attractions Reloaded, edited by Wanda Strauven, Amsterdam University Press, 2006, pp. 71–82. JSTOR, http://www.jstor.org/stable/j.ctt46n09s.8. Accessed 5 Mar. 2023. Rocchio, Vincent F.. Reel Racism: Confronting Hollywood's Construction Of Afro-american Culture. United Kingdom, Avalon Publishing, 2000. Race in American Film: Voices and Visions that Shaped a Nation [3 Volumes]. United States, ABC-CLIO, 2017. Columpar, Corinn. “The Gaze As Theoretical Touchstone: The Intersection of Film Studies, Feminist Theory, and Postcolonial Theory.” Women’s Studies Quarterly, vol. 30, no. 1/2, 2002, pp. 25–44. JSTOR, http://www.jstor.org/stable/40004635. Accessed 5 Mar. 2023. Denzin, Norman K. Reading Race: Hollywood and the Cinema of Racial Violence. United Kingdom, SAGE Publications, 2002. Murray, Terri. Studying Feminist Film Theory. United Kingdom, Liverpool University Press, 2019. Juluri, Vamsee. Bollywood Nation: India Through Its Cinema. India, Penguin Books Limited, 2013. The Encyclopedia of Racism in American Films. United States, Rowman & Littlefield Publishers, 2018. Kannabiran, Vasanth, and Kalpana Kannabiran. “Caste and Gender: Understanding Dynamics of Power and Violence.” Economic and Political Weekly, vol. 26, no. 37, 1991, pp. 2130–33. JSTOR, http://www.jstor.org/stable/41626993. Accessed 5 Mar. 2023. Klippel, Heike. “Laura Mulvey: ‘Fetishism and Curiosity.’” Frauen Und Film, no. 60, 1997, pp. 216–17. JSTOR, http://www.jstor.org/stable/24055751. Accessed 5 Mar. 2023. McEwan, Paul. Cinema's Original Sin: D.W. Griffith, American Racism, and the Rise of Film Culture. N.p., University of Texas Press, 2022. Perinbanayagam, R. S. “Caste, Politics, and Art.” The Drama Review: TDR, vol. 15, no. 2, 1971, pp. 206–11. JSTOR, https://doi.org/10.2307/1144640. Accessed 5 Mar. 2023.

 

Evaluation Pattern

CIA 1: 20 marks

The students can be tested through the writing of argumentative essays, critical analysis of essays, class presentations, group discussions, creative writing, creative visualizations either as individual or group work.

CIA 2: MSE – 50 Marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

Students will be tested on their conceptual clarity, theoretical engagements, application and analysis of given texts and contexts

CIA 3: 20 marks

The students can be evaluated through exhibitions, visual essays or visual stories, mini-documentaries, performances, creating social media content and promotions, cumulative portfolios, docudramas and other modes of creative evaluation suitable for the course. 

ESE: 50 marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

 

Students will be tested on their conceptual clarity, theoretical engagements, application and analysis of given texts and contexts. 

BENG642C - HORROR NARRATIVES (2021 Batch)

Total Teaching Hours for Semester:60
No of Lecture Hours/Week:4
Max Marks:100
Credits:4

Course Objectives/Course Description

 

Horror narratives are a seminal part of popular culture and they have socio-cultural impacts at local, regional, national, and global levels. The course aims to study the genre horror as one among the many forms of cultural production. The course will introduce students to the genre of horror and equip students to develop critical engagement with Horror narratives and their contexts and how it shapes human values. The primary focus of the course will be horror fiction and films. The horror genre will be studied as a platform that addresses cross cutting issues of race, social unrest, sexuality, class, gender, religion and science etc.

Learning Outcome

CO1: Identify the horror genre as an artistic means to address issues of race, sexuality, class, gender, religion, and science through critical and interpretative essays.

CO2: Develop critical insights into the politics of Horror narratives in regional, national and global contexts through close readings of a variety of texts in their assignments and presentations.

CO3: Examine the aesthetics and narrative stylistics of the genre and recreate it through creative/performative assignments.

CO4: Interpret the power relations in the construction and consumption of the Horror in popular culture through their peer engagements and assignments.

Unit-1
Teaching Hours:15
Unit: Introduction to Horror Narratives
 

The unit introduces the genre and its developement and raises theoretical questions on the significance and popularity of horror narratives across the world. Human values such as fear, response to the grotesque, consumption of the idea of the unknown etc will be engaged with and enable development of critical skills. 92. “Mortal Coils.” The Biology of Horror: Gothic Literature and Film, by Jack Morgan, Southern Illinois University Press, 2006. 93. Why Horror? .” The Philosophy of Horror or, Paradoxes of the Heart, by Carroll Noël, Routledge, 1990. 94. Creed, Barbara. “Kristeva, Femininity, Abjection.” The Horror Reader, by Ken Gelder, Routledge, 2005. 95. King, Stephen. Why We Crave Horror Movies. faculty.uml.edu/bmarshall/Lowell/whywecravehorrormovies.pdf

“Mortal Coils.” The Biology of Horror: Gothic Literature and Film, by Jack Morgan, Southern Illinois University Press, 2006. Why Horror? .” The Philosophy of Horror or, Paradoxes of the Heart, by Carroll Noël, Routledge, 1990. Creed, Barbara. “Kristeva, Femininity, Abjection.” The Horror Reader, by Ken Gelder, Routledge, 2005.

King, Stephen. Why We Crave Horror Movies. faculty.uml.edu/bmarshall/Lowell/whywecravehorrormovies.pdf.

Unit-2
Teaching Hours:15
Reading Horror
 

Unit details: The unit introduces global and national literary texts that allow insights into the form of the horror genre and the narrative stylistics associated with it. This also enables students to critically engage with human concerns around religion, death, racism and slavery and enables a sensitive reading of these texts and contexts. 84. Poe, Edgar Allan. “The Fall of the House of Usher.” The Fall of the House of Usher: And Other Tales, by Edgar Allan Poe, Vintage, 2010. 85. Morrison, Toni. Beloved. Vintage Classics, 2020. 86. D'Silva, Neil. Maya's New Husband. 1st ed., Authors' Ink Publications, 2015. 87. Saadawi, Ahmed. Frankenstein in Bagdhad. Oneworld Publications, 2018. 88. Higson, Charlie. The Enemy. Penguin Books, 2018.

 

Unit-3
Teaching Hours:15
Unit: Seeing Horror
 

Unit details: The unit introduces the visual aspects of the horror genre through films and series and allows readings on issues of gender, war, childhood, etc on a global and regional scale and develops appreciation of stylistics of horror and narrative techniques in films of the genre. 77. Polanski, Roman, director. Rosemary's Baby. Paramount Pictures Studios, 1968. 78. Kubrick, Stanley, director. The Shining. Wendy Carlos, 1980. 79. Boyle, Danny, director. 28 Days Later. 20th Century, 2002

Toro, Guillermo del, director. The Devil's Backbone. Warner Bros, 2001. 81. Flanagan, Mike, director. The Haunting of the Hill House. The Haunting of the Hilll House, Netflix. 82. Gandhi, Anand and Rahi Anil Barve, directors. Tumbbad. Eros International, 2018. 83. Episodes from Master’s Sun- South Korean TV series

Unit-4
Teaching Hours:15
Unit: Horror and Popular Culture
 

Unit details: The unit introduces the students to a critical examination of the global consumption of the genre through different forms like fanfiction, fandom cultures, cosplay, Halloween cultures, etc and how that resonates with concerns around gender, class,race, environment and other cross cutting issues. Equipped with the insights on aesthetics and narrative techniques of the genre, students can develop their critical and creative skills through fanfiction and cosplay and other performative assignments. 114. Popular consumption of horror narratives 115. Halloween and other traditions and recreations 116. Fandom and Fanfiction

Essential readings: 1.Geraci, Robert M., et al. “Grotesque Gaming: The Monstrous in Online Worlds.” Preternature: Critical and Historical Studies on the Preternatural, vol. 5, no. 2, Penn State University Press, 2016, pp. 213–36, https://doi.org/10.5325/preternature.5.2.0213. 2. Miller, C. How Modern Witches Enchant TikTok: Intersections of Digital, Consumer, and Material Culture(s) on #WitchTok. Religions 2022, 13, 118. https://doi.org/10.3390/rel13020118 3. Horror Punk 4.Carroll, Emily. “His Face All Red.” Em Carroll Art & Comics, emcarroll.com/comics/faceallred/01.html. 

Text Books And Reference Books:

 

All texts prescribed in the syllabus

Essential Reading / Recommended Reading

Grixti, Joseph. Terrors of uncertainty: The cultural contexts of horror fiction. Routledge, 2014. Pippin, Tina. “Apocalyptic Horror.” Journal of the Fantastic in the Arts, vol. 8, no. 2 (30), 1997, pp. 198–217. JSTOR, http://www.jstor.org/stable/43308293. Accessed 1 Mar. 2023. HANSCOMB, STUART. “Existentialism and Art-Horror.” Sartre Studies International, vol. 16, no. 1, 2010, pp. 1–23. JSTOR, http://www.jstor.org/stable/23512850. Accessed 1 Mar. 2023. D'ammassa, Don. Encyclopedia of fantasy and horror fiction. Infobase Publishing, 2014

WORLEY, LINDA KRAUS. “The Horror! Gothic Horror Literature and Fairy Tales: The Case of «Der Räuberbräutigam».” Colloquia Germanica, vol. 42, no. 1, 2009, pp. 67–80. JSTOR, http://www.jstor.org/stable/23982654. Accessed 1 Mar. 2023. Twitchell, James B. “‘Frankenstein’ and the Anatomy of Horror.” The Georgia Review, vol. 37, no. 1, 1983, pp. 41–78. JSTOR, http://www.jstor.org/stable/41397330. Accessed 1 Mar. 2023. Hogle, Jerrold E. The Cambridge companion to Gothic fiction. Cambridge University Press, 2002. Hayes, Kevin J., ed. The Cambridge Companion to Edgar Allan Poe. Cambridge University Press, 2002. Salomon, Roger B. “Beyond Realism: Horror Narrative as Parody.” Mazes of the Serpent: An Anatomy of Horror Narrative, Cornell University Press, 2002, pp. 112–44. JSTOR, http://www.jstor.org/stable/10.7591/j.ctv2n7j7k.8. Accessed 1 Mar. 2023.

PINEDO, ISABEL. “RECREATIONAL TERROR: POSTMODERN ELEMENTS OF THE CONTEMPORARY HORROR FILM.” Journal of Film and Video, vol. 48, no. 1/2, 1996, pp. 17–31. JSTOR, http://www.jstor.org/stable/20688091. Accessed 1 Mar. 2023. Schneider, Steven Jay. “Toward an Aesthetics of Cinematic Horror.” The Horror Film, edited by Stephen Prince, Rutgers University Press, 2004, pp. 131–49. JSTOR, http://www.jstor.org/stable/j.ctt5hj2bp.10. Accessed 1 Mar. 2023. Langford, Barry. “The Horror Film.” Film Genre: Hollywood and Beyond, Edinburgh University Press, 2005, pp. 158–81. JSTOR, http://www.jstor.org/stable/10.3366/j.ctvxcrbd3.11. Accessed 1 Mar. 2023.

Rehak, Bob. "Materializing monsters: Aurora models, garage kits and the object practices of horror fandom." The Journal of Fandom Studies 1.1 (2012): 27-45. Cherry, Brigid. "Screaming for release: femininity and horror film fandom in Britain." British horror cinema (2002): 42-57.

Evaluation Pattern

CIA 1: 20 marks

The students can be tested through the writing of argumentative essays, critical analysis of essays, class presentations, group discussions, creative writing, creative visualizations either as individual or group work.

CIA 2: MSE – 50 Marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

Students will be tested on their conceptual clarity, theoretical engagements, application and analysis of given texts and contexts

CIA 3: 20 marks

The students can be evaluated through exhibitions, visual essays or visual stories, mini-documentaries, performances, creating social media content and promotions, cumulative portfolios, docudramas and other modes of creative evaluation suitable for the course. 

ESE: 50 marks

Pattern

Section A: 2x10=20

Section B: 1x15=15

Section C: 1x15=15

 

Students will be tested on their conceptual clarity, theoretical engagements, application and analysis of given texts and contexts. 

BENG681 - DISSERTATION (2021 Batch)

Total Teaching Hours for Semester:30
No of Lecture Hours/Week:2
Max Marks:100
Credits:2

Course Objectives/Course Description

 

The Dissertation in English Literature provides the opportunity to carry out a more sustained piece of independent research and to produce a more developed and lengthier piece of academic writing than previously attempted in undergraduate study. It can be on any aspect of English literary studies. This course will lead towards the development of research skills, analytical skills, critical reading skills, critical thinking skills, and editing skills, and enable them to deal with various sensitive cross-cutting issues like gender, sustainability, human values, professional ethics, etc. The student can undertake any one of the following kinds of dissertations: Literary or Cultural Studies Dissertation: A literary or cultural studies dissertation must include a 30-40 pages focused essay, a comprehensive written bibliography. The essay must demonstrate a grasp of relevant creative and critical perspectives in the chosen field, moving beyond a mere summary of what others have said to make an original contribution to critical thought on the student's chosen topic. Electronic or Multimedia Work: A student who wishes to produce this kind of thesis (hypertext, web site, video or audio documentary, etc.) must create an intrinsically electronic or multimedia project. The work must be one that could not possibly be produced in the conventional manner; in other words, its electronic nature must be essential to its theme or subject matter. The work must be accompanied by an annotated bibliography and a 15-20 page written overview. The bibliography should contain sources demonstrating mastery of relevant critical perspectives and arguments in the field. The overview should supplement the work by analyzing the critical context. This analysis should not attempt a point-by-point translation of the work into written form, but should instead engage in a critical dialogue with contemporary works, both theoretical and creative, on the student's subject and method. The project aims to • Introduce learners to various stages of research by enabling learners to be involved in guided research works. • Enable learners to critically engage with social political context related to local, national and gobal context. • Familiarize learners with various research tools, methodologies, and theoretical frameworks. • Support learners to develop critical thinking and research skills by working on dissertation

 

Learning Outcome

CO1: Write research proposals by identifying a topic of research through extensive literature review and critical engagement with text and context that are of relevance to the local, national, and global context.

CO2: Identify and apply suitable methods and methodologies to the area chosen by working on the dissertation and through review meetings.

CO3: Write about the research area clearly, effectively, and succinctly using precise terminology, valid and reliable evidences.

CO4: Develop critical thinking, research and editing skills to support learners? professional and academic endeavors by working on dissertations/research article and research projects.

Unit-1
Teaching Hours:30
Proposal writing
 

Students are supposed to write and submit a research proposal under the supervision of their guides.  

Text Books And Reference Books:

As recommended by the supervisor

Essential Reading / Recommended Reading

As recommended by the supervisor

Evaluation Pattern

Dissertation 

Proposal Submission 

Monthly Review

Draft Submission 

VIVA

SDEN611 - SKILL DEVELOPMENT (2021 Batch)

Total Teaching Hours for Semester:30
No of Lecture Hours/Week:2
Max Marks:50
Credits:0

Course Objectives/Course Description

 

The course has been designed keeping in mind the latest trends and practices in the discipline

 

and a larger extent in the educational system. The course will introduce students to some of the established areas like content writing and publishing, translations, etc. as well as emerging areas like digital humanities, citizen journalism, etc.. The focus here is to help students acquire and nurture skills that are integral for their personal and professional growth.

Course Objectives

The course is designed to:

 

  1. Introduce students to emerging trends in the discipline

  2. Familiarize them with some of the industries associated with the discipline

  3. Enhance skills that could translate academic learning to professional excellence

Learning Outcome

CO1: Identify and familiarize themselves with the potential job ecosystems

CO2: Apply the learnings acquired to professional contexts

CO3: Recognize some of the dominant trends associated with the discipline

Unit-1
Teaching Hours:2
Applicability of English Studies: Technical and Content Writing
 

Writing as a skill has evolved beyond the domains for writing for the print media. With the digital media steadily gaining precedence over print media, writing for the digital media is the newest skill in demand by both academia and industry. This course will also look into the intricacies of language use with respect to different media. Thus, the course aims to teach learners the skills of content generation and presentation preparing them to meet the needs of the industry.

Module Outcomes:

ability to write for digital and print media

audience recognition

 

awareness of ethical concerns

Unit-2
Teaching Hours:2
Environmental Justice
 

 

This unit will examine issues pertaining to the environment and social justice. It focuses on people’s fundamental right to live in clean environment and helps students question and challenge the existing social, political and economic practices that lead to the denial of this basic right to certain sections of the society. The course will introduce students to various concepts and movements related to environment like environmental racism and radical environmental movements. It also would include analysis of some case studies from different parts of the world and literary as well as visual narratives that question the discrimination among people of certain caste/ race/ class and national identities, the denial of their access to basic resources like land, water and clean air and understand their burden of dealing with disposal of hazardous waste in their neighbourhood. This course is therefore, designed to develop a critical approach to understanding environmentalism and social justice and a sensitivity towards nature at large and people in general.

Unit-3
Teaching Hours:4
Digital Humanities
 

 

Over the past few decades, new digital tools have emerged that are now used within a range of humanities disciplines. The course in Digital Humanities provides a solid grasp of how powerful digital tools can be used to analyse, visualise and research digital media and digitised materials. Students will also learn to digitise and process different types of texts and images and how these can be made available at cultural heritage institutions and in other contexts. The programme is multidisciplinary and driven by humanistic inquiry and curiosity. Key themes are the critical evaluation of digital technologies and their use in a number of areas, including knowledge production and cultural heritage.

Unit-4
Teaching Hours:4
International Universities and their Curriculum
 

 

This module provides a comparative understanding of the ways in which international universities design their curricula. It enables learners to gain exposure to transnational ways of approaching academia, allowing them to make more informed choices about the decisions they make and their roles as global citizens, regardless of national or regional identities. The module also allows them to deliberate on issues that are significant at a global level and to engage with curricula as scholars in a way that focuses on internationalisation and awareness of broad real-world contexts.

Unit-5
Teaching Hours:4
Citizenship and Citizen Journalism
 

 

This course is intended to inform students of the rights and entitlements that each one of us is privileged to experience as citizens of a nation and the obligations that one is to follow and carry out being a responsible citizen. This course will also enable students to explore opportunities and avenues to tell stories as ordinary citizens on issues pertaining to their individual lives as well as society at large. It will make students aware of the possibility of becoming a responsible citizen journalist and participate in media discourse. This new genre of journalism is an important initiative towards the democratization of the media and therefore, students will be informed of the ethical practices that are to be adopted in the process of reporting and publishing.

Unit-6
Teaching Hours:4
Translation and Publishing
 

 

This unit will enable learners to develop a nuanced understanding of the field of Translation and the various intricacies and politics related to the process of translation and publishing industry. This will also familiarize them with some of the important stakeholders and the immediate job prospects in the field.

Unit-7
Teaching Hours:2
Publishing for Children
 

This unit will introduce students to writing, illustrating and publishing for children in India. It will introduce them to publishing houses for children’s books, processes and requirements for writing, editing, illustrating for children. It will open possibilities of freelancing with established publishers in addition to helping them understand the nature of children’s publishing and career prospects in them.

 

Unit-8
Teaching Hours:2
Becoming Career-Ready
 

 

This unit will help students develop modes of creating one’s competitive advantage in the professional space. While reiterating the need to understand various limits of self-centered differentiators, the module will introduce the importance of knowledge, interpersonal skills and individual professional values here. It will highlight the various competencies one needs to build in order to become career ready. Some of these competencies include critical thinking skills, oral and written communication, intercultural competencies and work ethics. Sample assessments to understand career-readiness will also be administered in class.

Unit-9
Teaching Hours:2
Heritage and Conservation
 

 

Tourism, rapid-urbanization, natural disasters, violent conflicts and resource-utilization are among the many ever-present threat to archaeological sites. In the face of these challenges, values are the subject of much discussion in contemporary society. Indeed, with the world becoming a global village, the search for values and meaning has become a pressing concern. In the field of cultural heritage conservation, values are critical to deciding what to conserve — what material goods will represent us and our past to future generations — as well as to determining how to conserve. This unit is designed to acquaint the students about the need for looking into heritage and conservation as a field of study, as well as discuss the career opportunities in the same.

Unit-10
Teaching Hours:2
Positive psychology
 

 

The course will acquaint students with the science of well being and help students focus on their strengths rather than weaknesses, so as to help them build a good life. The course will focus on positive experiences like happiness, joy, inspiration, and love; positive states and traits like gratitude, resilience, and compassion and positive institutions by focusing on positive principles within entire organizations and institutions. It will help students develop and incorporate certain good practices in their everyday life, so as to have a meaningful and happy life.

Unit-11
Teaching Hours:2
Comics Journalism
 

This module will introduce the students to the field of comics journalism in general and in India particularly. It will enable them to understand the nitty-gritties of what comics journalism is and how they as writers and illustrators can become social critics through an involved culture of creatively engaging with society and culture. It will also look into how this can be a viable career option.

Text Books And Reference Books:

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Essential Reading / Recommended Reading

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Evaluation Pattern

General Evaluation Pattern: Unit-Wise Continuous Evaluation

 

The evaluation will be based on the assessments formulated by the PTC student-instructors who facilitate each unit in the class. A continuous evaluation pattern will be followed whereby after the completion of each unit, an assignment will follow. The assessment will be done based on predefined rubrics and the score sheet needs to be tabulated. The cumulative score sheet is to be prepared at the end of the semester and the final Skill Development Score is to be computed.